CHAPTER TWENTY-FIVE

CHAPTER TWENTY-FIVE

A smiling servant opened the door and ushered me into the room, gesturing for me to be silent. He needn't have bothered. The music was so loud in the room that I couldn't have been heard, even if I'd shouted. Cupping his hand as if it were a saucer, and pretending to sip from it, he mimed an offer of chai. I nodded.

He closed the door behind him quietly, leaving me alone with Abdul Ghani. The portly figure stood in the broad curve of a high bay window, looking out at a wide view of roof-garden plateaus, balconies ablaze with green and yellow saris hung out to dry, and rust-red herringbone rooftops.

The room was huge. Ornate ceiling rosettes surrounded thick, gold suspension chains for three elaborate chandeliers on the distant ceiling. At the end of the room near the main door, there was a long dining table with twelve high-backed teak chairs. A mahogany armoire ran the length of the table against one wall, and was topped by an immense, rose-glass mirror. Beside the armoire, there was a floor-to-ceiling bookcase running the further length of the wall. On the opposite long wall of the room, four tall windows looked upon the uppermost branches and cool, shading leaves of plane trees lining the street below. The centre of the room, between the wall of books and the tall windows, was set up as an office. A teak-and-leather captain's chair, facing the main door, served a broad, baroque desk. The far end of the room was decorated for entertaining, with leather chesterfields and deep armchairs. Two enormous bay windows in the end wall, behind the couches, dominated the room with arches of brilliant sunlight.

French doors set into the two bay windows opened onto a wide balcony, giving the view of Colaba's inner-city rooftop gardens, clotheslines, and neglected gargoyles.

Abdul Ghani stood there, listening to the music and singing that thundered from an expensive sound system built into the wall of books. The voices and the music were familiar, and a few moments of concentration brought them back to me. They were the Blind Singers, the same men I'd heard as Khaderbhai's guest, on the first night that I met him. The song wasn't one I recalled from that concert, but I was struck, at once, by its passion and power. As the thrilling, heart-wrenching chorus of voices finished, we stood in a throbbing silence that seemed to resist the noises of the households within the building and of the street below us.

Every time I hear them-and I play them every day, when I am at home here-I have the feeling that I am hearing the sound of my own requiem."

He still hadn't turned to face me, and I remained standing near the centre of the long room.

Tell me, Lin, do you think that one great act of genius can allow us to forgive the hundred flaws and failures that bring it into being?"

He turned to face me, and I saw that he was crying. Tears rolled quickly, easily, and continuously from his large eyes, and spilled across the plump cheeks to the belly of his long silk shirt. His voice, however, was calm and composed.

His body was torn to pieces, and the pieces were found in many different rooms of the house. The name Sapna was daubed on the walls with his own blood. Police are blaming fanatics who follow this Sapna. I'm sorry, Lin. Forgive my tears, please. I'm afraid that this bad business has taken its toll on me." "No, not at all. I'll... I'll come back at another time."

He walked to the hi-fi set, and extracted the cassette tape of the Blind Singers. Sliding it into a gold plastic case, he approached me and pressed it into my hand.

Do you know our young fighter, Andrew Ferreira? Yes? Then you know he is from Goa. He goes there, often, with Salman and Sanjay, when I have work for them. You must all go there together, some time-they will show you the special sights, if you get my meaning. So tell me, how was your trip?"

I answered him, trying to give my whole attention to the conversation, but my mind was thick with thoughts of Madjid; dead Madjid. I couldn't say that I'd liked him, or even that I'd trusted him. Yet his death, his murder, shook me, and filled me with a strange, excited agitation. He'd been killed-slaughtered, Abdul had said-in the house at Juhu where we'd studied together, and he'd taught me about gold and golden crimes. I thought of the house. I remembered its view of the sea, its purple-tiled swimming pool, its bare, pale-green prayer room where Madjid had bent his ancient knees, five times every day, and touched his bushy grey eyebrows to the floor. I remembered sitting outside that room, near the pool, waiting for him as he took time out to pray. I remembered staring at the purple water as the murmured syllables of the prayers buzzed past me into the swaying fronds of palms leaning in around the pool.

And once again I had the sense of a trap, of a destiny not shaped by my own deeds and desires. It was as if the constellations themselves were just the outlines of an immense cage that revolved and realigned itself, inscrutably, until the single moment that fate had reserved for me. There was too much that I didn't understand. There was too much that I wouldn't allow myself to ask. And I was excited, in that web of connections and concealments. The scent of danger, the smell of fear, filled my senses. The heart-squeezing, enlivening exhilaration of it was so powerful that it wasn't until an hour later, when we entered Abdul Ghani's passport workshop, that I could give my full attention to the man and the moment that we shared.

The men smiled widely, with perfect white teeth, in response to the compliment. They were handsome men, their faces formed from fine, almost delicate features, in a harmony of gentle contours and curves. They returned to their work as we strolled about the large room.

Strong lights shone from within its frame. "Krishna is our best light-box man. He examines the pages of genuine passports, looking for watermarks and concealed patterns. In this way, he can duplicate these effects where we need them."

I bent over Krishna's shoulder to watch him as he studied the information page of a British passport. A complex pattern of wavy lines descended from the top of the page, across a photograph, and on to the bottom of the page. On another passport beside it, Krishna was matching the pattern of wavy lines on the edge of a substituted photograph, creating the lines with a fine-tipped pen. Using the light-box, he placed one pattern over the other to check for irregularities.

Visa stamps, exit and entry, special permission stamps-whatever we need. He has three new profile-cutting machines, for reproducing the stamps. The machines cost me dearly-I had to import them, all the way from Germany-and I spent almost as much again, in baksheesh, getting them through customs controls and into our workshop without any unpleasant questions. But our Villu is an artist, and he often prefers to ignore my beautiful machines, and cut the new stamps by hand."

I watched as Villu created a new stamp on a blank rubber template. He copied a photographic enlargement of the original-a departure stamp from Athens airport-and cut the new stamp with scalpels and jeweller's files. Inkpad tests of the new stamp revealed minor flaws. When those were finally eradicated, Villu used a scrap of wet-and-dry sandpaper to wear away one corner of the stamp. That deliberate imperfection gave the inked image a genuine, natural appearance on the page. The completed stamp joined scores of others in the rack of stamps waiting to be used on newly altered passports.

Abdul Ghani completed his tour of the factory, demonstrating the computers, photocopy equipment, printing presses, profile cutters, and reserves of special parchment papers and inks. When I'd seen all there was to see on a first visit, he offered me a lift back to Colaba. I declined, asking him if I might stay and spend some time with the Sri Lankan forgers. He seemed pleased with my enthusiasm, or perhaps simply amused. When he left me, I heard his heavy sigh as the sadness of bereavement claimed him once more.

Krishna, Villu, and I drank chai and talked for three hours without a pause. Although they weren't brothers, they were both Tamil Sri Lankans who came from the same village on the Jaffna peninsula. Conflict between the Tamil Tigers-the Liberation Tigers for Tamil Eelam-and the Sri Lankan army had obliterated their village. Almost all the members of both families were dead.

The two young men escaped, with Villu's sister, a cousin, Krishna's grandparents, and his two young nieces, who were under five years old. A fishing boat brought them to India, on the people-smuggling route between Jaffna and the Coromandel coast.

They made their way to Bombay and then lived on a footpath, under a sheet of plastic, as pavement dwellers.

They'd survived that first year by taking ill-paid jobs as day labourers, and by committing a variety of petty crimes. Then, one day, a footpath-neighbour, who'd learned that they could read and write well in English, asked them to change a licence document.

Their work was good, and it brought a steadily increasing stream of visitors to their plastic awning on the Bombay footpath.

Hearing of their skill, Abdul Ghani had recommended to Khaderbhai that they be given a chance to prove themselves. Two years later, at the time that I met them, Krishna and Villu shared a large, comfortable apartment with the surviving members of their two families, saved money from their generous salaries, and were arguably the most successful forgers in Bombay, India's counterfeiting capital.

I wanted to learn everything. I wanted the mobility and security that their passport skills offered me. They spoke English well.

My enthusiasm fuelled their natural congeniality, and that first conversation flowed with good humour. It was a propitious start to the new friendship.

I visited Krishna and Villu every day for a week after that meeting. The young men worked long hours, and on some days I remained with them for ten hours at a stretch, watching them work, and asking my several hundred questions. The passports that they worked on fell into two main groups-those they obtained as genuine, used passports, and those that were blank and unused.

The used passports had been stolen by pickpockets, lost by tourists, or sold by desperate junkies from Europe, Africa, the Americas, and Oceania. The blank passports were rare. They'd been sold by corrupt officials at consulates and embassies and departments of immigration, from France to Turkey to China. Those that found their way into Khaderbhai's area of influence were bought immediately, at any price, and given to Krishna and Villu.

They showed me a blank, original, unused passport from Canada, as an example. It was housed in a fireproof safe with others from the United Kingdom, Germany, Portugal and Venezuela.

With sufficient patience, expertise, and resources, the two forgers could change almost anything in a passport to suit a new user's requirements. Photographs were substituted, and the ridge marks or indentations of a heavy stamp were imitated, using something as humble as a crochet hook. Sometimes the stitching that bound a passport was carefully removed, and whole groups of pages were replaced, using clean pages from a second passport.

Dates, details, and stamps were all altered or erased with chemical solvents. New data was inserted in an appropriate shade, selected from a comprehensive catalogue of printer's inks. Some of the changes defied the scrutiny of experts, and none of them was detectable in routine examinations.

During that first week of passport studies, I found a new, safe, comfortable apartment for Ulla in neighbouring Tardeo, not far from the Haji Ali Mosque. Lisa Carter, who'd visited Ulla almost every day at Abdullah's apartment-and visited, far more warmly, with Abdullah himself- agreed to share the new place. We moved them and their belongings in a small fleet of taxis. The two women liked one another, and got on well. They drank vodka, cheated at Scrabble and gin rummy, enjoyed the same kinds of movies on video, and swapped clothes.

They'd also discovered, in the weeks they'd spent in Abdullah's surprisingly well-stocked kitchen, that they liked one another's cooking. The new apartment was a new beginning for them and, despite Ulla's lingering fears about Maurizio and his crooked deals, she and Lisa were happy and optimistic.

I continued the weight training and karate with Abdullah, Salman, and Sanjay. We were fit and strong and fast. And as the days of training became weeks, Abdullah and I grew closer, as friends and brothers, just as Salman and Sanjay were with one another. It was the kind of closeness that didn't need conversation to sustain itself: quite often we would meet, travel to the gym, work out on the weights, box a few rounds, spend half an hour sparring at karate, and speak no more than ten words to one another.

Sometimes, with no more than a look in my eye or an unusual expression on his face, we would laugh, and keep on laughing so hard that we collapsed to the practice mats. And in that way, without words, I slowly opened my heart to Abdullah, and I began to love him.

I'd spoken to the head man of the slum, Qasim Ali Hussein, and to several others, including Johnny Cigar, when I'd first returned from Goa. I saw Prabaker in his taxi every other day. But there were so many new challenges and rewards in Ghani's passport workshop, and they kept me so busy and excited, that I stopped working, even occasionally, at the slum clinic I'd founded in the little hut that had been my home.

On my first visit to the slum in several weeks, I was surprised to find Prabaker in the wriggling convulsions of a dance while the slum musicians were rehearsing one of their popular songs.

The little guide was dressed in his taxi driver's khaki shirt and white trousers. He wore a purple scarf around his neck, and yellow plastic sandals. Approaching him unobserved, I watched him in silence for a while. His dance managed to combine obscenely lewd and suggestive thrusts of his hips with the facial expressions and hand-whirling gestures of a child-like innocence.

With clownish charm he held his open palms beside his smiling face one moment, and then pumped his groin back and forth with a determined little grimace the next. When he finally turned and saw me, his face exploded in that huge smile, that uniquely wide and heart-filled smile, and he rushed to greet me.

Can you believe it?"

I walked off, glancing back over my shoulder to see Prabaker encouraging the band with mechanical, piston-like thrusts of his narrow hips. At the edge of the slum, where black boulders tumbled to the sea, I found Johnny Cigar. He was dressed in a white singlet and a chequered green lungi. He braced himself with his arms, leaning back, and staring out to sea. It was almost exactly the same spot where he'd told me about seawater, sweat, and tears on the evening of the cholera outbreak, so many months before.

He paused, breathing through his nose, with his lips pressed tightly together. His eyes squinted against the glare from the glittering sea, and the fresh, persistent breeze. Behind us we could hear the noises of the slum-hawkers' cries, the slap of clothes on stone in the washing area, children playing, a bickering complaint, and the jangling music for Prabaker's piston-hips.

He turned to me, and the whites of his eyes were blazing with the tears he wouldn't let them shed.

He looked at me, his eyes talking to me in a language I could feel but couldn't understand. When I left him, he was staring at the ceaselessness of the sea, irritated to chequered, white rifts by the wind.

I walked back through the slum to the clinic. A conversation with Ayub and Siddhartha, the two young men I'd trained to run the clinic, reassured me that all was well. I gave them some money to keep, as an emergency float, and left money with Prabaker for his wedding preparations. I paid a courtesy visit to Qasim Ali Hussein, allowing him to force the hospitality of chai upon me.

Jeetendra and Anand Rao, two of my former neighbours, joined us, with several other men I knew well. Qasim Ali led the conversation, referring to his son Sadiq, who was working in the Gulf. In turn, we spoke of religious and communal conflict in the city, the construction of the twin towers; still at least two years from completion, and the weddings of Prabaker and Johnny Cigar.

It was a genial, sanguine meeting, and I rose to leave with the strength and confidence that those honest, simple, decent men always inspired in me. I'd only walked a few paces, however, when the young Sikh, Anand Rao, caught up, and fell into step beside me.

He fell silent, staring at his sandaled feet. I reached out to put a hand on his broad, proud, thin shoulder. Gradually his eyes lifted, and met mine in a mute appeal.

He recoiled as if I'd cursed him. He held the stare, for a moment, before turning and walking back into the slum.

I strode on through familiar streets, and told myself that it was okay. Anand Rao and Rasheed had shared a hut for more than two years. If they were falling out because Rasheed's wife and her sister had moved to the city, and Anand had been forced from the hut, it was probably to be expected. And it was no business of mine. I laughed, shaking my head as I walked, and trying to figure out why Anand Rao had reacted so badly to the offer of money. It wasn't an unreasonable thing for me to assume or to offer. On the thirty-minute walk from the slum to Leopold's, I gave money to five other people, including both of the Zodiac Georges. He'll get over it, whatever it is, I told myself. At any rate, it's got nothing to do with me. But the lies we tell ourselves are the ghosts that haunt the empty house of midnight.

And although I pushed Anand and the slum from my mind, I felt the breath of that ghosted lie on my face as I walked through the long, thronging Causeway on that hot afternoon.

I stepped up into Leopold's, and Didier seized me by the arm before I could speak or sit down, turning me about and leading me to a cab that was waiting outside.

You have no choice, Lin. You must help him. I know you. There is in you, as there is in me, a morbid belief in love, and a fascination for the madness that love puts in its victims."

I laughed, avoiding his eye, because it was true. The taxi pulled up at Marine Lines Station. Marine Lines was the first railway station after the central city terminus, at Churchgate Depot. We climbed the pedestrian ramp and found Vikram, with several of his friends, waiting for us on the station platform.

Just like I'm standing now." "U-huh."

The train from Churchgate Station came into view, approaching us at a steady pace. Vikram gave me the signal, opening his eyes as widely as the muscles would allow, and shaking his head. I put my hands on Lettie's shoulders, gently turning her until she stood as Vikram had requested, with her back to the tracks.

The train slowed behind her as it entered the station. Her eyes were gleaming. A smile flickered and faded on her open lips. She was intrigued and excited. Vikram and Didier were gesturing wildly, behind her back, for me to hurry. The train stopped with a wheezy creak of metal triumph.

She looked at me. She stared. She smiled into my eyes. She raised her eyebrows, and turned down the corners of her mouth as she considered it. Then she nodded.

Vikram leapt forward with the blindfold and tied it on, asking her if it was too tight. He guided her a step or two backwards, toward the train, and then told her to raise her arms over her head.

Some men appeared at the edge of the roofline on the train carriage. They'd been lying on the roof of the train. They leaned over, and seized Lettie's raised arms, lifting her slight frame effortlessly onto the roof with them. Lettie shrieked, but the piercing sound was lost in the shrill of the train guard's whistle. The train began to move.

I glanced at Didier.

I jogged along beside the train, and clambered up the outside of the carriage to the roof. There were a dozen men or more on the roof. Some of them were musicians. Sitting together, they cradled tablas, cymbals, flutes, and tambourines in their laps. Further along the dusty roof was a second group. Lettie sat in the middle of them. She still wore the blindfold. Men held her at the shoulders-one on each arm, and two from behind-to keep her safe. Vikram knelt in front of her.

I heard his pleading as I crept along the roof toward them at a crouch.

Vikram untied the blindfold, and watched her as she looked around, taking in the perspective from the roof of the fast moving train. Her mouth fell open, and her face slowly swelled into a wide smile.

There were words painted on it. As we neared the banner, the writing became clear enough to read. The words were painted in letters as tall as a man. They filled the whole width of the billowing sheet:

LETITIA I LOVE YOU

Suddenly, the musicians struck up the chiming, thudding strains of a popular love song. Their voices soared over the blood stirring thump of the tablas and the wail of the flutes. Vikram and Lettie stared at one another, their eyes holding as the train pulled into a station, stopped, and pulled out again. Half way to the next station, we approached another banner. Vikram wrenched his eyes from hers, and looked ahead. She followed his gaze. More words were written across the taut white cloth:

WILL YOU MARRY ME?

We passed beneath the pennant and out into the soft afternoon light. Lettie was crying. They were both crying. Vikram threw himself forward and wrapped her in his arms. They kissed. I watched them for moment and then I turned away to face the musicians. They grinned at me, wagging their heads and laughing as they sang. I did a little victory dance for them as the train rocked and rumbled through the suburbs.

Millions of dreams were born there, around us, every day.

Millions of dreams died there, and were born again. The humid air was thick with dreams, everywhere, in my Mumbai. My city was a steaming, sweltering hothouse garden of dreaming. And there, on that red-brown rusting metal roof, a new dream of love was born.

And I thought of my family as we rushed through the humid dreaming air. And I thought about Karla. And I danced on that steel serpent as it slithered sinuous beside the scroll and swell of the endless, imperishable sea.

And although Vikram and Lettie disappeared for a week, after she accepted his proposal, a lightness and optimism that was like happiness circulated in the Leopold's crowd. When he finally did return, that positive feeling greeted Vikram with real affection.

Abdullah and I had just finished our training and we teased him, mercilessly, for his delirious, exhausted joy. Then, while Vikram blubbered about love, we ate in hungry, purposeful silence.

Didier was jubilant, crowing over the triumph of his romantic scheme, and demanding modest tributes, in the form of stiff drinks, from everyone we knew.

I looked up from my plate of food to see a man, one of the street boys who scrounged for the black marketeers, gesturing to me in some anxiety. I left the table, and walked to the footpath to speak with him.

He ran off, and I lost sight of him in the crowd. Puzzled, but not worried, I returned to the table. I'd only eaten two mouthfuls when another man called me out to the street. It was Gemini George.

I'd watch my back, and I'd watch my step, sunshine."

I reached into my pocket, but he put a hand on my wrist.

He sauntered off in pursuit of a passing trio of German tourists, and I walked back into the restaurant. With Gemini George's warning to support the first, I was worried. It took me longer than usual to finish my meal. Soon after, there was a third visitor. It was Prabaker.

It took me five minutes to calm him down, and even then I had to invent a mission for him-checking for the Africans at the hotels he knew well-in order to prise him from my side. Alone again with Didier, Vikram, and Abdullah, we considered my options, in a lengthening silence. Vikram was the first to speak. "Okay, so we find the fuckers, and break their heads, yaar," he suggested, looking from face to face for support.

Vikram wagged his head from side to side in agreement.

Vikram and Abdullah nodded.

We got up to pay the bill and leave. Didier stopped me when the others walked to the cashier's desk. He pulled me down into a chair beside him. Sliding a napkin from the table, he fumbled under the table's edge for a moment and then slid a bundle across to me. It was a pistol, wrapped in the napkin. No-one knew that Didier carried a gun. I was sure that I was the first to see and handle the weapon. Grasping it tightly in the napkin wrapping, I stood and joined the others as they left the restaurant. I looked back over my shoulder to see him nodding gravely, the curly black hair trembling about his face.

We found them, but it took us all the day and most of the night.

In the end it was Hassaan Obikwa, another Nigerian, who gave us the decisive clue. The men were tourists, completely new to the city, and unknown to Obikwa. He had no precise idea of their motive-it was something to do with a drug deal-but his network of contacts had confirmed that they were determined to do me harm.

Hassaan's driver, Raheem, almost fully recovered from the injuries he'd suffered in prison, discovered that they were in one of the Fort area hotels. He offered to _resolve the matter.

He was conscious of the debt he owed me for buying him out of Arthur Road Prison. With an earnest, almost shy expression, he offered to have the men killed, slowly and painfully, as a personal favor to me. He seemed to think that it was the least he could do, under the circumstances. I refused. I had to know what it was all about, and I had to put a stop to it. Clearly disappointed, Raheem accepted the decision, and then led us to the small hotel in the Fort. He waited outside with our two cars while we went inside. Salman and Sanjay remained with him, watching the street. Their brief was to stop the cops, if they arrived, or slow them up long enough for us to leave the hotel.

One of Abdullah's contacts smuggled us, whispering, into a room adjoining that taken by the three Africans. We pressed our ears to the connecting wall, and could hear their voices clearly. They were joking, and talking about trivial, unrelated things.

Finally, one of them made a remark that tightened the skin on my skull and face with dread.

They went on to talk about their plan. They argued a little. One of the men was more forceful. The others agreed, at last, with his idea to follow me from Leopold's all the way to the quiet car park beneath my apartment building and then beat me until I was dead, and strip my body.

It was bizarre, standing in the dark and listening to the details of my own murder. My stomach dropped and tightened on a curdling mix of nausea and rage. I hoped to hear some clue, some reference to a motive, but they never mentioned one. Abdullah was listening with his left ear against the thin partition, and I was listening with my right. Our eyes were only a hand's width apart. The signal to move, when I nodded my head, was a gesture so faint and subtle that it was as if our minds had spoken the message.

Vikram, Abdullah, and I stood outside the door to their room, with a passkey poised over the lock. We counted down _three...

_two... _one... then I turned the key and tried the door. It wasn't locked from the inside. I stood back, and kicked it open.

There was a second, three seconds, of utter stillness, as the surprised and frightened men stared at us, their jaws gaping and their eyes bulging. Nearest to us was a tall, very solid man with a bald head, and deep scars cut into his cheeks in a regular pattern. He wore a singlet and boxer shorts. Standing behind him was a slightly shorter man, who was dressed only in jockey shorts. He was bending over a waist-high dressing table, poised in the act of snorting a line of heroin. The third man was shorter still, but very thick in the chest and arms. He lay on one of the three beds, at the furthest corner of the room, holding a Playboy magazine in his hands. There was a strong smell in the room. It was the smell of sweat and fear. Some of it was mine.

Abdullah closed the door of the room behind him, very slowly and gently, and locked it. He was wearing black: he almost always wore a black shirt and pants. Vikram was dressed in his black cowboy rig. By some chance, I too wore a black T-shirt and black trousers. We must've looked like the members of some club, or gang, to the goggle-eyed men in the room.

I ran at him and rammed a fist into his mouth, but he had time to raise his hands. We grabbed at each other, fists flying, and locked in a hard grapple.

Vikram sprang for the man on the bed. Abdullah closed on the man at the dresser. It was a short fight, and a dirty one. There were six of us-six big men in a small room. There was nowhere to go but into each other.

Abdullah finished his man quickly. I heard a frightened shriek, choked off, as Abdullah snapped a hard, straight, right hand to the man's throat. From the corner of my eye, I was aware that the solid man fell back, grasping and clutching at his throat. The man on the bed jumped to his feet and kicked outward, trying to use the advantage of high ground. Abdullah and Vikram tipped the bed up, sending the man sprawling behind it. They leapt over the upturned bed and fell on him, stomping and kicking him until he stopped moving.

I held the strap of the big man's singlet with my left hand, and pounded at him with my right. Ignoring the blows to his head, he managed to get his hands around my neck, and started to squeeze.

My throat locked tight. I knew that the breath I held in me was the last until I finished him. I reached out for his face, desperately, with my right hand. My thumb found his eye. I wanted to push it into his brain, but he moved his head, and the thumb slipped between the eye and the hard ridge of bone at his temple.

I drove the thumb in harder and deeper until I gouged his eye from the socket, and it hung there from bloody strands. I tried to reach it, to rip it away or to dig my thumb into the empty socket, but he pulled back to the limit of his reach. The eye hung out on his cheek, and I swung my fist at his head, trying to crush it.

He was a hard man. He didn't give up. His hands squeezed tighter.

My neck was strong and the muscles were well developed, but I knew he had the strength to kill me. My hand reached, groping for the pistol in my pocket. I had to shoot him. I had to kill him. That was all right. I didn't care. The air in my lungs was spent, and my brain was exploding in Mandelbrot whirls of colored light, and I was dying, and I wanted to kill him.

Vikram crashed a heavy wooden stool into the back of the big man's bald head. It's not as easy to knock a man out as it seems in the movies. It's true that a lucky hit can do it in one shot, but I've been hit with iron bars, lumps of wood, boots, and many hard fists, and I've only ever been knocked out once in my life.

Vikram slammed the heavy stool into the back of the man's head five times, with all of his strength, before the big man buckled and fell. He was defeated, and groggy. The back of his head was pulpy. I knew that his skull was fractured in several places.

Somehow, he was still conscious.

We worked on them for half an hour, overcoming their initial reluctance to talk. Raheem joined us, speaking in English and their Nigerian dialect. Their passports told us who they were- Nigerian citizens, on tourist visas. Other information in their wallets and luggage told us where they'd stayed in Lagos before they came to Bombay. Little by little, the story emerged. They were muscle: hit men, sent by a gangster in Lagos to punish me for a major heroin and Mandrax tablet deal that had gone wrong.

The deal involved some sixty thousand dollars-money that their boss in Lagos had lost in a hustle in Bombay. The hustler, whoever he was, had nominated me as the mastermind of the plan; the man responsible for ripping off the money.

The hired thugs surrendered that much information, but then they balked. They didn't want to give me the man's name. They didn't want to tell me who'd set me up. They didn't want to betray him without the express permission of their Nigerian boss. We insisted, and they were persuaded. The man's name was Maurizio Belcane.

I put the big man's eye back into its socket, but it stared out at a strange angle. From the way that he turned his head to look at me, I guessed that he couldn't see out of it, yet, and I suspected that it would never sit correctly again. We closed the eye with tape, bandaged his head, and tidied the other men up.

Then I spoke to them.

I'm gonna fix Maurizio, for lying about me. That's my business, now. You can go back to your boss, and tell him that Maurizio will get what's coming to him. But if you ever come back here, we'll kill you. Understand? You come back to Bombay, you die."

You put a mark on my fuckin' hat! You don't fuck with an Indian guy's hat! You don't fuck with Indian guys for any reason, hat or no hat! Not ever! And especially not, if they do wear a hat!"

I left them, and took a cab to Ulla's new apartment. She would know where Maurizio was, if anyone knew. My throat was aching, and I could hardly talk. The gun in my pocket was all I could think about. It swelled, in my mind, until it was huge: until the pattern of ridges on the handle was as large as the wale of bark on a cork tree. It was a Walther P38, one of the best semi automatic pistols ever made. It fired a 9mm round from an eight shot magazine, and in my mind I saw all eight of them punch their way into Maurizio's body. I mumbled the name, Maurizio, Maurizio, and a voice in my head, a voice that I knew very well, said, Get rid of the gun before you see him...

I knocked hard on the door of the apartment, and when Lisa opened it I brushed past her to find Ulla sitting on a couch in the lounge room. She was crying. She looked up when I entered, and I saw that her left eye was swollen, as if she'd been hit.

Lisa tapped me on the arm. I turned, and noticed for the first time that she had a large kitchen knife in her hand. She jerked her head toward the nearest bedroom. I looked at Ulla, and then back to Lisa. She nodded at me, slowly.

He was hiding in a wardrobe. When I dragged him out, into the room, he pleaded with me, begging me not to hurt him. I grabbed the belt at the back of his trousers, and marched him to the door of the apartment. He screamed for help, and I hit him in the face with the pistol. He screamed again, and I hit him again, much harder.

His lips parted, and he wanted to cry out, once more, but I beat him to it, crunching the gun into the top of his head as he flinched away. He was quiet.

Lisa snarled at him, brandishing the knife.

If you ever hit her again, I'll kill you!"

She stopped, shocked by the fury she saw on my face as I glared at Ulla.

And then tonight, Modena got hold of the money Maurizio stole- the money he stole from the Africans-and he hid it. He did it for me. He loves me, Lin. Modena loves me."

She trailed off in stuttering sobs. I turned to Lisa.

I wish I could say that I didn't hit him. He was big enough and strong enough to defend himself, but he had no heart for fighting, and there wasn't any victory in hitting him. He didn't fight or even struggle. He whimpered and cried and begged. I wish I could say that a stern justice and a righteous revenge for the wrong that he'd done to me had curled my hands into fists, and punched him. But I can't be sure. Even now, long years later, I can't be sure that the violence I did to him didn't come from something darker, deeper, and far less justifiable than angry retribution. The fact was that I'd been jealous of Maurizio for a long time. And in some part, some small but terrible part, I may have struck at his beauty, and not just his treachery.

On the other hand, of course, I should've killed him. When I left him, bloody and broken, near the St. George Hospital, a warning voice told me it wasn't the end of the matter. And I did hesitate, looming over his body with murder in my eyes, but I couldn't take his life. Something he'd said, when he was begging me to stop beating him, stayed my hand. He said that he'd named me, that he'd thrown me to the Nigerian thugs when he had to invent someone else who was responsible for his theft, because he was jealous of me. He was jealous of my confidence, my strength, and my friendships. He was jealous of me. And in his jealousy, he hated me. And in that, we weren't so different, Maurizio and I.

It was still with me, all of it, the next day, when the Nigerians were gone and I went to Leopold's, looking for Didier to return his unused gun. It was still with me, clotting my mind with anger, confused in regret, when I found Johnny Cigar waiting for me outside. It was still there, as I struggled to focus, and understand his words.

I knew what he meant. It was the first murder in our slum. It was the first time that one slum-dweller had ever killed another in the Cuffe Parade slum. There were twenty-five thousand people in those little acres, and they fought and argued and bickered all the time, but none, not one of them, had ever killed another. And in the shocked moment, I suddenly remembered Madjid. He, too, had been murdered. I'd managed, somehow, to push the thought of his death away from my waking, working mind, but it had been gnawing through the screen of my composure slowly, steadily, all the while. And it broke through then, with the news of Rasheed's death. And that other murder-the slaughter, Ghani had said-of the old gold smuggler, the mafia don, became confused with the blood that was on Anand's hands. Anand, whose name meant happy.

Anand, who'd tried to talk to me and tell me about it, who'd come to me that day in the slum for help, and found none.

I pressed my hands to my face, and ran them through my hair. The street around us was as busy and colourful as ever. The crowd at Leopold's were laughing, talking, and drinking, as they usually did. But something had changed in the world that Johnny and I knew. The innocence was lost, and nothing would ever be the same.

I heard the words tumbling over and over in my mind. Nothing is ever gonna be the same... Nothing is ever gonna be the same...

And a vision, the kind of postcard that fate sends you, flashed before my eyes. There was death in that vision. There was madness. There was fear. But it was blurred. I couldn't see it clearly. I couldn't see the detail. I didn't know if the death and madness were happening to me, or happening around me. And in a sense, I didn't care. In too many ways of shame and angry regret, I didn't care. I blinked my eyes, and cleared my swollen throat, and stepped up off the street into the music, the laughter, and the light.

PART FOUR

CHAPTER TWENTY-SIX

He caught the eye of a waiter, and waved a hand lazily for another drink. He'd hardly taken a sip from the drink on the table in front of him, so I guessed that Didier was settling in for one of his longer discourses. It was two hours past noon on a cloudy Wednesday, three months after the Night of the Assassins.

The first rains of the monsoon were still a week away, but there was a sense of expectancy, a tension, that tightened every heartbeat in the city. It was as if a vast army was gathering outside the city for an irresistible assault. I liked the week before monsoon: the tension and excitement I saw in others was like the involuted, emotional disquiet that I felt almost all the time.

He paused and took a sip from his glass, replacing it slowly and carefully in the precise circle of moisture it had left on the table in front of him.

They were languages I could never decipher or understand. My father responded to my stupidity with a brutal temper. His cold hand, it seemed to me when I was a child, was so large that when he struck me my whole body was shocked and bruised by the giant's hard palm and the whips of his fingers. I was afraid of him, and ashamed of my failures at school, so I played the truant very often, and fell into what the English call a bad company. I was many times in the courts, and served two years in the prisons for children before my thirteenth birthday.

At sixteen, I left my father's house, my father's city, and my father's country forever.

He was forty-eight years old then, when I was sixteen. His family held some ancient title, a noble line that reached to the time of Columbus. But he lived in his magnificent house on the cliffs without the pretensions of his rank. He was a scholar, the only true Renaissance man I ever met. He taught me the secrets of antiquity, the history of art, the music of poetry, and the poetry of music. He was also a beautiful man. His hair was silver and white, like the full moon, and his very sad eyes were grey.

In contrast to the brutish hands of my father, with their chilling touch, Rinaldo's hands were long, slender, warm, expressive, and he made tenderness in everything that he touched.

I learned what it is to love, with all of the mind and all of the body, and I was born in his arms."

He began to cough, and attempted to clear his throat, but the cough became a fit that wracked his body in painful spasms.

He pouted for a few moments, too peeved to proceed, but then raised his eyes to meet mine and laughed out loud.

Didier pursed his lips in a reflective frown. We both watched the shuffling, idling, bustling, scurrying street only two metres away, beyond the wide entrance to Leopold's.

I assumed that Didier meant she could take care of herself and, perhaps, that she lived under a good and lucky sign. I was wrong.

There was more to the remark than that. I should've asked him what he meant, of course. In the long years since that conversation I've asked myself a thousand times how different my life might've been if only I'd asked him what he meant by that remark. Instead, my head full of assumptions and my heart full of pride, I changed the subject.

Once again we sat in silence and allowed our eyes to rove the passing crowds, following a man in a blue turban in one instant, and a woman in a black mask, veil, and chador the next.

He drained his glass, examined its emptiness for a moment, and then placed it on the table as gently and attentively as if it was about to explode. "Merde! Let's drink, my friend!" he cried at last, but my hand stayed his, preventing him from summoning the waiter.

He clenched his jaws on something-a request, perhaps, or another confession. My hand still rested on his.

He smiled slowly, and slid his hand out from under mine. Still staring into my eyes, he raised his hand, pointing with one finger. A waiter came to the table. Without looking at him, Didier ordered another whisky. When I paid my bill and walked out to the street, he was coughing again, hunched over one hand and clutching his glass with the other.

I'd bought a bike, an Enfield Bullet, a month before. The taste of two-wheeled adrenaline that I'd experienced in Goa had nagged at me until I finally surrendered to it, and went with Abdullah to the mechanic who serviced his bike. The mechanic, a Tamil named Hussein, loved bikes, and loved Abdullah almost as much.

The Enfield he sold to me was in perfect condition, and it never once let me down. Vikram was so impressed with it that he bought one from Hussein within a week. Sometimes we rode together, Abdullah, Vikram, and I, our three bikes side by side, and the sun in our laughing mouths.

On that afternoon when I left Didier at Leopold's I rode slowly, and gave myself time and space to think. Karla was gone from the little house on Anjuna beach. I had no idea where she might be.

Ulla told me that Karla had stopped writing to her, and I had no reason to think she was lying. So Karla was gone, and there was no way to find her. And every day I woke with a dream or a thought of her. Every night I slept with the knife of regret in my chest.

My thoughts drifted to Khaderbhai as I rode. He seemed well pleased with the niche role that I was playing in his mafia network. I supervised certain movements of smuggled gold through the domestic and international airports, exchanged sums of cash with agents at the five-star hotels and airline offices, and arranged to buy passports from foreigners. They were all jobs that a gora could perform more successfully and less obtrusively than an Indian. My conspicuousness was a strange and ironic form of camouflage. Foreigners were stared at in India. Somewhere in the five or more millennia of its history, the culture had decided to dispense with the casual, nonchalant glance. By the time I came to Bombay, the eye contact ranged from an ogling gaze to a gawping, goggle-eyed glare. There was nothing malicious in it. The staring eyes that found and followed me everywhere I went were innocent, curious, and almost always friendly. And that intense scrutiny had its benefits: for the most part, people stared at what I was, not what I did. Foreigners were stared into invisibility. So I wandered in and out of travel agencies or grand hotels, airline or business offices, followed in every step by eyes that saw me, but not the crimes I committed in the service of the great Khan.

I rode on past the Haji Ali Mosque, accelerating into the wide avenue of afternoon traffic, and as I rode I asked myself why Abdel Khader Khan never referred to the murder of his friend and colleague Madjid. It still nagged at me and I wanted to ask him about it, but the one time that I'd mentioned his name, soon after the murder, Khader had looked so stricken with grief that I'd let the subject lapse. And as the days had passed into weeks, and the weeks had drifted into silent months, I'd found it impossible to drag the subject into our conversations. It was as if _I was the one who was keeping secrets; and no matter how thick my mind became with thoughts of the murder, I never admitted them to him. Instead, we talked business or we spoke of philosophy. And during the course of our long discussions he finally answered my big question. I remembered the excitement that had refracted in his eyes, and the pride, perhaps, when I'd proved that I understood his teaching. And as I rode from Leopold's to my meeting with Lisa on that day of Didier's confession, I remembered word-by-word and smile-by-smile the great Khan's explanation.

For myself, there is no problem in calling it God. The whole universe is moving toward God, in a tendency toward the ultimate complexity that God is."

How do you decide how any one thing is good or evil?"

We have one life, and if you take a life without a good reason you do something wrong."

He paused as a servant entered with Nazeer. The servant brought sweet, black suleimani chai, in long glasses, and a variety of irresistible sweets on a silver tray. Nazeer brought a questioning glance for Khaderbhai and a scowl of unmitigated contempt for me. Khader thanked him and the servant, and they left us alone once more.

We will wipe out our species, and all the development that led to us across millions of years- billions of years-will be lost. The same can be said for stealing. What would happen if everyone stole things? Would that help us, or would it hinder us?"

Just as we can see why stealing and lying and killing are evil."

You are standing in a room with a desk in front of you. On the other side of the room is your mother. A vicious man holds a knife to the throat of your mother. The man will kill your mother. On the table in front of you there is a button. If you press it, the man will die. If you do not, he will kill your mother. These are the only possible outcomes. If you do nothing, your mother dies. If you press the button, the man dies and your mother is saved. What would you do?"

As I rode the wind, a week after Khader's little lecture on ethics, weaving the bike through ancient-modern traffic beneath a darkening, portentous tumble of clouds, those words echoed in my mind. The wrong thing, for the right reasons. I rode on and, even when I stopped thinking about Khader's lesson, those words still murmured in the little grey daydream-space where memory meets inspiration. I know now that the words were like a mantra, and that my instinct-fate's whisper in the dark-was trying to warn me of something by repeating them. The wrong thing... for the right reasons.

But on that day, an hour after Didier's confession, I let the murmured warnings fade. Right or wrong, I didn't want to think about the reasons-not my reasons for doing what I did, or Khader's, or anyone's. I enjoyed the discussions of good and evil, but only as a game, as an entertainment. I didn't really want the truth. I was sick of truth, especially my own truth, and I couldn't face it. So the thoughts and premonitions echoed and then whipped past me into the coils of humid wind. And by the time I swept into the last curve of coast near the Sea Rock Hotel, my mind was as clear as the broad horizon clamped upon the limit of a dark and tremulous sea.

The Sea Rock, which was as luxurious and opulently serviced as the other five-star hotels in Bombay, offered the special attraction that it was literally built upon the sea rocks at Juhu. From all its major restaurants, bars, and a hundred other windows, the Sea Rock scanned the endlessly shifting peaks and furrows of the Arabian Sea. The hotel also offered one of the best and most comprehensively eclectic smorgasbord lunches in the city. I was hungry, and glad to see that Lisa was waiting for me in the foyer. She wore a starched, sky-blue shirt with the collar turned up, and sky-blue culottes. Her blonde hair was wound into the praying-fingers of a French braid. She'd been clean, off heroin, for more than a year. She looked tanned and healthy and confident. "Hi, Lin," she smiled, greeting me with a kiss on the cheek.

A young woman with a fashionably western short haircut, hipster jeans, and a tight, red T-shirt approached us. She wore a stopwatch around her neck on a lanyard, and carried a clipboard.

She was about twenty-six years old.

Although, mind you, that's about ten times as long as our guy will need, from what all I'm told about his prowess."

We left the hotel, and sat in her new Fiat to smoke. While I prepared the joint, she told me that she was an assistant to the producer of that and several other films. One of her duties was to oversee the casting of minor roles in the films. She'd subcontracted the task to a casting agent, but he was experiencing difficulty in finding foreigners to fill the small, non-speaking, decorative roles.

My mind was trawling through the possible lateral benefits in the arrangement. Some of them were obvious. The moviemakers were a fairly affluent crowd of frequent flyers who might need black market dollars and documents, from time to time. It was clear to me, as well, that the casting job was important to Lisa. On its own, that was reason enough for me to get involved. I liked her, and I was glad that she wanted to like me.

In the restaurant, Lisa and I heaped our plates high, and sat facing the sea to eat.

She smiled. It was a good smile; the kind you like to keep.

I raised one eyebrow unconsciously in a quizzical expression. She caught the look, reflected a moment, and then responded.

Funny thing is, Abdullah's the guy gave me the money and all, and I think I love him, in a kind of insane way, but I don't trust him. Is that a horrible thing to say about the guy you live with?"

I hesitated, and then the words didn't come. We finished our meal and sat back from the table, looking at the sea.

We were silent for a time, each of us troubled, and stubbornly tempting fate in our own ways.

We followed the black vines of relay cables from the generator vans outside the hotel. They led us through a side entrance and past a procession of bustling assistants to the banquet room, which had been hired as a set. The room was filled with people, powerful lights, dazzling reflector panels, cameras, and equipment. Seconds after we entered, someone shouted Quiet, please! And then a riotous musical number began.

Hindi movies aren't to everyone's taste. Some foreigners I'd dealt with had told me that they loathed the kaleidoscopic turmoil of musical numbers, bursting stochastically between weeping mothers, sighing infatuates, and brawling villains. I understood what they meant, but I didn't agree with them. A year before, Johnny Cigar had told me that in former lives I must've been at least six different Indian personalities. I'd taken it as a high compliment, but it wasn't until I saw my first Bollywood movie shoot that I knew at last, and exactly, what he'd meant. I loved the singing, the dancing, and the music with the whole of my heart from the very first instant.

The producers had hired a two-thousand-watt amplifier. The music crashed through the banquet room and rattled into our bones. The colours were from a tropical sea. The million lights were as dazzling as a sun-struck lake. The faces were as beautiful as those carved on temple walls. The dancing was a frenzy of excited, exuberant lasciviousness and ancient classical skills.

And the whole, improbably coherent expression of love and life, drama and comedy, was articulated in the delicate, unfurled elegance of a graceful hand, or the wink of a seductive eye.

For an hour we watched as the dance number was rehearsed and refined and finally recorded on film. During a break, after that, Kalpana introduced me to Cliff De Souza and Chandra Mehta, two of the four producers of the film. De Souza was a tall, curly haired, thirty-year-old Goan with a disarming grin and a loping walk. Chandra Mehta was closer to forty. He was overweight, but comfortable with it: one of those big men who expand to fit a big idea of themselves. I liked both men and, although they were too busy to talk for long, that first meeting was cordial and communicative.

I offered Lisa a lift back to town, but she'd arranged to ride with Kalpana, and she chose to wait. I gave her the phone number at my new apartment, telling her to call if she needed me. On my way out through the foyer, I saw Kavita Singh also leaving the hotel. We'd both been so busy in recent months-she with writing about crimes, and me with committing them-that we hadn't seen one another for many weeks.

She was dressed in a silk pantsuit. It was the colour of bleached bone. She carried a linen handbag in the same colour. The single breasted jacket descended to a deep d%ecolletage, and it was obvious that she was wearing nothing under the jacket.

She eyed me suspiciously. "What are you being so damn agreeable about, Lin?"

I want you to help me with a problem."

Kavita didn't know me well. Her eyes were the colour of bark on a cinnamon tree, flecked with golden sparks. She looked me up and down with those eyes, and the forensic examination left her somewhere short of inspired reassurance.

Some forty minutes later, we sat together in her fourth-floor walk-up apartment on the edge of the Fort area, near Flora Fountain. It was a tiny apartment with a foldout bed, a rudimentary kitchen, and a hundred noisy neighbours. It boasted a superb bathroom, however, large enough to hold a washing machine and dryer without crowding. There was also a balcony enclosed in antique wrought iron that looked out on the wide, busy square around the fountain.

Then Rasheed's wife and her sister came to stay, from the village in Rajasthan. Anand moved out of the hut to leave room for Rasheed and the sisters."

She stood up and walked to a wide, cluttered desk, where she gathered up a pad, pen, and cassette recorder. She'd changed out of her pantsuit, and wore loose harem pants and a singlet.

Watching her walk, following her quick, purposeful, graceful movements, I realised for the first time just how beautiful she was. When she returned and set up the recorder, tucking her legs beneath her on the armchair as she prepared to write, she caught me staring at her. "What?" she asked.

Rasheed gets all indignant. He spills kerosene on himself, and tells Anand Rao to light it, if he doesn't trust him, and if he thinks he's such a bad guy. Anand just warns him to look after the women, and leaves it at that."

They ended up in hospital. First one, and then the other-they both fell into a coma. Lying together in their hospital beds, they were pronounced dead within minutes of each other. Anand was there, with a few others from the slum. He stayed long enough to see the sheets pulled over their faces. Then he ran out of the hospital. He went out of his mind with anger and... guilt, I suppose. He went looking for Rasheed. He knew every one of Rasheed's drinking dives. When he tracked him down, Rasheed was lying in a rubbish pit, sleeping off a binge. He'd paid some kids to keep the rats off his drunken body. Anand chased the kids off and sat down beside Rasheed, and listened to him snore. Then he cut his throat, and waited there until the blood stopped flowing."

And I think their story-back from the dead, you know-is enough to jump this to page one."

For two hours we discussed the campaign, and I answered her many questions. I left her in a happy, enthusiastic whirl of pressure and purpose. I rode straight out to Nariman Point, and bought a sizzling meal from one of the fast-food vans parked on the beach.

But my appetite wasn't as good as I'd thought, and I ate less than half. I went down to the rocks to rinse my hands in the seawater, within sight of the spot where Abdullah had introduced himself to me three years before.

Khader's words floated on the swift, shallow stream of my thoughts once again: the wrong thing, for the right reasons... I thought of Anand Rao, in Arthur Road Prison, in the big dormitory room with the overseers and the body lice. I shivered the thought off into the breeze. Kavita had asked me why the Anand Rao case was so important to me. I didn't tell her that he'd come to me before he committed the murder, only a week before he cut Rasheed's throat. I didn't tell her that I'd brushed him off, and insulted him, demeaning his dilemma with an offer of money. I smudged an answer to her question, and let her think that I was just trying to help a friend, just trying to do the right thing.

Khaderbhai once said that every virtuous act is inspired by a dark secret. It mightn't be true of everyone, but it was true enough about me. The little good that I've done in the world has always dragged behind it a shadow of dark inspiration. What I do know now, and didn't know then is that, in the long run, motive matters more with good deeds than it does with bad. When all the guilt and shame for the bad we've done have run their course, it's the good we did that can save us. But then, when salvation speaks, the secrets we kept, and the motives we concealed, creep from their shadows. They cling to us, those dark motives for our good deeds. Redemption's climb is steepest if the good we did is soiled with secret shame.

But I didn't know that then. I washed my hands in the cold,uncaring sea, and my conscience was as silent and remote as the mute, unreachable stars.

CHAPTER TWENTY-SEVEN

Used passports, known as books to us, the counterfeiters and smugglers who traded in them, had to be checked before they could be sold or used by black marketeers. It was always possible that the junkies, runaways, or indigent foreigners who'd sold their passports to our agents were wanted for some serious offence in their own or some other country. More than a few smugglers had been caught out in that way. They'd bought passports, changed them to suit, and set out on a mission, only to find themselves arrested at a foreign airport because the original owners were wanted for murder, or robbery, or different smuggling charges. To ensure the satisfaction of our customers and the safety of our couriers, Abdul Ghani subjected every new passport that he bought or stole to two levels of scrutiny.

A customs officer with access to a computer at Bombay's international airport provided the first filter. At a time and place of his choosing, the officer was given a sheet bearing the country of origin, passport number, and original name on each passport to be checked. A day or two later he returned the sheet with a line drawn through those that were flagged in his computer. Some of the passports were flagged because international arrest-warrants had been issued for the original owners. Some passports were flagged because suspicion attached itself to the owner: a hint of involvement in the illegal drugs or arms trade, or some political connection that made security services uneasy. Whatever the reason, flagged passports couldn't be sold on the black market or used by Ghani's couriers.

Flagged books still had their uses. It was possible to cannibalise them by pulling apart the stitching to furnish fresh pages for other, usable books. There were also other uses within India. Although foreigners had to show their passports for C-Form entries when they registered at hotels, every city had its share of places that weren't fastidiously precise about the resemblance, or lack of it, between a passport and its bearer. For those hotels, any passport did the job. Although unable to travel out of India with such a flagged passport, a man or woman could use one to move around within the country safely, and satisfy the minimum legal requirements that an obliging hotel manager had to observe.

Unflagged books that did pass the customs check were sent through a second filter at airline offices. All the major airlines kept their own lists of hot or flagged passports. Inclusion of a passport name and number on the list was prompted by anything from a bad credit rating or fraudulent dealings with an airline to any incident involving violent behaviour as a passenger on a plane. Naturally enough, when smugglers were going about the business of their crimes they were eager to avoid any but the most superficial and routine attention from airline staff, customs personnel, or police. A passport that was flagged, for any reason, was useless to them. Abdul Ghani's agents at the offices of most of the major airlines in Bombay checked the numbers and names of the passports we'd acquired, and reported those that were flagged. The clean books that passed through both filters-a little less than half of all those obtained-were sold, or used by Khader's couriers.

The clients who bought Ghani's illegal passports fell into three main categories. The first were economic refugees, people forced from their land by famine or driven to seek a better life in a new country. There were Turks wanting to work in Germany, Albanians wanting to work in Italy, Algerians wanting to work in France, and people from several Asian countries who wanted to work in Canada and the United States. A family, a group of families, and sometimes a whole village community pooled their meagre earnings to purchase one of Abdul's passports and send a favoured son to one of the promised lands. Once there, he worked to repay their loan and eventually buy new passports for other young men and women. The passports sold for anything between five and twenty-five thousand dollars. Khaderbhai's network issued about a hundred of those poverty passports every year, and his annual profit, after all the overheads, was more than a million dollars.

Political refugees made up the second category of clients. The upheavals that sent those people into exile were often violent.

They were victims of wars, and of conflicts based on community, religion, or ethnicity. Sometimes the upheaval was legislated: thousands of Hong Kong residents who weren't recognised as British citizens became potential clients, with the stroke of a pen, when Britain decided in 1984 to return its colonial possession to China in a thirteen year resolution of sovereignty. Around the world, at any one time, there were twenty million refugees living in camps and safe havens. Abdul Ghani's passport agents were never idle. A new book cost those people anywhere from ten to fifty thousand dollars.

The higher price was determined by the greater risks involved in smuggling _into war zones, and the greater demand to escape from them.

The third group of clients for Abdul's illegal books was criminals. Occasionally, those criminals were men like me- thieves, smugglers, contract killers-who needed a new identity to stay one step ahead of the police. For the most part, however, Abdul Ghani's special clients were the kind of men who were more likely to build and fill prisons than to serve time in them. They were dictators, military coup leaders, secret policemen, and bureaucrats from corrupt regimes forced to take flight when their crimes were uncovered or the regime fell. One Ugandan fugitive-a man I dealt with personally-had stolen more than a million dollars, allocated by international monetary agencies for essential service constructions, including a children's hospital.

The hospital was never built. Instead, the sick, injured, and dying children were transported to a remote camp and left to fend for themselves. At a meeting that I set up in Kinshasa, Zaire, the man paid me two hundred thousand dollars for two books-a perfect, unblemished Swiss passport, and a virgin, original Canadian passport-and travelled safely to Venezuela.

Abdul's agents in South America, Asia, and Africa established contact with embezzlers, torturers, mandarins, and martinets who'd supported fallen tyrannies. Dealing with them gave me more angry shame than anything else I ever did in Khaderbhai's service. In the young life I'd known as a free man, I was a dedicated writer of newspaper articles and pamphlets. I'd spent years researching and exposing the crimes and violations perpetrated by such men. I'd put my body on the line, supporting their victims in a hundred violent protest clashes with the police. And I still felt some of the old hatred and a choking sense of outrage when I dealt with them. But that life I'd known was gone. The revolutionary social activist had lost his ideals in heroin and crime. And I, too, was a wanted man. I, too, had a price on my head. I was a gangster, and I lived from one day to the next with only Khader's mafia council standing between me and prison torture.

So, I played my part in Ghani's network, helping mass-murderers to escape from the death sentences they'd passed on so many others and had finally earned from their countrymen in return.

But I didn't like it, and I didn't like them, and I let them know it. I drove them to the wall on every deal, taking a little solace from the rage I provoked in them. And they haggled infuriatingly, those human-rights abusers, self-righteously indignant about spending the money they'd gouged from people's mouths. But in the end, they all caved in and agreed to our terms. In the end, they paid well.

No-one else in Khaderbhai's network seemed to share my sense of outrage or my shame. There's probably no single group of citizens who are more cynical about politics and politicians than professional criminals. In their view, all politicians are ruthless and corrupt, and all political systems favour the powerful rich over the defenceless poor. And in time, and in a sense, I began to share their view because I knew the experience in which it was grounded. Prison had given us an intimate acquaintance with human-rights violations, and every day the courts confirmed what we'd learned about the law: the rich in any country, and any system, always got the best justice money could buy.

On the other hand, the criminals in Khader's network displayed a kind of egalitarianism that would've filled communists and Gnostic Christians with admiring envy. They didn't care about the colour, creed, race, or political orientation of clients, and they didn't judge them when asking about their past. Every life, no matter how innocent or evil, reduced to only one question: How bad do you need the book? The answer established the going rate, and every customer who had the money to pay it was born again, with no history and no sin, in the moment of the deal. No client was better than any other, and none was worse.

Abdul Ghani, propelled by the purest amoral spirit of market forces, serviced the needs of generals, mercenaries, misappropriators of public funds, and murderous interrogators without a hint of censure or dismay. Their freedom brought in about two million dollars each year in clear profit. But although he wasn't ethically squeamish about the source of the income, or receiving it, Abdul Ghani was religiously superstitious about spending it. Every dollar earned in saving that poisonous clientele went to a refugee rescue program that Khaderbhai had established for Iranians and Afghans displaced by war. Every passport bought by one of the warlords or their apparatchiks bought fifty more books, identity cards, or travel documents for Iranian and Afghan refugees. Thus, in one of those psychic labyrinths that fate likes to build around greed and fear, the high prices paid by tyrants rescued many of those made wretched by tyranny.

Krishna and Villu taught me everything they knew about the passport business, and in time I began to experiment, creating new identities for myself with American, Canadian, Dutch, German, and British books. My work wasn't as good as theirs, and never would be. Good forgers are artists. Their artistic vision must encompass the deliberate creative smudge that gives each page its counterfeit authenticity, no less than the accuracy of altered or manufactured details. Each page that they create is a miniature painting, a tiny expression of their art. The precise angle of one slightly skewed stamp or the casual blurring of another are as significant to those small canvasses as the shape, position, and colour of a fallen rose might be in a grand master's portrait. The effect, no matter how skilfully achieved, is always born in the artist's intuition. And intuition can't be taught.

My skills, instead, found expression in the stories that had to be invented for every newly created book. There were often gaps of months, or even years, in the record of travel contained within the books that we got from foreigners. Some had overstayed their visas, and that lapse had to be expunged from the book before it could be used. Stamping an exit from Bombay airport before the last visa's expiry date, as if the passport holder had left the country within the life of the visa, I then set about establishing a history of movement from one country to another for every book, using the bank of exit and entry stamps that Villu had created. Little by little, I brought each book up to date, and finally supplied it with a new visa for India and an entry stamp at Bombay airport.

The chain of entries and exits that linked that lapsed time was always carefully plotted. Krishna and Villu had a library of logbooks from the major airlines, listing all of the flights in and out of Europe, Asia, Africa, and the Americas with their departure dates and arrival times. If we put a stamp into a British book stating that the holder had arrived in Athens on July the fourth, say, we were sure that a British Airways flight had connected at Athens airport on that day. In that way, every book had a personal history of travel and experience backed up by logs, timetables, and weather details which gave the new bearer a credible personal history.

My first test of the passports I'd forged for myself was on the domestic transfer route, known as the double-shuffle. Thousands of Iranian and Afghan refugees in Bombay tried to find asylum in Canada, Australia, the United States, and elsewhere, but the governments of those countries refused to consider them. If they could land there, in those western countries, they could declare themselves to be asylum-seekers and submit to the processes of assessment that determined the merit of their applications.

Because they were political refugees and genuine asylum-seekers, the applications they launched within the nominated country were often successful. The trick was to get them into Canada, or Sweden, or some other country of choice in the first place.

The double-shuffle was the system we used. When Iranians or Afghans in Bombay tried to buy tickets to the asylum countries, they were required to show current visas for those countries. But they couldn't obtain the visas legally, and false visas were impracticable because they were immediately checked against the consular register. So I purchased a ticket to Canada or Sweden with a false visa. As a gora, a well-dressed foreigner of European appearance, I was never subjected to anything but a cursory examination. No-one ever bothered to check if my visa was genuine. The refugee I was helping then purchased a ticket for the domestic leg-from Bombay to Delhi-on the same plane. As we boarded the plane, we received boarding passes: mine was the green international boarding pass, and his was the red domestic pass. Once in the air, we swapped our boarding passes. At Delhi airport, only those with green international boarding passes were permitted to remain on board. Clutching my domestic pass, I got down at Delhi and left the refugee to continue on to Canada, or Sweden, or whatever the destination of the flight we'd chosen.

Upon arrival, he would declare himself to be an asylum-seeker, and the process of his recognition would begin. In Delhi, I would spend the night at a five-star and then purchase another ticket to repeat the process-the double-shuffle-with another refugee on the Delhi to Bombay route.

The system worked. In those years we smuggled hundreds of Iranian and Afghan doctors, engineers, architects, academics, and poets into their nominated countries. I received three thousand dollars for a double-shuffle, and for a while I did two doubles per month. After three months of internal flights from Bombay to Delhi, Calcutta, Madras, and back, Abdul Ghani sent me on my first international courier run. I carried a package of ten passports to Zaire. Using photographs of the recipients-sent from Kinshasa, the capital-Krishna and Villu had worked the passports into perfect counterfeit books. After sealing them in plastic, I taped them to my body under three layers of clothing, and flew into the steaming, well-armed mayhem of Kinshasa's international airport.

It was a dangerous mission. At that time, Zaire was a neutral no man's-land between the bloody proxy wars that raged in Angola, Mozambique, Namibia, Sudan, Uganda, and the Congo. It was the personal fiefdom of the conspicuously insane dictator Mobutu, and a percentage of the profit from every crime in the kingdom slithered into his pocket. Mobutu was a darling of the western powers because he bought every costly killing weapon they offered to sell him. If it mattered to them that Mobutu turned the weapons on trade unionists and other social reformers in his own country, they never expressed the concern publicly. Those governments hosted the dictator in lavish style at royal and presidential receptions while hundreds of men and women were being tortured to death in his prisons. The same governments were hunting me through the international police agency, Interpol, and there was no doubt in my mind that their ally would've taken great pleasure in finishing me off for them-as a bonus, so to speak-if the passport mission had gone wrong and I'd found myself arrested in his capital city.

Still, I liked the wildness of Kinshasa, a city that thrived as an open market-place for the trade in every kind of contraband, from gold and drugs to rocket launchers. The city was full of mercenaries, fugitives, criminals, black-market profiteers, and wild-eyed, bare-knuckled opportunists from all over Africa. I felt at home there, and I would've stayed longer, but within seventy-two hours I'd delivered the books and accepted one hundred and twenty thousand dollars in payment. It was Khaderbhai's money. I was anxious to hand it over. I jumped the first flight back to Bombay, and reported to Abdul Ghani.

What I gained from the mission was ten thousand American dollars, field experience, and an introduction to the African branch of Ghani's network. The network and the experience were worth the risk, it seemed to me then. The money was unimportant. I would've done the job for half the wage or less. I knew that most of the human lives in Bombay came and went much cheaper.

More than that, there was the danger. For some people, danger's a kind of drug or even an aphrodisiac. For me, living as a fugitive, living every day and every night of my life with the fear of being killed or captured, danger was something else.

Danger was one of the lances I used to kill the dragon of stress.

It helped me to sleep. When I went to dangerous places and I did dangerous things, a rush of new and different fear swept over me.

That new fear covered the dread that too often worried me awake.

When the job was done, and the new fear subsided and passed away, I drowned in an exhausted peace.

And I wasn't alone in that hunger for dangerous work. In the course of the job I met other agents, smugglers, and mercenaries whose excited eyes and adrenaline-fired reflexes matched my own.

Like me, they were all running from something: they were all afraid of something that they couldn't really forget or confront.

And only danger money, earned with reckless risk, helped them to escape for a few hours and to sleep.

A second, third, and fourth trip to Africa followed without incident. I used three different passports, departing and arriving from different Indian international airports each time and then taking domestic flights back to Bombay. The double shuffle flights between Delhi and Bombay continued. The specialist tasks that I performed with Khaled's currency dealers and some of the gold traders kept me busy-busy enough, most of the time, not to think too long and too hard of Karla.

Toward the end of the monsoon I visited the slum, and joined Qasim Ali on his daily tour of inspection. As he checked the drainage channels and ordered the repair of damaged huts, I recalled how much I'd admired and depended upon him when I'd lived there in the slum. Walking beside Qasim Ali in my new boots and black jeans, I watched the strong young men in bare feet and lungis dig and scrape with their hands, as I'd once done. I watched them shore up the retaining walls and clear the clogged drains, ensuring that the slum would remain dry to the end of the rains. And I envied them. I envied the importance of the work and their earnest devotion to it. I'd known it once, so well-that fervent and unquestioning dedication. I'd earned the smiles of pride and gratitude from the slum-dwellers when the dirty work was done. But that life was gone for me. Its virtues and its solaces beyond price were as remote and irrecoverable as the life I'd known and lost in Australia.

Perhaps sensing my sombre mood, Qasim directed us toward the open area where Prabaker and Johnny were making the first preparations for their weddings. Johnny and a dozen or so of his neighbours were erecting the frame for a shamiana, or great tent, where the wedding ceremonies would take place. Some distance away, other men were building a small stage where the couples would sit after the ceremonies and receive gifts from family members and friends.

Johnny greeted me warmly and explained that Prabaker was working in his rented taxi, and would return after sunset. Together we walked around the framed structure, examining the construction and discussing the relative merits and costs of a plastic or a cotton covering.

Inviting me to drink tea, Johnny led us to the team of stage builders. My former neighbour Jeetendra was the supervisor for the project. He seemed to have recovered from the grief that had enfeebled him for many months after his wife's death in the cholera epidemic. He wasn't so robust-the once-familiar paunch had shrunk to a tight little mound beneath his T-shirt-but his eyes were bright with hope again, and his smile wasn't forced.

His son, Satish, had grown in a rapid burst since his mother's death. When I shook hands with him, I passed a hundred-rupee note in the press of hands. He accepted it just as secretively, and slid it into the pocket of his shorts. The smile he gave me was warm, but he was still wounded by his mother's death. There was a hollowness in his eyes: a black hole of shocked grieving that swallowed all the questions and released no answers. When he returned to his work, cutting lengths of coconut-fibre rope for the men to tie around bamboo bracing poles, his young face assumed a numb expression. I knew that expression. I sometimes caught it, by chance, in the mirror: the way we look when the part of happiness that's trusting and innocent is ripped away, and we blame ourselves, rightly or wrongly, for its loss.

And all the way through the labour, when she gave birth to me, on that footpath, she stared at those words, Johnny Cigar, and she took it as a sign, if you'll forgive the joke. She was a very, very stubborn woman."

He looked at the little stage, watching as Jeetendra, Satish, and others lifted flat pieces of plywood onto the frame to make the floor.

And it brought you good luck."

He smiled at me, and the smile became a laugh.

When I left him, he was talking to Satish. The boy listened intently and stared into his face, his eyes as expressionless as a gravestone, and I remembered how he'd clutched at my leg on the day that Karla visited me in the slum; how he'd favoured her with a shy, sincere smile. The memory sliced into my dead heart. It's said that you can never go home again, and it's true enough, of course. But the opposite is also true. You must go back, and you always go back, and you can never stop going back, no matter how hard you try.

Needing distraction, I rode my bike out to the R.K. film studios, gunning the engine and swerving too often and too fast between the cars. I'd hired eight foreigners the day before, and had sent them to Lisa. It wasn't difficult for me to find and convince foreigners to fill non-speaking roles in the Bollywood films. The same German, Swiss, Swedish, or American tourists who would've reacted with mistrust and hostility to Indian casting agents responded enthusiastically when I approached them. In the years that I'd lived in the slum and worked as a tour guide, I'd met every kind of foreign tourist. I'd developed a style in dealing with them that won their trust quickly. That style was two parts showman, two parts flatterer, and one part philanderer, combined with a hint of mischief, a sniff of condescension, and a pinch of contempt.

The work as a tour guide had also given me friendships in several key Colaba restaurants. For years I'd steered my tour parties into the Cafe Mondegar, the Picadilly, Dipty's Juice Bar, Edward the Eighth, Mezban Restaurant, Apsara Cafe, the Strand Coffee House, the Ideal, and others in the tourist beat, and encouraged them to spend their money. When I needed foreigners to fill bit parts in the Bollywood films, I trawled those cafes and restaurants. The owners, managers, and waiters always greeted me warmly. Whenever I saw a suitable group of young men and women, I approached them with the offer of a chance to work in an Indian movie. With the restaurant staff vouching for me, I usually secured their confidence and agreement within a few minutes. I then phoned Lisa Carter to arrange transport for the following day. The system worked well. In the few months since we'd started working together, Lisa was drawing casting work from the major studios and producers. Finding the most recent group-the foreigners I'd hired the day before-was our first job for the famous R.K. studio.

I was curious to see the large, prestigious studio complex, and as I rode through the entrance gates my spirits lifted to the tall grey sails of the corrugated gable roofs. For Lisa Carter, and others like her, the dream world of movies inspired an almost reverential awe. I wasn't awed by the movie world, but I wasn't immune to it either. Every time I entered the fantasy-land of a film studio, a little of the magic that makes a movie caught in my heart and lifted me, bright with surprise, from the gloomy sea that, too much and too often, my life had become.

The guards directed me to a sound stage where Lisa and her group of Germans were waiting. I'd arrived during a break in the shooting, and found Lisa serving coffee and tea to the young foreigners. They were seated at two tables-two of several that were arranged around a stage, on a set that was designed to replicate a modern nightclub. I greeted them, exchanging a few pleasantries, and then Lisa took me aside.

You've sent some pretty good people in the last couple weeks, Lin. The studios are real pleased. We could... you know, we could really work this into something, you and me."

She got off the stuff. I was suddenly aware of how brave she was, and that the courage in her- when you knew it was there, and you knew how to look for it-was as palpable and riveting as the fierce, impersonal menace in a tiger's eye.

She laughed, and slipped an arm through mine, leading us in a stroll around the set.

I rubbed the frown from my forehead, up through my untidy hair.

And Ulla's no better. Sixty thousand bucks-it's not all that much, but people have been killed for less. If Modena's got it, he better stay clear of Ulla while Maurizio's still after him."

Her eyes were suddenly glazed and apprehensive.

She looked at me with her lips pressed to white rims around what she wanted to say but couldn't or wouldn't.

She paused, studying my face, and trying to read the expression in my eyes.

I left Lisa with the German tourists and joined Chandra Mehta beneath a metal gantry that supported a complex tree of bright lights. He wore a baseball cap backwards, and the press of the tight band made his plump face seem rounder. Faded blue Levis were buttoned up under his expansive paunch, and a long kurtah shirt almost covered it from above. He was sweating in the mildly humid air of the closed set.

As we strolled between the metal-domed buildings, actors in costume crossed our path, together with men carrying props and pieces of equipment. At one point, a group of nine pretty dancing girls dressed in exotic, feathered costumes passed us on their way to a sound stage. They turned my head around, forcing my body to follow it until I was walking backwards for a while. Chandra Mehta never gave them so much as a glance.

I told him Khaled Ansari's current rate for U.S. dollars, and he agreed to the terms. I arranged to meet him on the set the following day. He was to have the rupees-a much larger bundle of notes than the American currency made-in a soft backpack, ready for me to collect on my bike. We shook on the deal. Mindful of the man I represented, lord Abdel Khader Khan, a man whose name would never be mentioned by Mehta or by me, I put a slightly uncomfortable pressure in the handshake. It was a tiny pain I inflicted on him, the merest twinge, but it reinforced the hard eye-contact above my amiable smile.

We strolled back to the sound stage, and I found Lisa with Mehta's fellow producer, Cliff De Souza.

The two German girls stood and reached out to drag me into the seat between them. "I can't do this! I don't act! I'm camera shy!

I don't do this!"

They were attractive women. I'd selected their group precisely because they were all healthy and attractive men and women. Their smiles were challenging me to join them. I thought about what it would mean: taking a part in a movie that about three hundred million people in ten or more countries would see while I was on the run as my country's most wanted man. It was foolish. It was dangerous.

Cliff and the stagehands backed away as the cast members took their places on the set. The star, Chunkey Pandey, was a handsome, athletic, young Bombay guy. I'd seen him in a few of the movies I'd watched with my Indian friends, and I was surprised to discover that he was considerably more handsome and charismatic in person than he was on the screen. A make-up assistant held up a mirror while Chunkey combed and fretted at his hair. The intensity of the gaze that he focused on the mirror was as steadfast as a surgeon's might be in the midst of a complex and critical procedure.

The director of the film stood beside his cinematographer, poised with one eye to the lens of the camera, and then gave his last instructions to the lighting crew. At a signal, the director's assistant called for all-quiet on the set. The cinematographer announced that the film was rolling.

Music hammered into the set from large stadium speakers. It was the loudest that I'd ever heard Indian movie music played, and I loved it. The dancers, including the star, Kimi Katkar, pranced onto the artificial stage. Working the set and the crowd of extras, Kimi sashayed across the stage and made her way from table to table, dancing and miming her number all the while. The hero joined in the dance, and then ducked under a table when the actors playing the cops arrived. The whole sequence lasted only five minutes in the film, but it took all the morning to rehearse and most of the afternoon to shoot. My first taste of show business resulted in two brief sweeps of the camera that captured my wide smile as Kimi paused, in her seductive routine, at the back of my chair.

We sent the foreign tourists home in two cabs, and Lisa rode back to town with me on the Bullet. It was a warm evening and she removed her jacket to ride, pulling the clip from her long hair.

She wrapped her arms around my waist and pressed her cheek into my back. She was a good passenger: the kind who surrenders her will in unconditional trust, and blends her body to the nuance of the rider. Through my thin white shirt I felt the press of her breasts against my back. The shirt was open in the warm wind, and her hands clung to the tight skin of my waist. I never wore a helmet on the bike. There was a helmet clipped to the back of the seat for a passenger, but she chose not to wear it. Occasionally, when we stopped for the flow of traffic or to make a turn, a gust of wind whipped her long, curly blonde hair over my shoulder and into my mouth. The perfume of verbena flowers lingered on my lips. Her thighs clung to me, gently, and with a promise or a threat of the strength they possessed. I remembered those thighs, the skin as soft as moonlight on the palm of my hand that night at Karla's house. And then, as if she was reading my thoughts or joining them, she spoke when the bike stopped at a traffic signal.

The signal changed and I kicked the bike into gear, twisting the throttle to send us into the intersection on the staccato throbbing of the engine's growl. I didn't answer her. Of course I missed him. He was a good kid. I missed my daughter. I missed my mother and all of my family. I missed my friends: I missed them all and I was sure, in those desperate years, that I would never see them again. Missing the people I loved was a kind of grieving for me, and it was worse, much worse, for the fact that-so far as I knew - they weren't dead. My heart, sometimes, was a graveyard full of blank stones. And when I was alone in my apartment, night after night, that grieving and missing choked me. There was money in bundles on the dressing table, and there were passports freshly forged that could send me... anywhere. But there was nowhere to go: nowhere that wasn't emptied of meaning and identity and love by the vacuum of those who were missing and lost forever.

I was the fugitive. I was the vanished one. I was the one who was missing; missing in action. But inside the slipstream of my flight, they were the missing ones. Inside my exile, it was the whole world I once knew that was missing. The fugitive kind run, trying against their hearts to annihilate the past, and with it every tell-tale trace of what they were, where they came from, and those who once loved them. And they run into that extinction of themselves, to survive, but they always fail. We can deny the past, but we can't escape its torment because the past is a speaking shadow that keeps pace with the truth of what we are, step for step, until we die.

And from the pink and purple palette of the perished evening, a blue-black night rose up around us as we rode. We plunged with the sea-wind into tunnels of light. The robe of sunset slipped from the shoulders of the city. Lisa's hands moved on my hard skin like the sea; like the surging, swarming caress of the sea.

And for a moment, as we rode together, we were one: one desire, one promise dissolving into compromise, one mouth tasting the trickle of danger and delight. And something-it might've been love, or fear-goaded me to the choice, putting whispers in the warming wind: This is as young, and as free, as you'll ever be.

She was making conversation, holding me there. I looked into the sky that was her eyes.

Two hours later, fully awake, and still feeling the press of her lips in the good-night kiss, I wasn't surprised when the phone rang.

I was silent, struggling to find a way to say no that sounded like yes.

Keep it closed until I get there."

Don't speak to anyone, and don't let anyone in. Make two cups of coffee, with lots of milk and sugar-four spoons of sugar-and sit down with Ulla to drink them. Give her a stiff drink, as well, if she needs it. I'm on my way. I'll be there in ten minutes. Hang in there, and stay cool."

Riding the night, cutting into crowded streets, winding the bike into the web of lights, I felt nothing: no fear, no dread, no shiver of excitement. Red-lining a motorcycle means opening the throttle so hard, with every change of gears, that the needle on the rev-counter is twisted all the way round to the red zone of maximum revolutions. And that's what we were doing, all of us, in our different ways, Karla and Didier and Abdullah and I: we were red-lining our lives. And Lisa. And Maurizio. Twisting the needle to the red zone.

A Dutch mercenary in Kinshasa once told me that the only time he ever stopped hating himself was when the risk he faced became so great that he acted without thinking or feeling anything at all.

I wished he hadn't said it to me because I knew exactly what he meant. And I rode that night, I soared that night, and the stillness in my heart was almost like being at peace.

____________________

CHAPTER TWENTY-EIGHT

In my first knife fight I learned that there are two kinds of people who enter a deadly conflict: those who kill to live, and those who live to kill. The ones who like killing might come into a fight with most of the fire and fury, but the man or woman who fights just to live, who kills just to survive, will usually come out of it on top. If the killer-type begins to lose the fight, his reason for fighting it fades. If the survivor-type begins to lose, his reason for fighting it flares up fiercer than ever. And killing contests with deadly weapons, unlike common fistfights, are lost and won in the reasons that remain when the blood begins to run. The simple fact is that fighting to save a life is a better and more enduring reason than fighting to end one.

My first knife fight was in prison. Like most prison fights, it started trivially and ended savagely. My adversary was a fit, strong veteran of many fights. He was a stand-over man, which meant that he mugged weaker men for money and tobacco. He inspired fear in most of the men and, not burdened with judiciousness, he confused that fear with respect. I didn't respect him. I detest bullies for their cowardice, and despise them for their cruelty. I never knew a tough man who preyed on the weak. Tough men hate bullies almost as much as bullies hate tough men.

And I was tough enough. I'd grown up in a rough, working-class neighbourhood, and I'd been fighting all my life. No-one in the prison system knew that then because I wasn't a career criminal, and I had no history. I began my prison experience as a first offender. What's more, I was an intellectual, and I sounded and acted like one. Some men respected that and some ridiculed it, but none of them feared it. Nevertheless, the long prison sentence that I was serving-twenty years at hard labour for armed robberies-gave most of them pause. I was a dark horse. No one knew how I would respond to a real test, and more than a few were curious about it.

The test, when it did come, was flashing steel, and broken teeth, and eyes rolling wide and wild as a frenzied dog. He attacked me in the prison laundry, the one place not observed directly by guards patrolling catwalks between the gun towers. It was the kind of unprovoked surprise attack that's known in prison slang as a sneak-go. He was armed with a steel table knife, sharpened with endlessly malignant patience on the stone floor of his cell.

Its edge was sharp enough to shave a man or cut his throat. I'd never carried a knife or used one in my life before prison. But in there, where men were attacked and stabbed every other day, I'd followed the advice of the hard men who'd survived long years there. It's better to have a weapon and not need it, they'd told me more than once, than need it and not have it. My knife was a sharpened spike of metal about as thick as a man's finger and a little longer than a hand. The hilt was formed with packing tape, and fitted into my hand without bunching the fingers. When the fight began he didn't know that I was armed, but we both, in our separate ways, expected that it was a fight to the death. He wanted to kill me, and I was sure that I had to kill him to survive.

He made two mistakes. The first was to fight on the back foot. In the surprise of his sneak attack he'd first rushed at me and, with two slashes of the knife, he'd cut me across the chest and the forearm. He should've pressed on to finish it, hacking and tearing and stabbing at me, but he stepped back instead and waved the knife in little circles. He might've expected me to submit- most of his foes surrendered quickly, defeated by their fear of him as much as by the sight of their own blood. He might've been so sure he would win that he was simply toying with me and teasing out the thrill of the kill. Whatever the reason, he lost the advantage and he lost the fight in that first backward step.

He gave me time to drag my knife from inside my shirt and shape up to box him. I saw the surprise in his eyes, and it was my cue to counter-attack.

His second mistake was that he held the knife as if it was a sword and he was in a fencing match. A man uses an underhand grip when he expects his knife, like a gun, to do the fighting for him. But a knife isn't a gun, of course, and in a knife fight it isn't the weapon that does the fighting: it's the man. The knife is just there to help him finish it. The winning grip is a dagger hold, with the blade downward, and the fist that holds it still free to punch. That grip gives a man maximum power in the downward thrust and an extra weapon in his closed fist.

He dodged and weaved in a crouch, slashing the knife in sweeping arcs with his arms out wide. He was right-handed. I adopted a southpaw-boxing stance, the dagger in my right fist. Stepping with the right foot, and dragging the left to keep my balance, I took the fight to him. He ripped the blade at me twice and then lunged forward. I side-stepped, and punched at him with a three punch combination, right-left-right. One of them was a lucky punch. His nose broke, and his eyes watered and burned, blurring his vision. He lunged again, and tried to bring the knife in from the side. I grabbed at his wrist with my left hand, stepped into the space between his legs, and stabbed him in the chest. I was trying for the heart or a lung. It didn't hit either one, but still I rammed the spike up to the hilt into the meaty flesh beneath his collarbone. It broke the skin of his back just below the shoulder blade.

He was jammed against a section of wall between a washing machine and a clothes-dryer. Using the spike to hold him in place, and with my left hand locked to his knife-wrist, I tried to bite his face and neck, but he whipped his head from side to side so swiftly that I opted for head-butts instead. Our heads cracked together several times until one desperate, wrenching effort of his legs sent us sprawling onto the floor together. He dropped his knife in the fall, but the spike tore free from his chest. He began to drag himself toward the door of the laundry. I couldn't tell if he was trying to escape or seeking a new advantage. I didn't take a chance. My head was level with his legs. Thrashing together on the ground, I reached up and grabbed the belt of his trousers. Using it for leverage, I stabbed him in the thigh twice, and again, and again. I struck bone more than once, feeling the jarring deflection all the way up my arm. Releasing his belt, I stretched my left hand out for his knife, trying to reach it so that I could stab him with that one as well.

He didn't scream. I'll say that much for him. He shouted hard for me to stop, and he shouted that he gave up-I give up! I give up!

I give up!-but he didn't scream. I did stop, and I let him live.

I scrambled to my feet. He tried again to crawl toward the door of the laundry. I stopped him with my foot on his neck, and stomped down on the side of his head. I had to stop him. If he'd made it out of the laundry while I was there, and the prison guards saw him, I would've spent six months or more in the punishment unit. While he lay there groaning on the floor, I took off my bloody clothes and changed into a clean set. One of the prisoners who cleaned the jail was standing outside the laundry, grinning in at us through the doorway with unspiteful enjoyment. I passed him the bundle of my soiled clothes. He smuggled the bloodied clothes away in his mop-bucket, and threw them into the incinerator behind the kitchen. On my way out of the laundry I handed the weapons to another man, who buried them in the prison garden.

When I was safely away from the scene, the man who'd tried to kill me limped into the prison chief's office, and collapsed. He was taken to hospital. I never saw him again, and he never opened his mouth. I'll say that much for him, too. He was a thug and a stand-over man, and he tried to kill me for no good reason, but he wasn't an informer.

Alone in my cell, after the fight, I examined my wounds. The gash on my forearm had made a clean cut through a vein. I couldn't report it to the medical officer because that would've connected me to the fight and the wounded man. I had to hope that it would heal. There was a deep slash from my left shoulder to the centre of my chest. It was also a clean cut, and it was bleeding freely.

I burned two packets of cigarette papers all the way down to white ash in a metal bowl, and rubbed the ash into both wounds.

It was painful, but it sealed the wounds immediately and stopped the bleeding.

I never spoke of the fight to anyone, but most of the men knew about it soon enough, and they all knew that I'd survived the test. The white scar on my chest, the scar that men saw every day in the prison shower, reminded them of my willingness to fight.

It was a warning, like the bright bands of colour on the skin of a sea snake. It's still there, that scar, as long and white after all these years as it ever was. And it's still a kind of warning.

I touch it, and I see the killer pleading for his life; I remember, reflected in the fright-filled domes of his eyes, fate's mirror, the sight of the twisted, hating thing that I became in the fight.

My first knife fight wasn't my last, and as I stood over Maurizio Belcane's dead body I felt the cold, sharp memory of my own experiences of stabbing and being stabbed. He was face down in a kneeling posture, with his upper body on a corner of the couch and his legs on the floor. Beside his slackly folded right hand there was a razor-sharp stiletto resting on the carpet. A black handled carving knife was buried to the crank in his back, a little to the left of his spine and just below the shoulder blade. It was a long, wide, sharp knife. I'd seen that knife before, in Lisa's hand, the last time Maurizio had made the mistake of coming to the apartment uninvited. That was one lesson he should've learned the first time. We don't, of course. It's okay, Karla once said, because if we all learned what we should learn, the first time round, we wouldn't need love at all. Well, Maurizio had learned that lesson in the end, the hard way-face down in his own blood. He was what Didier called a fully mature man. When I'd chided Didier once for being immature, he'd told me that he was proud and delighted to be immature. The fully mature man or woman, he said, has about two seconds left to live.

Those thoughts rolled over one another in my mind like the steel balls in Captain Queeg's hand. It was the knife that did it, of course: the memory of stabbing and being stabbed. I remembered the vivid seconds every time I'd been stabbed. I remembered the knives cutting me, entering my body. I could still feel the steel blades inside me. It was like burning. It was like hate. It was like the most evil thought in the world. I shook my head and breathed in deeply, and looked at him again.

The knife might've ruptured a lung and penetrated to the heart.

Whatever it had done, it had finished him fast. His body had fallen onto the couch and, once there, he'd hardly moved at all.

I took a handful of his thick, black hair and lifted his head.

His dead eyes were half open, and his lips were pulled back slightly from his teeth in a rictal smile. There was remarkably little blood. The couch had absorbed the big spill. We've gotta get rid of the couch, I heard myself thinking. The carpet had suffered no great damage, and could be cleaned. The room was also little disturbed by the violence. A leg was broken on the coffee table, and the locks on the front door hung askew. I turned my attention to the women.

Ulla bore a cut on her face from the cheekbone almost to the chin. I cleaned the wound and pressed it together with tape all along the length of it. The cut wasn't deep, and I expected it to heal quickly, but I was sure it would leave a scar. By chance, the blade had followed the natural curve of her cheek and jaw, adding a flash of emphasis to the shape of her face. Her beauty was injured by the wound but not ravaged by it. Her eyes, however, were abnormally wide and pierced with a terror that refused to fade. There was a lungi on the arm of the couch beside her. I put it around her shoulders, and Lisa gave her a cup of hot, sweet chai. When I covered Maurizio's body with a blanket she shuddered. Her face crumpled into puckers of pain, and she cried for the first time.

Lisa was calm. She was dressed in a pullover and jeans, an outfit that only a Bombay native could wear on such a humid, still, and hot night. There was the mark of a blow around her eye and on her cheek. When Ulla was quiet again we crossed the room to stand near the door, out of her hearing. Lisa took a cigarette, bent her head to light it from my match, and then exhaled, looking directly into my face for the first time since I'd entered the apartment.

She smiled. Under the circumstances, it was a very good smile. If we hadn't been standing next to a dead man with a knife in his heart, I'd have found it irresistible.

The smile closed up in the thin, grim line of her pursed lips.

Just like that. He was looking at me, then he was dead. She saved my life, Lin."

She began to tremble and shiver. I took her in my arms and held her for a while, supporting her weight. When she was calm again, I brought her a kitchen chair and she sat down shakily. I phoned around, and found Abdullah. Explaining what had happened in as few words as possible, I told him to contact Hassaan Obikwa in the African ghetto and bring him to the apartment with a car.

Little by little, as we waited for Abdullah and Hassaan, the story emerged. Ulla was suddenly tired, but I couldn't let her sleep. Not yet. After a while she began to speak, adding a detail here and there to Lisa's account, and then gradually telling the whole story herself.

Maurizio Belcane met Sebastian Modena in Bombay, where both of them made money from the work they arranged for foreign prostitutes. Maurizio was the only son of rich Florentine parents who'd died in a plane crash when he was a child. By his own account, repeated to Ulla whenever he was drunk, he was raised with indifferent duteousness by distant relatives who'd tolerated him reluctantly in the loveless shelter of their home. At eighteen he seized the first tranche of his inheritance and fled to Cairo. By the age of twenty-five he'd squandered the fortune left to him by his parents. The remnants of his family cast him out, no less for his penury than for the many scandals that had pursued his profligate progress through the Middle East and Asia.

At twenty-seven he found himself in Bombay, brokering sex for European prostitutes.

The point man for Maurizio's operation in Bombay was the diffident, dour Spaniard, Sebastian Modena. The thirty-year-old sought out and approached wealthy Arab and Indian customers. His short, slight frame and timid manner worked to his advantage, putting the customers at ease by allaying their fears and suspicions. He took one-fifth of the cut that Maurizio claimed from the foreign girls. Ulla believed that Modena was happy enough in the unequal relationship, where he did most of the dirty work and Maurizio took most of the dirty money, because he saw himself as a pilot fish and the tall, handsome Italian as a shark.

His background was very different to Maurizio's. One of thirteen children in an Andalusian Gypsy family, Modena had grown up with a notion of himself as the runt of the litter. Schooled more in crime than in scholarship, and barely literate, he'd worked his way from swindle to grift to petty larceny across Turkey, Iran, Pakistan, and India. He preyed on tourists, never taking too much and never remaining too long in any one place. Then he met Maurizio, and for two years he'd pandered for the pimp, procuring clients and putting them together with the girls in Maurizio's stable.

They might've gone on in that way for much longer, but one day Maurizio walked into Leopold's with Ulla. From the first moment that their eyes met, Ulla told us, she knew that Modena was hopelessly in love with her. She encouraged him because his devotion to her was useful. She'd been purchased from Madame Zhou's Palace, and Maurizio was determined to recover his investment costs as quickly as possible. He'd instructed the smitten Modena to find work for her twice a day, every day, until the debt was repaid. Tortured by what he saw as betrayals of his own love, Modena pressed his partner to release Ulla from the obligation. Maurizio refused, ridiculing the Spaniard's affection for a working girl, and insisting that he put her to work day and night.

Ulla paused in her story when a tap at the door announced Abdullah's arrival. The tall Iranian entered silently, dressed in black like a thing made from the night itself. He greeted me with a hug and nodded gently to Lisa. She came forward and kissed him on the cheek. He lifted the blanket to look at Maurizio's body.

Nodding and turning down the corners of his mouth in professional approval of the single killing thrust, he let the blanket fall, and muttered a prayer.

Abdullah sprinted to her, and wrapped her in his arms with surprisingly tender compassion. He sat her down again and rocked her, murmuring reassuringly. I watched them with a little pinch of shame because I knew that I should've comforted her myself, long before that, and in just the same gentle way. But the fact was that Maurizio's death had compromised me, and I was afraid. I'd had reason enough to want him dead, and I'd beaten him with my fists for it. That was, in other words, a motive for murder.

People knew that. I was there in the room with Lisa and Ulla, and it seemed that I was helping them, responding to their call for help, but that wasn't all of it. I was also there to help myself.

I was there to make sure that no part of the sticky web of his death clung to me. And that's why there was nothing gentle in me, and all the tenderness came from an Iranian killer named Abdullah Taheri.

Ulla began to speak again. Lisa poured her a drink of vodka and lime juice. She gulped at it, and went on with her story. It took quite a while because she was nervous and afraid. She skipped important details from time to time, and she was loose with her chronology, ordering the facts as they occurred to her in the telling rather than as they'd happened. We had to ask questions and prompt her into a more sequential account, but little by little we got it all.

Modena had been the first to meet the Nigerian-the businessman who'd wanted to spend sixty thousand dollars on heroin. He introduced him to Maurizio, and too quickly, too easily, the African had parted with his money. Maurizio stole the money and planned to move on, but Modena had other ideas. He seized his chance to free Ulla and rid himself of Maurizio, the man he resented for enslaving her. He snatched the money from him, and went into hiding, prompting the Nigerian to send his hit-squad to Bombay. To distract the understandably bloodthirsty Africans while he searched for Modena, Maurizio had given them my name and told them I'd stolen their money. Abdullah and I knew the next part of that story well enough.

For all his cringing cowardice with me, and his dread that the Nigerians might return to hunt him down, Maurizio Belcane couldn't cut his losses and leave the city. He couldn't rid his heart of the killing rage he felt for Modena and the righteous lust he felt for the money they'd stolen together. For weeks he watched Ulla and followed her everywhere. He knew that, sooner or later, Modena would contact her. When the Spaniard did make that contact, Ulla went to him. Without realising it, she also led the crazed Italian to the cheap Dadar hotel where his former partner was hiding. Maurizio burst into the room, but he found Modena alone. Ulla was gone. The money was gone. Modena was ill.

Some sickness had ruined him. Ulla thought it might've been malaria. Maurizio gagged him, tied him to the sickbed, and went to work on him with the stiletto. Modena, tougher than anyone knew and taciturn to the end, refused to tell him that Ulla was hiding in an adjoining room, only footsteps away, with all the money.

She nodded.

She nodded again.

She nodded a third time. I looked at Abdullah.

What is the name?"

She hesitated.

She stood up shakily, supported by Lisa, and walked into the bedroom she'd used. Moments later she returned with a travel flight bag. She handed it to me, her expression strangely contradictory-coquette and adversary in equal parts. I opened the bag and took out several bundles of American hundred-dollar bills. I counted out twenty thousand dollars, and pushed the rest back into the bag. I returned the bag to her.

She wanted to reply, but a soft tap at the door announced Hassaan's arrival. The stocky, thickly muscled Nigerian entered, and greeted Abdullah and me warmly. Like the rest of us, he was acclimatised to Bombay's heat, and he wore a heavy serge jacket and bottle-green jeans with no trace of discomfort. He pulled the blanket from Maurizio's body and pinched the skin, flexed a dead arm, and sniffed at the corpse.

He paused, when I didn't reply or react, and looked up to see me staring at the two women. Their faces were stiff with dread.

Lisa led Ulla into the bathroom, and ran a shower for her. We dumped Maurizio's body onto the plastic sheet and stripped it of its clothes. His skin was pallid, matt, and in some places marbled-grey. In life Maurizio was a tall, well-built man. Dead and naked he looked thinner, feebler somehow. I should've pitied him. Even if we never pity them at any other time, and in any other way, we should pity the dead when we look at them, and touch them. Pity is the one part of love that asks for nothing in return and, because of that, every act of pity is a kind of prayer. And dead men demand prayers. The silent heart, the tumbled nave of the chest unbreathing, and the guttered candles of the eyes-they summon our prayers. Each dead man is a temple in ruins, and when our eyes walk there we should pity, we should pray.

But I didn't pity him. You got what you deserve, I thought, as we rolled his body in the plastic sheet. I felt despicable and mean souled for thinking it, but the words wormed their way through my brain like a murderous whisper working its way through an angry mob. You got what you deserve.

Hassaan had brought a laundry-style trolley basket with him. We wheeled it into the room from the corridor. Maurizio's body was beginning to stiffen up, and we were forced to crunch the legs to fit it into the basket. We wheeled and carried it down two flights of stairs unobserved, and out into the quiet street, where Hassaan's delivery van was parked. His men used the van every day to deliver fish, bread, fruit, vegetables, and kerosene to his shops in the African ghetto. We lifted the wheeled basket into the back of the van, and covered the plastic-wrapped body with loaves of bread, baskets of vegetables, and trays of fish.

He nodded to Abdullah and left us, walking half a block to his parked car. Raheem leaned out of the van to flash a wide smile at me before turning over the engine with a flick of his wrist. He drove away without looking back. Hassaan's car followed it a few hundred metres behind. We never heard so much as a murmur about Maurizio again. It was rumoured that Hassaan Obikwa kept a pit in the centre of his slum. Some said the pit was full of rats. Some claimed that it was filled with scuttling crabs. Others swore that he kept huge pigs in the pit. Whatever the hungry creatures were, all the whisperers agreed that they were fed from time to time with a dead man, one piece of the corpse at a time.

We returned to the apartment, and repaired the door locks so the door could be sealed shut when we all left. Abdullah phoned another contact and arranged for two reliable men to visit the apartment on the following day. Their instructions were to bring a saw, cut the couch into pieces, and remove it in rubbish sacks. They were to clean the carpet and leave the apartment in an orderly state, removing every trace of its recent occupants.

He put the phone down, and it rang at once. His contact in Dadar had news. Modena had been discovered by staff in the hotel room, and rushed to hospital. The contact had visited the hospital, and learned that the weak and wounded man had checked himself out of the ward. He was last seen speeding away in a taxi. The doctor who'd attended him doubted that he would survive the night.

I raised my eyebrows in greater surprise. Modena wasn't just meek, it seemed to me then, he was a weak man. I couldn't imagine what Abdullah meant. I didn't know then that good soldiers are defined by what they can endure, not by what they can inflict.

And when all the loose ends were cut or tied, when Ulla left the city for Germany, and Lisa moved to a new apartment, and the last questions about Modena and Maurizio and Ulla faltered, faded, and ceased, it was the mysteriously vanished Spaniard who claimed my thoughts most often. I made two double-shuffle flights to Delhi and back in the next two weeks. I followed that by flying a seventy-two hour turnaround to Kinshasa with ten new passports for Abdul Ghani's network. I tried to keep busy, tried to focus on the work, but the screen in my mind was filled too often with an image of him, Modena, tied to the bed and staring at Ulla, watching her leave him there, watching her walk away with the money. And gagged. No way to scream. And what he must've thought when she entered the room... I'm saved... And what he must've thought when he saw the terror in her face. And was there something else in her eyes: was it revulsion, or was it more terrible than that? Did she look relieved, perhaps? Did she seem glad to be rid of him? And what did he feel when she turned and walked away and left him there, and closed the door behind her?

When I was in prison I fell in love with a woman who was an actress in a popular television program. She came into the prison to teach classes in acting and theatre for our prison drama group. We clicked, as they say. She was a brilliant actress. I was a writer. She was the physical voice and gesture. I saw my words breathe and move in her. We communicated in the shorthand shared by artists everywhere in the world: rhythm, and elation.

After a time, she told me that she was in love with me. I believed her, and I still believe that it was true. For months we fed the affair with morsels of time stolen from the acting classes, and long letters that I smuggled to her through the illegal jail mail system known as the stiff-letter run.

Then trouble found me and I was thrown, literally, into the punishment unit. I don't know how the screws found out about our romance, but soon after I arrived in the punishment block they began to interrogate me about it. They were furious. They saw her affair with a prisoner, carried on for months under their noses, as a humiliating affront to their authority and, perhaps, to their manhood. They beat me with boots, fists, and batons, trying to force me to admit that she and I had been lovers. They wanted to use my confession as the basis for laying a charge against her. During one beating they held up a photograph of her. It was a smiling publicity still that they'd found in the prison drama group. They told me that all I had to do to stop the beatings was nod my head at it. Just nod your head, they said, holding the picture before my bloody face. Just nod your head, that's all you have to do, and it'll all be over.

I never admitted anything. I held her love in the vault of my heart while they tried to reach it through my skin and my bones.

Then one day, as I sat in my cell after a beating, trying to stop the blood flowing into my mouth from a chipped bone in my cheek and my broken nose, the trapdoor opened in the door of my cell. A letter fluttered in and landed on the floor. The trapdoor shut. I crawled over to the letter, and crawled back to the bed to read it. The letter was from her. It was a Dear John letter. She'd met a man, she said. He was a musician. Her friends had all urged her to break up with me because I was serving a twenty-year sentence in prison, and there was no future in it for either of us. She loved the new man, and she planned to marry him when his concert tour with the symphony orchestra was complete. She hoped I understood. She was sorry, but the letter was goodbye, goodbye forever, and she would never see me again.

Blood dripped onto the page from my broken face. The screws had read the letter, of course, before giving it to me. They laughed outside my door. They laughed. I listened to them as they tried to make a victory of that laughter, and I wondered if her new man, her musician, would stand up under torture for her. Maybe he would. You can never tell what people have inside them until you start taking it away, one hope at a time.

And somehow, in the weeks after Maurizio's death, Modena's face, or my mind's picture of his gagged and bloody and staring face, became confused with my own memories of that love I'd lost in prison. I wasn't sure why: there didn't seem to be any special reason why Modena's fate would twist itself into the strands of my own. But it did, and I felt a darkness growing within me that was too numb for sorrow and too cold for rage.

I tried to fight it. I kept myself as busy as I could. I worked in two more Bollywood films, taking small parts-as an extra at a party and in a street scene. I met with Kavita, urging her once again to visit Anand in prison. Most afternoons, I trained at weights and boxing and karate with Abdullah. I put in a day here and there at the slum clinic. I helped Prabaker and Johnny to prepare for their weddings. I listened to Khaderbhai's lectures, and immersed myself in the books, manuscripts, parchments, and ancient faience carvings in Abdul Ghani's extensive private collection. But no work or weariness could drive the darkness from me. Little by little, the tortured Spaniard's face and silent, screaming eyes became my own remembered moment: blood falling on the page, and no sound escaping my howling mouth. They claim a hidden corner of our hearts, all those moments that stay with us unscreamed. That's where loves, like elephants, drag themselves to die. It's the place where pride allows itself to cry. And in those sleep-lonely nights and think-rambled days, Modena's face was always there, staring at the door.

And while I worked and worried, Leopold's changed forever. The crowd that had coalesced there dispersed and disappeared. Karla was gone. Ulla was gone. Modena was gone, and probably dead. Maurizio was dead. Once, when I was too busy to stop for a drink, I passed the wide entrance arches and I saw no face that I knew. Yet Didier persisted at his favourite table each evening, conducting his business and accepting drinks from old friends. Gradually a new crowd collected around him with a new and different style.

Lisa Carter brought Kalpana Iyer with her for drinks one night, and the young assistant producer became a Leopold's regular.

Vikram and Lettie were in the last stages of preparation for their wedding, and they stopped for coffee, a snack, or a beer almost every day. Anwar and Dilip, two young journalists who worked with Kavita Singh, accepted her invitation to drop in and look the place over. On their first visit they found Lisa Carter, Kalpana, Kavita, and Lettie, with three German girls who'd worked for Lisa as extras on a film-seven beautiful, intelligent, vivacious young women. Anwar and Dilip were healthy, happy, unattached young men. They came to Leopold's every day and night after that.

The ambience created by the new group was different to that which had flowered around Karla Saaranen. The indelible cleverness and piercing wit that were Karla's gifts had inspired her own group of friends to a more profound discourse and a higher, thinner laughter. The new group took its more erratic tone from Didier, who combined the expressive mordancy of his sarcasm with a proclivity for the vulgar, the obscene, and the scatological. The laughter was louder, and probably more frequent, but there were no phrases that remained with me from the jokes or the jokers.

Then one night, a day after Vikram married Lettie, and a few weeks after Maurizio went into Hassaan Obikwa's pit, as I sat amongst the new group while the cawing, shrieking gulls of good humour settled on them, sending up squawks of laughter and fluttering hands, I saw Prabaker through the open arch. He waved to me, and I left the table to join him in his cab parked nearby.

He paused, watching the aquarium of the swirling street through the windscreen of the cab. His fingernail picked at the rubber leopard's skin cover he'd laced onto his steering wheel. I gave him time.

He paused, looking up at the strolling street once more.

I told Prabaker, sitting in his cab and watching him cry, that love makes men big, and hate makes them small. I told him that my little friend was one of the biggest men I ever met because there wasn't any hate in him. I said that the better I knew him, the bigger he got, and I tried to tell him how rare that was. And I joked with him, and laughed with him until that great smile, as big as a child's biggest wish, returned to his gentle round face.

He drove away toward the bachelor party that was waiting for him in the slum, and sounded the horn triumphantly until he was out of sight.

The night that walked me, long after he left, was lonelier than most. I didn't go back to Leopold's. I walked instead along the Causeway, past my apartment, and on to Prabaker's slum at Cuffe Parade. I found the place where Tariq and I fought the vicious pack on the Night of the Wild Dogs. There was still a small pile of scrap timber and stones on the spot. I sat there, smoking the darkness, and watching the slow elegance of the slum-dwellers drifting back along the dusty track to the huddle of huts. I smiled. Thinking of Prabaker's mighty smile always made me smile reflexively as if I was looking at a happy, healthy baby. Then a vision of Modena's face flowed from the flickering lanterns and vaporous wreaths of smoke, and faded again to nothing before it was fully formed. Music started up inside the slum. A strolling group of young men quickened their pace to jog toward the stirring sound. Prabaker's bachelor party had begun. He'd invited me, but I couldn't bring myself to go. I sat near enough to hear the happiness, but far enough away not to feel it.

For years I'd told myself that love had made me strong when the prison guards tried to force me to betray the actress and our affair. Somehow, Modena had haunted the truth from me. It wasn't love for her that had kept me silent, and it wasn't a brave heart. It was stubbornness that had given me the strength to bite down; stiff-necked, bull headed stubbornness. There was nothing noble in it. And for all my contempt for the cowardice of bullies, hadn't I become a bully when I was desperate enough? When the dragon-claws of heroin sickness dug into my back I became a small man, a tiny man. I became so small that I had to use a gun. I had to point a gun at people, many of them women, to get money. To get money. How was I different, in that, to Maurizio bullying women to get money? And if they'd shot me during one of those hold-ups, if the cops had gunned me down as I'd wanted and expected at the time, my death would've aroused and deserved as little pity as that of the crazed Italian.

I stood up and stretched, looking around me and thinking of the dogs and the fight and the bravery of the little boy Tariq. When I started back toward the city, I heard a sudden eruption of happy laughter from many voices at Prabaker's party, followed by a cloudburst rattle of applause. And the music dwindled with the distance until it was as faint and diminishable as any moment of truth.

Walking through the night, alone with the city for hours, I loved her with my wandering, just as I'd done when I lived in the slum.

Near dawn I bought a newspaper, found a cafe, and ate a big breakfast, lingering over a second and then a third pot of chai.

There was an article on page three of the paper describing the miraculous gifts of the Blue Sisters, as Rasheed's widow and her sister had become known. It was a syndicated article, written by Kavita Singh and published across the country. In it she gave a brief history of their story and then related several first-hand accounts of miraculous cures that had been attributed to the mystical powers the girls exercised. One woman claimed to have been cured of tuberculosis, another insisted that her hearing had been fully restored, and an elderly man declared that his withered lungs were strong and healthy again after he merely touched a hem of their sky-blue garments. Kavita explained that the name Blue Sisters wasn't their own choice: they wore blue, always, because they woke from their comas with a shared dream about floating in the sky, and their devotees had settled on the name. The article concluded with Kavita's own account of a meeting with the girls, and her conviction that they were, beyond any doubt, special-perhaps even supernatural-beings.

I paid the bill, and borrowed a pen from the cashier to circle the article with several lines. As the streets unwound the tangled morning coil of sound, colour, and commotion, I took a cab and jounced through reckless traffic to the Arthur Road Prison. After a wait of three hours, I made my way into the visiting area. It was a single room divided down the centre by two walls of cyclone wire that were separated by an empty space of about two metres. On one side were the visitors, squeezed together and holding their places by clinging to the wire. Across the gap and behind the other wire fence were the prisoners, crushed together and also grasping at the wire to steady themselves. There were about twenty prisoners. Forty of us crowded into an equal space on the visitors' side. Every man, woman, and child in the divided room was shouting. There were so many languages-I recognised six of them, and stopped counting as a door opened on the prisoners' side. Anand entered, pushing his way through to the wire.

His eyes found me, and he smiled in greeting.

I didn't look fine. I knew that. I looked worried and guilty and tired.

There's an article in it about the sisters. It mentions you. We can use this to help you. We can build up some sympathy for you, before your case comes to court."

His long, lean, handsome face darkened in a frown that drew his brows together and pressed his lips into a tight, defiant crease.

I was shouting myself hoarse, trying to be heard above or within the clamouring din. It was so hot in the crush of bodies that my shirt was already soaked, and clung to my skin. Had I heard him correctly? It seemed impossible that he would reject any help that might reduce his sentence. Without that help, he was sure to serve a minimum of fifteen years. Fifteen years in this hell, I thought, staring through the wire at his frowning face. How could he refuse our help?

Please do not let them write anything more about me. Write about the ladies. The sisters. Yes! But let me have the peace of my fate. Do you promise me? Linbaba? Do you swear it?"

My fingers clutched at the diamonds of the wire fence. I felt the cold rusty metal bite at the bones within my hands. The noise in that wooden room was like a wild rainstorm on the ragged rooftops of the slum. Beseeching, entreating, adoring, yearning, crying, screaming, and laughing, the hysterical choruses shouted from cage to cage.

His face relaxed, and the smile returned, burning my eyes with the beauty of it. "Thank you, Linbaba!" he shouted back happily. "Please don't be thinking I am ungrateful, but I don't want you to come back here again. I don't want you to visit me. You can put some money for me, sometimes, if you think of it. But please don't come back again. This is my life now. This is my life. It will be hard for me, if you come back here. I will think about things. I thank you very much, Lin, and I wish a full happiness for you."

His hands released their hold on the wire fence. He held them together in a praying gesture of blessing, bowing his head slightly, so that I lost contact with his eyes. Without that strong grip on the fence he was at the mercy of the crowd of prisoners, and in seconds he fell back, vanishing into the bubbling wave of faces and hands at the wire. A door at the back of the room opened behind the prisoners, and I watched Anand slip through into the hot yellow light of day with his head high and his thin shoulders bravely squared.

I stepped out onto the street outside the prison. My hair was wet with sweat, and my clothes were soaked. I squinted in the sunlight and stared at the busy street, trying to force myself into its rhythm and rush, trying not to think about Anand in the long room with the overseers, with Big Rahul, with the hunger and the beatings and the filthy, swarming pests. Later that night I would be with Prabaker and Johnny Cigar, Anand's friends, while they celebrated the double wedding. Later that night, Anand would be crammed into a writhing, lice-crawling sleep with two hundred other men on a stone floor. And that would go on, and on, for fifteen years.

I took a cab to my apartment and stood under a hot shower, scorching the slither and itch of memory from my skin. Later, I phoned Chandra Mehta to make the final arrangements for the dancers I'd hired to perform at Prabaker's wedding. Then I phoned Kavita Singh, and told her that Anand wanted us to pull out of the campaign. She was relieved, I think. Her kind heart had fretted for him, and she'd feared from the first that the campaign would fail and then crush him with the weight of fallen hope. She was also glad that he'd given his blessing to her stories about the Blue Sisters. The girls fascinated her, and she'd arranged for a documentary film-maker to visit them in the slum. She wanted to talk about the project, and I heard the sparkling enthusiasm in her voice but I cut her off, promising to call again.

I went out to my little balcony, and let the sound and smell of the city settle on the skin of my bare chest. In a courtyard below, I saw three young men rehearsing the moves and steps of a dance routine they'd copied from a Bollywood film. They laughed helplessly when they messed up the moves of the party piece, and then gave a cheer when they finally danced through one whole routine without error. In another yard some women were squatting together, washing dishes with small anemones of coir rope and a long bar of coral-coloured soap. Their conversation came to me in laughing gasps and shrieks as they scandalised one another with gossip and sardonic commentaries on the peculiar habits of their neighbours' husbands. Then I looked up to see an elderly man sitting in a window opposite me. My eyes met his, and I smiled. He'd been watching me as I'd watched the others below. He wagged his head from side to side, and smiled back at me with a happy grin.

And it was all right. I dressed, and went down to the street. I made the rounds of the black-market currency collection centres, and checked in at Abdul Ghani's passport factory, and inspected the gold-smuggling ring I'd restructured in Khader's name. In three hours I committed thirty crimes or more. And I smiled when people smiled at me. When it was necessary, I gave men enough bad head, as gangsters call it, to make them draw back and lower their eyes in fear. I walked the goonda walk, and in three languages I talked the talk. I looked good. I did my job. I made money, and I was still free. But in the black room, deep in my mind, another image added itself to the secret gallery-an image of Anand, holding the palms of his hands together, as his radiant smile became a blessing and a prayer.

Everything you ever sense, in touch or taste or sight or even thought, has an effect on you that's greater than zero. Some things, like the background sound of a bird chirping as it passes your house in the evening, or a flower glimpsed out of the corner of an eye, have such an infinitesi-mally small effect that you can't detect them. Some things, like triumph and heartbreak, and some images, like the image of yourself reflected in the eyes of a man you've just stabbed, attach themselves to the secret gallery and they change your life forever.

That last image of Anand, the last time I ever saw him, had that effect on me. It wasn't compassion for him that I felt so deeply, although I did pity him as only a chained man could. It wasn't shame, although I was truly ashamed that I hadn't listened when he'd first tried to tell me about Rasheed. It was something else, something so strange that it took me years to fully comprehend. It was envy that nailed the image to my mind. I envied Anand as he turned and walked with his back straight and his head high into the long, suffering years. I envied his peace and his courage and his perfect understanding of himself. Khaderbhai once said that if we envy someone for all the right reasons, we're half way to wisdom. I hope he wasn't right about that. I hope good envy takes you further than that, because a lifetime has passed since that day at the wire, and I still envy Anand's calm communion with fate, and I long for it with all my flawed and striving heart.

____________________

CHAPTER TWENTY-NINE

Eyes curved like the sword of Perseus, like the wings of hawks in flight, like the rolled lips of seashells, like eucalyptus leaves in summer-Indian eyes, dancers' eyes, the most beautiful eyes in the world stared with honest, unbeguiling concentration into mirrors held for them by their servants. The dancers I'd hired to perform at the wedding ceremonies for Johnny and Prabaker were already in costume beneath the modest covering of their shawls.

In a chai shop near the entrance to the slum, emptied of customers for the purpose, they made the final adjustments to their hair and make-up, professionally swift amid excited chattering. A cotton sheet strung across the doorway was just sheer enough in the golden lamplight to reveal thrillingly indistinct shadows, inflaming fierce desires in many of those who crowded outside, where I stood guard and kept the curious at bay.

At last they were ready, and I threw the cotton screen back. The ten dancers from Film City's chorus lines emerged. They wore traditional tight choli blouses and wrap-around saris. The costumes were lemon yellow, ruby, peacock blue, emerald, sunset pink, gold, royal purple, silver, cream, and tangerine. Their jewels-hair clusters, plait tassels, ear rings, nose rings, necklaces, midriff chains, bangles, and anklets-struck such sparks of light from lanterns and electric bulbs that people blinked and flinched to look at them. Each heavy anklet carried hundreds of tiny bells and, as the dancers began their slow, swaying walk through the hushed and adoring slum, the sizzling clash of those silver bells was the only sound that marked their steps. Then they began to sing:

Aaja Sajan, Aaja Aaja Sajan, Aaja Come to me, my lover, come to me Come to me, my lover, come to me The crowds that preceded and surrounded them roared their approval. A platoon of small boys scrambled along the rough path ahead of the girls, removing stones or twigs, and sweeping the way clear with palm-leaf brooms. Other young men walked beside the dancers, cooling them with large pear-shaped fans of fine, woven cane. Further ahead along the path, the band of musicians I'd hired with the dancers approached the wedding stage silently in their red and white uniforms. Prabaker and Parvati sat to one side, and Johnny Cigar sat with Sita on the other side.

Prabaker's parents, Kishan and Rukhmabai, had travelled from Sunder for the event. They planned to spend a full month in the city, staying in a slum hut beside Prabaker's own. They sat at the front of the stage with Kumar and Nandita Patak. A huge painting of a lotus flower filled the space behind them, and coloured lights formed glowing vines overhead.

When the dancers slowly entered the space, singing love, they stopped as one and stamped their feet. They twirled in place, turning clockwise in perfect unison. Their arms moved with the grace of a swan's neck. Their hands and fingers rolled and swirled like silk scarves sailing the wind. Then suddenly they stamped their feet three times, and the musicians struck up a wild, enravishing rendition of that month's most popular movie song. And with the cheering in every throat around them, the girls danced into a million dreams.

Not a few of those dreams were my own. I'd hired the girls and the musicians, not knowing what kind of show they'd planned to put on for Prabaker's wedding. Chandra Mehta had recommended them to me, and he'd assured me that they always devised their own program. That first black-market money deal Mehta had asked me to transact-the ten thousand American dollars he'd wanted-had borne black fruit. Through him I'd met others in the film world who wanted gold, dollars, and documents. In the previous few months, my visits to the film studios had grown more frequent, and the profit for Khaderbhai accumulated steadily. There was a certain reciprocal cachet in the connection: the filmi types, as they were known in Bollywood, found it exhilarating to be associated, at a safe distance, with the notorious mafia don, and the Khan himself wasn't indifferent to the glamour that laminated the movie world. When I approached Chandra Mehta for help in organising the dancers, two weeks before Prabaker's wedding, he'd assumed that the Prabaker in question was an important goonda working for Khaderbhai. He put time and special care into the arrangements, selecting each girl from personal knowledge of her skills, and teaming them with a band of the best studio musicians. The show, when we finally saw it, would've satisfied the manager of the raunchiest nightclub in the city. The band played a long top ten of the season's most popular songs. The girls sang and danced to every one of them, giving seductive and erotic emphasis to the sub-text of each phrase. Some of the thousands of neighbours and guests at the slum wedding were pleasantly scandalised, but most were delighted by the wickedness-Prabaker and Johnny first among them. And I, seeing for the first time how lubricious the uncensored versions of the dances were, gained a new appreciation of the subtler gestures I'd seen so often in the Hindi films.

I gave Johnny Cigar five thousand American dollars as a wedding present. It was enough money for him to buy the little hut that he wanted in the Navy Nagar slum, near the spot where he'd been conceived. The Nagar was a legal slum, and purchasing the hut there meant the end of eviction fears. He would have a secure home from which to continue his work as unofficial accountant and tax consultant to the many hundreds of workers and small businesses in the surrounding slums.

My present to Prabaker was the deed to his taxi. The owner of the small fleet of taxis sold the deed to me in a vicious bout of bare tooth-and-knuckle haggling. I paid too much for the vehicle and its licence, but the money meant nothing to me. It was black money, and black money runs through the fingers faster than legal, hard-earned money. If we can't respect the way we earn it, money has no value. If we can't use it to make life better for our families and loved ones, money has no purpose. Nevertheless, out of respect for the formalities of tradition, I damned the taxi fleet owner, at the conclusion of our deal, with that most polite and hideous of Indian business curses-__May you have ten daughters, and may they all marry _welll!-a string of dowry commitments sure to exhaust all but the sturdiest fortunes.

Prabaker was so pleased and excited with the gift that the gravity he'd assumed in the role of the sober groom exploded in a whooping cheer. He leapt to his feet and danced a few pumps of his hip-thrusting sexy dance before the solemnity of the occasion overwhelmed him once more, and he sat down with his bride. I joined the thick, gyrating jungle of men in front of the stage, and danced until my thin shirt clung to me like seaweed in a shallow wave.

Returning to my apartment that night, I smiled to think how different Vikram's wedding had been. Two days before Prabaker and Johnny wed their sister-brides, Vikram was married to Lettie.

Against the passionate and occasionally violent opposition of his family, Vikram had opted for a registry office ceremony. He'd responded to the tears and pleading of his loved ones with one formulaic phrase: This is the modern India, yaar. Few of his family members could bring themselves to face the agony of that public repudiation of the ancient, gorgeously elaborate Hindu wedding they'd long planned for him. In the end, it was only his sister and his mother who joined the little circle of Lettie's friends, and watched as the bride and groom promised to love and honour one another for the rest of their days. There was no music, no colour, and no dancing. Lettie wore a burnt-gold suit, with a broad, gold straw hat bearing organdie roses. Vikram wore a three-quarter-length black coat, a black-and-white brocade vest, black gaucho pants with silver piping, and his beloved hat.

The ceremony was over in minutes and then Vikram and I half carried his grief-stricken mother to her waiting car.

On the day after their wedding, I drove Vikram and Lettie to the airport. Their plan was to repeat the ceremony in London with Lettie's family. While Lettie phoned her mother to confirm their arrival time, Vikram seized the opportunity for a heart-to-heart with me.

That's what a man has to do. I don't mean to get into your personal shit, but it's kind of sad that you don't know that already."

I laughed, but he held the serious frown.

And you earned her fuckin' respect. She told me a couple of times, man-about the cholera and all that in the zhopadpatti.

You knocked her out with all that Red Cross shit, man. She respects you! But you don't cherish her trust. You don't trust her, Lin, because you don't trust yourself. And I'm afraid for you, man. Without a good woman, a man like you-men like you and me-we're just asking for trouble, yaar."

Lettie approached us. The grim purpose dimmed in his eyes, washed away by the look of love he turned on her.

She handed me a folded strip of black cloth, about a metre long and a hand-span wide. When I opened it out I found a small card in the centre.

And for three weeks, after that night, I tried to lose the loneliness that their three happy marriages had pulled from my heart by taking every job I was offered, and cutting every deal I could devise. I flew one passport run to Kinshasa staying, as instructed, at the Lapierre Hotel. It was a nearly squalid three storey building in a laneway parallel to Kinshasa's long main street. The mattress was clean, but the floor and the walls seemed to be made from recycled coffin-wood. The grave-like smell was overpowering, and a sweating damp filled my mouth with gloomy, unidentifiable tastes. I chain-smoked Gitanes and gargled Belgian whisky to kill them. Rat-catchers patrolled the corridors, dragging conspicuous hessian sacks that bulged with writhing, fat animals. Cockroach colonies had claimed the drawers of the dresser, so I hung my clothing and toiletries and other personal items from hooks and thick, crooked nails conveniently hammered into every surface that would endure them.

On my first night I was ripped from a light sleep by gunshots in the corridor beyond my door. I heard a crumpling thump, as of a body falling, and then shuffling footsteps pulling something heavy, backwards, along the bare wooden floor of the hallway. I clamped a fist around my knife and opened the door. Men were standing at three other doors in the corridor, drawn as I was by the sounds. They were all Europeans. Two of them held pistols in their hands, and one held a knife similar to my own. We all looked at one another, and then at the trail of blood that smeared its way down the corridor out of sight. As if in response to a secret signal, we all closed our doors again without a word.

When I followed the Kinshasa run with a mission to Mauritius, my hotel on the island-nation provided a welcome and agreeable contrast. It was called the Mandarin, and it was in Curepipe. The original structure was built as a small-scale reproduction of a Scottish castle. The turreted resemblance was clear enough, on the winding approach through a neat English garden. Inside the building, however, the guest entered a kingdom of Chinese baroque designed by the Chinese family who were the new owners of the hotel. I sat beneath huge, fire-breathing dragons and ate Chinese broccoli with snow peas, garlic spinach, fried bean curd, and mushrooms in black bean sauce by the light of paper lanterns, while the windows gave a view of castellated battlements, gothic arches, and rose-studded topiary.

My contacts, two Indians from Bombay who lived in Mauritius, arrived in a yellow BMW as had been arranged. I got into the back of the car and had barely spoken a greeting when they took off at such tyre-torching speed that I was hurled backwards into a corner of the seat. We screamed along back roads at four times the speed limit for fifteen knuckle-whitening minutes and then they pulled into a silent, deserted grove. The overheated car cooled down with little clinks and clunks of sound. There was a strong smell of rum on both men.

The contacts looked at one another and then back at me. The driver raised his mercury-lens glasses, revealing eyes that looked as though he kept them in a glass of brown vinegar beside his bed at night.

The passenger lifted his glasses, and they both smiled as widely as their hangovers would allow.

They laughed.

The passenger lifted a bag from between his feet and opened it to reveal many bundles of cash.

I sighed, breathing slowly and forcing calm into the little whirlwind that my mood was making out of my mind. I looked out the window. We were parked in what seemed to be a green forest fire. Tall plants as green as Karla's eyes whirled and shuddered in the wind all around us. There was no-one and nothing else in sight. "Let's just see what we got here. Ten passports at seven thousand bucks apiece. That's seventy thousand bucks. At the exchange rate of, say, thirty Mauritian roops to the dollar, that gives me no less than two million, one hundred thousand rupees. That's why you got such a big bag. Now, forgive me for seeming obtuse, gentlemen, but just where the fuck am I going to change two million rupees into dollars without a fuckin' currency certificate?"

It's all set up."

He'll change all the roops into dollars, and you'll be cool. No problem. There's even a bonus in it for you. You'll see."

The trip through Singapore passed off without a hitch, and the Mauritian currency fiasco provided a few unexpected benefits. I made a valuable, new contact in the Singapore moneychanger-an Indian from Madras named Shekky Ratnam-and I took my first look at the profitable smuggling run of duty free cameras and electrical goods from Singapore to Bombay.

When I rode out to the Oberoi Hotel to meet Lisa Carter, after handing the dollars to Abdul Ghani and collecting my fee, I felt positive and hopeful for the first time in far too long. I began to think that I might've thrown off the dark moods that had settled on me after Prabaker's wedding night. I'd travelled to Zaire, Mauritius, and Singapore on forged passports without raising the vaguest suspicion. In the slum, I'd survived from day to day on the small commissions I made from tourists, and I had only my compromised New Zealand passport. Just a year later I lived in a modern apartment, my pockets were bulging with freshly ill-gotten gains, and I had five passports in five different names and nationalities, with my photograph on every one of them. The world of possibility was opening up for me.

The Oberoi Hotel stood at Nariman Point, on the handle of Marine Drive's golden sickle. Churchgate Station and Flora Fountain were a five-minute walk away. Ten minutes more in one direction led to Victoria Terminus and Crawford Market. Ten minutes in the other direction from Flora Fountain led to Colaba and the Gateway Monument. The Oberoi lacked the postcard recognition that the Taj Hotel inspired, but it compensated for that with character and flair. Its piano bar, for example, was a small masterpiece of light and cleverly private spaces, and its brasserie vied determinedly for the title of the best restaurant in Bombay.

Walking into the dark, richly textured brasserie from the brilliant day, I paused and blinked until my eyes found Lisa and her group. She and two other young women were sitting with Cliff De Souza and Chandra Mehta.

The girls laughed hysterically. Their names were Reeta and Geeta.

They were aspiring actresses on the first rung-a lunch date with key second-tier players-and they gushed it up with a bug-eyed enthusiasm that wasn't far from panic.

I sat down in the vacant chair between Lisa and Geeta. Lisa wore a thin, lava-red pullover beneath a black silk jacket, and a skirt. Geeta's silver spandex top and white jeans were tight enough to be anatomically explicit. She was a pretty girl, maybe twenty years old, with her long hair pulled into a high ponytail.

Her hands fretted at the table napkin, folding and unfolding a corner of the cloth. Reeta had a neat short hairstyle that suited her small face and gamine features. She wore a yellow blouse with a deep, confrontation neckline, and blue jeans. Cliff and Chandra both wore suits, and it seemed that they were coming from or going to an appointment of some significance. "I'm starved," Lisa said happily. Her voice was light and confident, but she squeezed my hand under the table so hard that her fingernails pinched their way into my skin. It was an important meeting for her. She knew that Mehta planned to offer us a formal partnership in the casting business we'd been running unofficially. Lisa wanted that contractual agreement. She wanted the approval that only a contract could provide. She wanted her future in writing. "Let's eat!"

He summoned the waiter with a glance and waved the menu aside, launching straight into his list of preferences. It began with a white soup entree made with lamb cooked in blanched-almond milk, worked its way through grilled chicken in a cayenne, cumin, and mango marinade, and ended, after many other side platters, with fruit salad, honey kachori balls, and kulfi ice cream.

Listening to Mehta's lengthy and precise list of dishes, we all knew that it would be a long lunch. I relaxed, and let myself drift in the flow of fine foods and conversation.

Cliff replied, grinning widely. Mehta laughed with him and the girls joined in, clearly relieved to have the tension at the table diluted with the little joke. "I don't want to see anyone hurt, least of all you, Chandrabhai. All I'm saying is, you have to see it from their side if you want to understand why they're feeling all this. They're native Marathi speakers. They're born here in Maharashtra. Their grandfathers, all the way back to... who knows, three thousand years or more, they were all born here.

And then they look around in Bombay, and they see all the best jobs, all the businesses, all the companies owned by people from other places in India. It drives them crazy. And I think they have a point."

Cliff De Souza shrugged.

I paused to give someone else a chance to comment or query what I'd said. They were all eating, and listening intently. I continued.

They lived in the kind of poverty where every meal cost them a crown of thorns in worry, and slaving work. I think it must break their hearts to see people from other parts of India living in fine homes while they wash in the gutters of their own capital city."

I took a few mouthfuls of food, waiting for a response from Mehta. After a few moments, he obliged.

I looked at her. Our eyes held just long enough to feel good and guilty at the same time.

Encouraged by that febrile curiosity, Cliff De Souza spun out yarns about the Bollywood stars, and Chandra Mehta added titillating ruffles of gossip throughout. It became clear during the lunch that Cliff had an eye for Reeta, and Chandra Mehta directed much of his attention to Geeta. The long lunch was the beginning of a long day and night they'd planned to spend together. Warming to their themes, and with half their minds on the pleasures of the night to come, the movie men gradually shifted their gossip and anecdotes into the area of sex and sexual scandals. They were funny stories, sometimes straying into the bizarre. We were all laughing hard when Kavita Singh entered the restaurant. The laughter was still rippling through us as I introduced Kavita around the table.

I stood at once and excused myself, nodding to Lisa that she should stay and wait for me to return. Kavita and I walked to the foyer of the restaurant. When we were alone, she spoke.

She left, smiling for me and crying for him at the same time. At the table, I apologised for breaking up the lunch and offered a vague excuse for leaving. Without asking her if she wanted to come, I pulled back Lisa's chair for her and lifted her handbag from the chair's high back.

I glared at him.

I held open the door of the brasserie for Lisa, and looked back at the table. Cliff and Chandra had their heads close together, their whispers excluding the bewildered girls.

On the bike, outside the hotel, I told Lisa everything that I knew. Her healthy tan faded suddenly and her face was pale, but she pulled herself together quickly. She agreed with me that a trip to Leopold's was logical, as a first step. Abdullah might be there, or he might've left a message with someone. She was afraid, and I felt that fear twisting in the muscles of her arms as she clung to my back. We hurtled through the ponderously slow traffic, riding on luck and instinct just as Abdullah might've done. At Leopold's we found Didier drinking himself into the liquid abyss.

I grabbed the front of his shirt and shook him. The waiters, who all liked Didier as much as I did, watched me and calculated how far they would let me go.

Where did it happen?"

You know Mehmet. He's also Iranian, like Abdullah. Some of the police from the Colaba station, across the road, were in the ambush. They said that he was surrounded in a little street near Crawford Market. They called on him to surrender himself to them.

They said he stood perfectly still. They said his long hair was streaming behind him in the wind, and his black clothes. They talked about that for quite some time. It is strange, don't you think, Lin, that they were talking about his clothes... and his hair? What does it mean? Then they... they said he took two guns from his jacket, and began to shoot at them. They all returned the fire at once. He was shot so many times that his body was mutilated, they said. It was torn apart by the fusillade."

Lisa began to cry. She sat down next to Didier, and he wrapped an arm around her in the automatism of grief and shock. He didn't look at her or acknowledge her. He patted at her shoulder and rocked from side to side, but his sorrow-struck expression would've been the same if he were alone and wrapping his arms about himself.

Crawford Market police station. I had to go there. I had to see the body. I had to see him. Maybe he was alive...

I'll be back."

A spear rammed into my side, up beside my heart, and out through the top of my chest. The spear of Abdullah's death, the spear of thinking about his dead, dead body. I rode to Crawford Market, and every breath pushed the rough spear up against my heart.

Near the market police station I was forced to abandon the bike because a milling crowd mobbed the road. Striking out on foot, I soon found myself in a wild, aimlessly rambling frenzy of people.

Most of them were Muslims. What I could make out from the many chants and shouted slogans indicated that they weren't simply mourners. Abdullah's death had touched off a prairie fire of discontent and long-nursed grievances in the neglected acres of the poor around the market area. Men were shouting a confusing collection of complaints, and clamouring for their own causes. I could hear prayers ringing out from several places.

Inside the legions of screaming men it was chaos, and every step toward the police station was won with a wrestling, shoving effort of force and will. Men came in waves that swept me sideways and then forward and then back. They pushed and punched and kicked out with their legs. More than once I almost went under those trampling feet, reaching out at the last moment to save myself by grappling my fingers into a shirt or a beard or a shawl. I finally caught sight of the police station and the police. Wearing helmets and carrying shields, they were three or four deep across the whole width of the building.

A man beside me in the crowd seized my shirt and began to punch me about the head and face. I had no idea why he'd attacked me- maybe he didn't understand it himself-but it didn't matter. The blows were struck, and I was in it. I covered myself with my hands and tried to wrench myself free. His hand was locked onto the shirt, and I couldn't shake him off. I stepped in closer, jabbed my fingers into his eyes, and crashed my fist into his head just ahead of the ear. His hand released me and he fell back, but others began to punch at me. The crowd opened out around me and I shaped up, punching out at random and hitting anything within range.

It was a bad situation. I knew that sooner or later I would lose the energy and the surprise that kept the posse of men at bay.

Men rushed at me, but only one at a time and with no technique.

They took solid hits and drew back. I danced around, hammering anyone who came near me, but I was surrounded and I couldn't win.

It was only the crowd's fascination with the fighting that kept them from surging forward in a strangling crush of bodies.

A determined phalanx of eight or ten men broke through the circle, and I was face to face with Khaled Ansari. I was running on instinct, and I almost punched him. He held out both hands, waving for me to stop. His men ploughed their way back into the crowd, and Khaled pushed me in behind them. Someone punched my head from behind, and I turned and ran at the mob again, wanting to fight every man in the city; wanting to fight until they punched me numb; until I couldn't feel that spear, dead Abdullah's spear, in my chest. Khaled and two of his friends wrapped their arms around me and dragged me out of the writhing, lunatic hell that the street had become. "His body's not there," Khaled told me when we found my bike. He wiped the blood from my face with a handkerchief. My eye was swelling up quickly, and blood dripped from my nose and a cut on my lower lip. I hadn't felt the blows at all. There was no pain.

The pain was all in my chest, right next to my heart, and I breathed it in, and out, and in.

I rode back to Leopold's, and found Johnny Cigar sitting at Didier's table. Didier and Lisa were gone. I collapsed in a chair beside Johnny, much as Lisa had done beside Didier a few hours before. Leaning my elbows on the table, I rubbed my eyes with the heels of my hands.

Johnny broke down and wept, bringing himself under control only with deep breaths and a clench-jawed effort of will.

You know how these fellows take some short-cuts at night, on the main road. It's forbidden, but still they do it, yaar, to save miles of pushing those heavy carts. This cart was full of steel for building. Long steel pieces. They lost the control of that cart on a hill. It slipped from their hands, and it rolled backwards. Prabaker came around the corner in his taxi, and the whole thing went into the front of the car. Some of the steel went through the window. The man and the woman in the back were killed. Their heads came off. Completely off. Prabaker was hit in the face."

He wept again, and I reached out to comfort him. Tourists and patrons at other tables glanced at us, but quickly looked away.

When he recovered, I ordered a whisky for him. He gulped it in one tip of the glass, as Prabaker had done on the first day that I met him.

We walked into the critical-care ward, and found Kishan and Rukhmabai sitting at the side of his bed and weeping in one another's arms. Parvati, Sita, Jeetendra, and Qasim Ali were all standing in solemn silence at the foot of the bed. Prabaker was unconscious. A bank of machines monitored his vital signs. Tubes and metal pipes were taped to his face-what was left of his face. That great smile, that gorgeous, solar smile, had been ripped from his face. It was simply... gone.

In a duty room on the ground floor, I found the doctor in charge of his care. I pulled a bundle of American hundred-dollar bills from my belt and offered it to him, asking him to forward any further accounts to me. He wouldn't take it. There was no hope, he said. Prabaker had hours, perhaps only minutes, to live. That was why he'd allowed the family and friends to remain at the bedside. There was nothing to do, he said, but wait with him, and watch him die. I returned to Prabaker's room and gave Parvati the money, together with everything I'd earned on my most recent courier run.

I found a toilet in the hospital and then washed my face and neck. The cuts and wounds on my face filled my aching head with thoughts of Abdullah. I couldn't bear to think those thoughts. I couldn't hold the image of my wild, Iranian friend surrounded by cops and shooting it out until his body was torn and bloodied. I stared into the mirror, feeling the acid burn of tears. I slapped myself hard awake, and returned to Prabaker's floor.

I stood with the others, at the foot of his bed, for three hours.

Exhausted, I began to nod off, and I had to admit that I couldn't stay awake. In a relatively quiet corner, I put two chairs against the wall and went to sleep. A dream swallowed me whole, almost at once. It carried me to Sunder. I was floating on the murmuring tide of voices on that first night in the village when Prabaker's father put his hand on my shoulder, and I clenched my teeth against the stars. When I woke from the dream, Kishan was sitting there beside me with his hand on my shoulder, and when I met his eyes we both sobbed helplessly.

In the end, when it was sure that Prabaker would die, and we all knew it, and we all accepted the fact that he had to die, we went through four days and nights of watching his brave little body suffer, what was left of him, the almost-Prabaker with the amputated smile. In the end, after days and nights of watching him suffer that pain and bewilderment, I began to hope that he would die, and to wish for it with all my heart. I loved him so much that in the end I found an empty corner in a cleaner's room, where a tap dripped constantly into a concrete trough, and I fell to my knees on a place marked by two wet footprints, and I begged God to let him die. And then he did die. In the hut he'd once shared with Parvati, Prabaker's mother, Rukhmabai, unfurled her thigh-length hair. She was sitting in the doorway with her back to the world. Her black hair was night's waterfall. She cut across thickly, close to her head, with sharp shears, and the long hair fell like a shadow dying.

At first, when we truly love someone, our greatest fear is that the loved one will stop loving us. What we should fear and dread, of course, is that we won't stop loving them, even after they're dead and gone. For I still love you with the whole of my heart, Prabaker. I still love you. And sometimes, my friend, the love that I have, and can't give to you, crushes the breath from my chest. Sometimes, even now, my heart is drowning in a sorrow that has no stars without you, and no laughter, and no sleep.

____________________

CHAPTER THIRTY

Heroin is a sensory deprivation tank for the soul. Floating on the Dead Sea of the drug stone, there's no sense of pain, no regret or shame, no feelings of guilt or grief, no depression, and no desire. The sleeping universe enters and envelops every atom of existence. Insensible stillness and peace disperse fear and suffering. Thoughts drift like ocean weeds and vanish in the distant, grey somnolency, unperceived and indeterminable. The body succumbs to cryogenic slumber: the listless heart beats faintly, and breathing slowly fades to random whispers. Thick nirvanic numbness clogs the limbs, and downward, deeper, the sleeper slides and glides toward oblivion, the perfect and eternal stone.

That chemical absolution is paid for, like everything else in the universe, with light. The first light that junkies lose is the light in their eyes. A junkie's eyes are as lightless as the eyes of Greek statues, as lightless as hammered lead, as lightless as a bullet hole in a dead man's back. The next light lost is the light of desire. Junkies kill desire with the same weapon they use on hope and dream and honour: the club made from their craving. And when all the other lights of life are gone, the last light lost is the light of love. Sooner or later, when it's down to the last hit, the junkie will give up the woman he loves, rather than go without; sooner or later, every hard junkie becomes a devil in exile.

I levitated. I floated, upraised on the supernatant liquid of the smack in the spoon, and the spoon was as big as a room. The raft of opiate paralysis drifted across the little lake in the spoon, and the rafters intersecting over my head seemed to hold an answer, some kind of answer, in their symmetry. I stared at the rafters, knowing that the answer was there and that it might save me. And then I closed my eyes of hammered lead again, and lost it. And sometimes I woke. Sometimes I was wide-awake enough to want more of the deadening drug. Sometimes I was awake enough to remember it all.

There'd been no funeral for Abdullah because there was no body for them, for us, to bury. His body had disappeared during the brawling riot just as Maurizio's body had disappeared-as completely as a flared, exhausted star. I joined the others to carry Prabaker's body to the ghat, the burning place. I ran with them through the streets. I ran with them beneath the garlanded burden of his little body, chanting names of God, and then I watched his body burn. Grief roamed the lanes of the slum afterward, and I couldn't remain there with the gathering of friends and family who mourned him. They stood near the spot where Prabaker had been married only weeks before. Tattered streamers from the wedding still dangled from the roofs of some of the huts. I spoke to Qasim Ali, Johnny, Jeetendra, and Kishan Mango, but then I left them and rode to Dongri. I had questions for lord Abdel Khader Khan: questions that crawled inside me like the things in Hassaan Obikwa's pit.

The house near the Nabila Mosque was closed, locked up with heavy padlocks and utterly silent. No-one in the forecourt of the mosque or the street of shops could tell me when he'd left, or when he might return. Frustrated and angry, I rode to see Abdul Ghani. His house was open but his servants told me that he was out of the city on a holiday, and wasn't expected home again for weeks. I visited the passport factory, and found Krishna and Villu hard at work. They confirmed that Ghani had left them instructions and sufficient funds for several weeks of work, and had told them that he was taking a holiday. When I rode to Khaled Ansari's apartment, I met a watchman on duty who told me that Khaled was in Pakistan. He had no idea when the dour Palestinian would return.

The other members of Khader's mafia council were just as suddenly and conveniently absent. Farid was in Dubai. General Sobhan Mahmoud was in Kashmir. No-one answered my knock at Keki Dorabjee's house, and every window was darkened with a drawn shade. Rajubhai, who'd never been known to miss a day at his counting house in the Fort, was visiting a sick relative in Delhi. Even the second-level bosses and lieutenants were out of town or simply unavailable.

Those who remained, the gold agents and currency couriers and passport contacts all over the city, were polite and friendly.

Work for them seemed to continue at the same pace and with the same routines. My own work was just as secure. I was anticipated at every depot, exchange centre, jewellery store, and other point of contact with Khader's empire. Instructions had been left for me with gold dealers, currency men, and the touts who bought and stole passports. I wasn't sure if it was a compliment to me-that I could be relied upon to function in the absence of the council-or that they saw me as so inconsequential in their scheme of things that I didn't merit an explanation.

Whatever the reason, I felt dishearteningly alone in the city.

I'd lost Prabaker and Abdullah, my closest friends, in the same week, and with them I'd lost the mark on the psychic map that says You Are Here. Personality and personal identity are in some ways like co-ordinates on the street map drawn by our intersecting relationships. We know who we are and we define what we are by references to the people we love and our reasons for loving them. I was that point in space and time where Abdullah's wild violence intersected with Prabaker's happy gentleness.

Adrift, then, and somehow un-defined by their deaths, I realised with unease and surprise how much I'd also come to depend upon Khader and his council of bosses. My interactions with most of them had been cursory, it seemed to me, and yet I missed the reassurance of their presence in the city almost as much as I missed the company of my dead friends.

And I was angry. It took me a while to understand that anger, and to realise that Khaderbhai was its instigator and its target. I blamed him for Abdullah's death: for not protecting him and for not saving him. I couldn't bring myself to believe that Abdullah, the friend I'd loved, was the brutal madman Sapna. But I was ready to believe that Abdel Khader Khan had some connection to Sapna and to the killings. Moreover, I felt betrayed by his desertion of the city. It was as if he'd abandoned me to face... everything... alone. It was a ridiculous notion, of course, and quite self-aggrandising. The truth was that hundreds of Khader's men were still working in Bombay, and I dealt with many of them every day. But still I felt it-betrayed and forsaken. A coldness, formed from doubt and angry fear, began to spread inward toward the core of my feeling for the Khan. I still loved him, and I was still bonded to him as a son to his father, but he was no longer my revered and flawless hero.

A mujaheddin fighter once told me that fate gives all of us three teachers, three friends, three enemies, and three great loves in our lives. But these twelve are always disguised, and we can never know which one is which until we've loved them, left them, or fought them. Khader was one of my twelve, but his disguise was always the best. In those abandoned, angry days, as my grieving heart limped into numbing despair, I began to think of him as my enemy; my beloved enemy.

And deal by deal, crime by crime, day by day my will and purpose and hope staggered toward the pit. Lisa Carter pursued and won her contract with Chandra Mehta and Cliff De Souza. For her sake I sat in at the meeting that clinched the deal, and I signed on as her partner. The producers saw my involvement as important. I was their safe conduit to the black money of the Khader Khan mafia-an untapped and virtually inexhaustible resource. They didn't mention that connection, not then, but it was a key factor in their decision to sign on with Lisa. The contract specified that Lisa and I would supply foreign junior artists, as bit players were known, for three major studios. The terms of payment and commissions were set for two years.

After the meeting, Lisa walked me to my bike parked at the sea wall on Marine Drive. We sat together at the precise spot where Abdullah had put his hand on my shoulder, years before, when my mind was filled with the drowning sea. We were lonely, Lisa and I, and at first we talked to one another as lonely people do-in fragments of complaint, and corners clipped from conversations that we'd already had with ourselves, alone.

Lisa laughed, because I'd surprised her with the quote, but the laugh ended in a long sigh. She tilted her head to let the wind play with her hair.

Now she's gone, and I'm still freaking out about Modena."

She turned her head quickly and met my eye. Her expression smiled at the lips, but a tiny frown creased her forehead. She was wearing a red salwar kameez. The long, loose silk shirt clung to her breasts and the outline of her figure in the strong sea breeze. Her blue eyes glittered with courage and other mysteries.

She was brave and fragile and tough in the same instant. She'd dragged herself from the life that was drowning her at Madame Zhou's Palace, and she'd beaten heroin. In defence of her friend's life, and her own, she'd helped to kill a man. She'd lost her lover, Abdullah, my friend, his body torn and mutilated by bullets. And it was all there, in her eyes and her thin face, thinner than it should've been. It was all there, if you knew what to look for, and if you knew where to look.

Karla hates her more than... I've never seen anything like it in my life. Karla hates her so much that she's a bit crazy with it, if you know what I mean. She thinks about Madame Zhou almost all the time, and she'll get her, sooner or later."

I turned my head to look at her, but when her blue eyes met mine I changed the subject.

She talks to you through a metal grille. There's at least one in every room, so she can watch what's going on, and talk to the girls or the customers. It's a fuckin' creepy place, Lin. I'd rather die than go back to that."

There was another silence. Waves pushed at the shoreline of rocks and pebbles at the base of the wall. Seagulls hovered, prowling the wind for signs of things that slithered and scuttled among the rocks.

Seventy, eighty grand-a lot more, you know, than Maurizio carved up Modena for, and got himself killed for. It's crazy, isn't it?"

I looked into the wind, feeling the day alternately warm and cool and warm again on my face and arms as the breeze turned and returned across the bay. A small fleet of fishing canoes drifted past us on their way back to the fishermen's sandy refuge near the slum. I suddenly remembered the day in the rain, sailing in a canoe across the flooded forecourt of the Taj Mahal Hotel and beneath the booming, resonant dome of the Gateway Monument. I remembered Vinod's love song, and the rain that night as Karla came into my arms.

And staring, then, at the ceaseless, eternal waves, I remembered all that had been lost since that storming night: prison, torture, Karla gone, Ulla gone, Khaderbhai and his council gone, Anand gone, Maurizio dead, Modena probably dead, Rasheed dead, Abdullah dead, and Prabaker-it was impossible-Prabaker, also dead. And I was one of them: walking and talking and staring at the wilding waves, but as dead in my heart as all the rest.

I looked at her for a while, reading the runes in her sky-blue eyes. Then I stood from the wall, held her in my arms, and kissed her. It was a long kiss. We lived out a life together in that kiss: we lived and loved and grew old together, and we died. Then our lips parted, and that life we might've had retreated, shrinking to a spark of light we would always recognise in one another's eyes.

I could've loved her. Maybe I already did love her a little. But sometimes the worst thing you can do to a woman is to love her.

And I still loved Karla. I loved Karla.

I rode away, and never looked back. I paid three months' rent on my apartment, and paid substantial baksheesh to the watchman in the car park and the watchman in the building. I kept one good, forged passport in my pocket, put all my spare passports and a bundle of cash into a satchel, and left it with my Enfield Bullet bike in Didier's care. Then I took a cab to Gupta-ji's opium den near the Street of Ten Thousand Whores, Shoklaji Street. I climbed the worn wooden steps to the third floor and walked into the cage that junkies build for themselves, one shiny, sharp, steel bar at a time.

Gupta-ji provided a large room with twenty sleeping mats and wooden pillows for his opium smokers. For those with special needs he reserved other rooms behind that open den. Through a very small doorway, I entered the discreet corridor that led to those back rooms. It was so low that I had to stoop, almost to crawling. The room I chose had a cot with a kapok mattress, a weathered carpet, a small cabinet with wickerwork doors, a lamp with a silk lampshade, and a large clay matka filled with water. The walls on three sides were made from reed matting stretched upon wooden frames. The last wall, at the head of the bed, looked out over a busy street of Arab and local Muslim traders, but its windows were shuttered so that only a few bright stars of sunlight gleamed in the chinks and gaps. There was no ceiling. Instead, the view overhead was of heavy rafters crossing and joining one another in support of the clay tile roof. I got to know that view very well.

Gupta-ji took money and instructions, and left me alone. The room, so close to the roof, was very hot. I took my shirt off, and switched off the lamp. The dark little room was like a cell; a prison cell at night. I sat on the bed and, almost at once, the tears came. I'd cried before, in Bombay. I'd shed tears after I met Ranjit's lepers, and when the stranger had washed my tortured body in Arthur Road Prison, and with Prabaker's father at the hospital. But that sorrow and suffering had always been stifled: somehow, I'd managed to choke back the worst of it, the flood of it. Then, alone in that little opium cell with my ruined love for those dead friends, Abdullah and Prabaker, I let it go.

The tears, when they come to some men, are worse than beatings.

They're wounded worse by sobbing, men like that, than they are by boots and batons. Tears begin in the heart, but some of us deny the heart so often, and for so long, that when it speaks we hear not one but a hundred sorrows in the heartbreak. We know that crying is a good and natural thing. We know that crying isn't a weakness, but a kind of strength. Still, the weeping rips us root by tangled root from the earth, and we crash like fallen trees when we cry.

Gupta-ji gave me time. When at last I heard the sliding, scuffing sound of his chappals as he approached the door I smeared the sorrow from my face, and switched on the lamp. He'd brought what I'd asked for-a steel spoon, distilled water, disposable syringes, heroin, and a carton of cigarettes-and he set the items out on the little dresser. There was a girl with him. He told me that her name was Shilpa, and that he'd assigned her to me as a servant. She was young, years less than twenty, but already scarred with the glum expression of the working professional.

Hope, ready to snarl or grovel like a beaten cur, cowered in her eyes. I sent her and Gupta-ji away, and cooked up a taste of heroin.

The dose sat in the syringe for almost an hour. I picked it up and put the needle against a fat, strong, healthy vein in my arm five times, only to put it down again unused. And for the whole of that sweating hour I stared at the liquid in the syringe. That was it. The damnation drug. That was the big one, the drug that had driven me to commit stupid, violent crimes; that had put me in prison; that had cost me my family, and lost my loved ones.

The everything-and-nothing drug: it takes everything, and gives you nothing in return. But the nothing that it gives you, the unfeeling emptiness it gives you, is sometimes all and everything you want.

I pushed the needle into the vein, pulled back the rose of blood that confirmed the clean puncture of the vein, and pressed the plunger all the way to the stop. Before I could pull the needle from my arm, the drug made my mind Sahara. Warm, dry, shining, and featureless, the dunes of the drug smothered all thought, and buried the forgotten civilisation of my mind. The warmth filled my body as well, killing off the thousand little aches, twinges, and discomforts that we endure and ignore in every sober day.

There was no pain. There was nothing.

And then, with the desert still in my mind, I felt my body drowning, and I broke the surface of a suffocating lake. Was it a week after that first taste? Was it a month? I crawled onto the raft and floated there on the lethal lake in the spoon, carrying the Sahara in my blood. And those rafters overhead: there was a kind of message in them, a message about how and why we all intersected, Khader and Karla and Abdullah and I. Our lives, all of us, in the link to Abdullah's death, intersected in some uniquely profound way. It was there, in the rafters, a key to the code.

But I closed my eyes. I remembered Prabaker. I remembered that he was working so hard and so late on the night he died because he owned the taxi, and was working for himself. I'd bought the taxi for him. He'd be alive if I hadn't bought that taxi for him. He was the little mouse that I'd trained and fed with crumbs in my prison cell; the mouse that was crucified. And sometimes the breeze of a clear, unstoned hour gave me an image of Abdullah in the minute before he died, alone in the killing circle. Alone. I should've been there. I was with him every day. I should've been with him then. Friends don't let friends die like that-alone with death and fate. And where was his body? And what if he was Sapna?

Could my friend, my friend I loved, really have been that ruthless, insane mutilator? What did Ghani say? Pieces of Madjid's slaughtered body were found all over his house... Could I have loved the man who did that? What did it mean, that some small, insistent part of me feared that he was Sapna, and loved him anyway?

And I fired the silver bullet into my arm again, and fell back on the floating raft. And I saw the answer in the rafters overhead.

And I was sure I would understand it with a little more dope, and a little more, and a little more.

I woke to see a face glaring at me and speaking fiercely in a language I couldn't understand. It was an ugly face, a scowling face, defined by deep lines that descended in curved chines from his eyes and nose and mouth. Then the face had hands, strong hands, and I found myself lifted from the raft of my bed and propped unsteadily on my feet.

He pulled me around to face him again. There was enormous power in his arms. He clamped the metal grapples of his hands on my arms.

I'd been three months in the room at Gupta-ji's. They were three months of heroin every day, and food every other day, and the only exercise a short walk to the toilet and back. I didn't know it then, but I'd lost twelve kilos-the best thirty pounds of muscle on my body. I was thin and weak and still stupid on drugs.

He relaxed his grip as I nodded toward the little table where my wallet, watch, and passport rested. Gupta-ji and Shilpa waited in the corridor beyond. I gathered up the possessions and put them into my pockets, pretending to co-operate with Nazeer. When I judged the moment to be right, I swung round at him with an overhand right. It should've hit him. It would've hit him when I was healthy and sober. I missed him completely, and threw myself off balance. Nazeer drove a fist into my solar plexus, just under the heart. I doubled over, winded and helpless, but my knees locked stiffly and my legs wouldn't fold. He raised my head, with his left hand locked into a patch of my hair, pulled his right fist back at shoulder height, hesitated in the precision of his aim, and then rammed his fist into my jaw. The full force of his neck, shoulders, and back were in the blow. I saw Gupta-ji's lips pout and his eyes squint in a wince, and then his face exploded in a shower of sparks that left the world darker than a cave full of sleeping bats.

It was the only time in my life I was ever knocked out cold. It seemed that I was falling forever, and the ground was impossibly far away. After a time I was dimly aware of movement, floating through space, and I thought, It's okay, this is all a dream, a drug dream, and I'm going to wake up any minute now, and take more drugs.

Then I came down with a rumpled crash on the raft once more. But the raft-bed that I'd floated on for three long months had changed. It was different, somehow-soft and smooth. And there was a new and wonderful smell, a gorgeous perfume. It was Coco. I knew it well. It was Karla. It was the perfume on Karla's skin.

Nazeer had carried me over his shoulder all the way down the flights of stairs and out into the street, where he'd dumped me into the back seat of a taxi. Karla was there. My head rested in her lap. And I opened my eyes to look into her lovely face. And her green eyes looked back at me with compassion and concern and something else. I closed my eyes, and in the moving darkness I knew what it was, that something else in her eyes. It was disgust. She was disgusted by my weakness, my heroin habit, my stink of neglect and self-indulgence. Then I felt her hands on my face, and it was like crying, and her fingers moving the caress across my cheek were the tears.

When the taxi finally stopped, Nazeer carried me up two flights of steps as easily as he might've lugged a sack of flour. I came to consciousness again draped over his shoulder, looking down at Karla as she climbed the steps behind us. I tried to smile at her. We entered a big house through a back door that led to a kitchen. Beyond the large, modern kitchen, we came into an enormous, open-plan living room, with one wall of glass that looked out upon a golden beach and the dark sapphire sea.

Flipping me over his shoulder, Nazeer lowered me with more gentleness than I'd expected to a pile of cushions near the glass feature wall. The last hit I'd injected, just before he'd kidnapped me from Gupta-ji's, was a big dose. Too big. I was groggy and lapsing. The urge to close my eyes and surrender to the stone swept over me in almost irresistible, immersible waves.

I laughed, because standing was the last thing on my mind. In the laugh I felt the soreness, dimly, through the stone, on the point of my chin and the hinge of my jaw.

She smiled, and the smile was sad because it was the wrong question. I know that now. I'm not stoned now. That was my chance to know the whole of the truth, or as much of the truth as she knew. If I'd asked her the right question, she would've told me the truth. That was the power behind her intense stare. She was ready to tell me everything. She might've even loved me, or begun to love me. But I hadn't asked the right question. I hadn't asked about her. I'd asked about him.

I'll see you then, maybe."

I saw Didier this morning-he says hello, by the way-but that's it. I'm not sticking around. I agreed to help get you out of that little suicide pact you had going with yourself at Gupta-ji's.

Now you're here, you're safe, and I have to go."

She turned and spoke to Nazeer. They were speaking Urdu, and I understood only every third or fourth word of their conversation.

He laughed, listening to her, and turned to look at me with his customary contempt.

I made a bet with him that you'd make it."

She laughed, and it was so rare to see and hear her laugh that I took those bright, round syllables of happiness into me like food, like drink, like the drug. Despite the stone and the sickness, I knew with perfect understanding that the greatest treasure and pleasure I would ever know was in that laugh; to make that woman laugh, and feel the laughter bubbling from her lips against my face, my skin.

I woke unwell. I woke alert and cold and needing heroin. My mouth was filthy and my body ached everywhere at once.

I pulled myself up on the pillows and looked around the room. It was the beginning of evening, and night's long shadow was creeping across the sandy beach beyond the window. Nazeer sat on a piece of carpet near the entrance to the kitchen. Khader was dressed in the loose pantaloons, shirt, and tunic-vest of the Pathans. The clothes were green, the favourite colour of the Prophet. He looked older, somehow, after just those few months.

He also looked fitter, and more calm and determined than I'd ever seen him.

Nazeer watched me. He was outwardly calm, but I knew that he was ready to spring.

I exhaled a full breath in an exhausted sigh of relief. I felt tears stinging my eyes, and I bit the inside of my cheek to kill them.

I remembered the fight; the mysterious fight. Abdullah and I- we'd fought with a group of Iranian men on the street. I tried to remember other details from that day, but I couldn't think past the sharp, guilty twist of regret that I'd never asked Abdullah who the men were or why we'd fought them.

That much is done, for Abdullah."

I relaxed against the cushions, and closed my eyes for a moment.

My nose was beginning to run, and my throat was clogged and sore.

I'd built up a big habit in those three months-three grams of pure Thai-white heroin every day. The turkey was coming on fast, and I knew that it would be two weeks in Hell's punishment unit.

The cramps were creeping into my stomach. I groaned, and looked away.

So you see, when you go with my men to the war in Afghanistan, you must know how to ride a horse."

To Afghanistan-my home, that I have not seen for more than fifty years. And I am inviting you-I am asking you-to go with me. The choice, of course, is yours to make. It is a dangerous job. That much is certain. I will not think less about you, if you decide not to go with me."

Where we will go there are many rival clans, and they have fought with one another for hundreds of years. They have long traditions of raiding one another and taking whatever they can as plunder on their raids. Only two things unite them, just at this time-love for Allah, and hatred for the Russian invaders. At the moment, their chief allies against the Russians are the Americans. They are fighting with American money and American weapons. If I have an American with me, they will leave us alone, and let us pass, without molesting us or stealing more than a reasonable amount from us."

That is why I need you."

Questions writhed in my shivering mind, hundreds of them, but the cold turkey was crippling me. Cold, greasy sweat from the struggle smothered my skin. The words, when they came at last, were rushed and faltering. "Why are you doing this? Why Kandahar? Why there?"

They are fighting a jihad, a holy war, to drive the Russian invaders out of the homeland. We have helped them in many ways, up to this time. Now it is time to help them with guns, and with my blood, if it is necessary."

He looked at the sickness trembling across my face, and cutting facets from my eyes. He smiled again, pressing his fingers into my shoulder until that pain, that touch, his touch, was all I felt for a moment.

When he left me, I went to the bathroom. Stomach cramp stabbed me with eagle's claws, and then twisted my insides with talons of agony. Diarrhoea shook me with convulsive spasms. I washed myself, shivering so violently that my teeth clattered together.

I looked in the mirror and saw my eyes, the pupils so large that the whole iris was black. When the light comes back, when the heroin stops and the turkey starts and the light returns, it rushes in through the black funnels of the eyes.

Wearing a towel around my waist, I walked back to the big main room. I looked thin. I was stooped, and shivering, and moaning involuntarily. Nazeer looked me up and down, with a sneer curling his thick upper lip. He handed me a pile of clean clothes. They were exact copies of Khader's green Afghan costume. I dressed, shaking and trembling and losing my balance a few times. Nazeer watched me, his knotty fists balled at his hips. The sneer rippled his lip like the opening ridges of a clamshell. His every gesture was so loud and broad that it had the exaggeration of pantomime, but his dark eyes were fierce with menace. I suddenly realised that he reminded me of the Japanese actor Toshiro Mifune. He was an ugly, troll-like caricature of Mifune.

His answer was to walk to the front door of the house and throw it open. He pulled some fifty-rupee notes from his pocket, and hurled them onto the floor.

We all cope with anxiety and stress, to one degree or another, with the help of a cocktail of chemicals produced in the body and released in the brain. Chief among them is the endorphin group.

The endorphins are peptide neurotransmitters that have pain relieving properties. Anxiety and stress and pain bring on the endorphin response as a natural coping mechanism. When we take any of the opiates-morphine or opium or heroin, in particular- the body stops producing endorphins. When we stop taking opiates, there's a lag of between five and fourteen days before the body begins a new endorphin production cycle. In the meanwhile, in that black, tortured crawlspace of one to two weeks without heroin and without endorphins, we learn what anxiety and stress and pain really are.

What's it like, Karla asked me once, cold turkey off heroin? I tried to explain it. Think about every time in your life that you've ever been afraid, really afraid. Someone sneaks up behind you when you think you're alone, and shouts to frighten you. The gang of thugs closes in around you. You fall from a great height in a dream, or you stand on the very edge of a steep cliff.

Someone holds you under water and you feel the breath gone, and you scramble, fight, and claw your way to the surface. You lose control of the car and see the wall rushing into your soundless shout. Then add them all up, all those chest-tightening terrors, and feel them all at once, all at the same time, hour after hour, and day after day. And think of every pain you've ever known-the burn with hot oil, the sharp sliver of glass, the broken bone, the gravel rash when you fell on the rough road in winter, the headache and the earache and the toothache. Then add them all up, all those groin-squeezing, stomach-tensing shrieks of pain, and feel them all at once, hour after hour, and day after day. Then think of every anguish you've ever known. Remember the death of a loved one. Remember a lover's rejection. Recall your feelings of failure and shame and unspeakably bitter remorse. And add them all up, all the heart-stabbing griefs and miseries, and feel them all at once, hour after hour, and day after day. That's cold turkey. Cold turkey off heroin is life with the skin torn away.

The assault of anxiety on the unprotected mind, the brain without natural endorphins, makes men and women mad. Every junkie going through turkey is mad. The madness is so fierce and cruel that some die of it. And in the temporary insanity of that skinned, excruciated world, we commit crimes. And if we survive, years later, and become well, our healthy recollection of those crimes leaves us wretched, bewildered, and as self-disgusted as men and women who betray their comrades and country under torture.

Two full days and nights into the torment, I knew I wasn't going to make it. Most of the vomiting and the diarrhoea had passed, but the pain and anxieties were worse, much worse, every minute.

Beneath the screaming in my blood there was a calm, insistent voice: You can stop this... you can fix this... you can stop this... take the money...get a fix... you can stop this pain ...

Nazeer's bamboo and coconut-fibre cot was in the far corner of the room. I lurched toward it, watched closely by the burly Afghan, who was still sitting on his mat near the door. Trembling and moaning with pain, I dragged the cot closer to the great window that looked out on the sea. I took up a cotton sheet and began to tear at it with my teeth. It gave way in a few places, and I ripped it along the length, tearing off strips of cloth.

Frantic in my movements and close to panic, I hurled two thick, embroidered quilts onto the rope bed for a mattress, and lay down on it. Using two of the strips, I tied my ankles to the bed. With a third strip, I secured my left wrist. Then I lay down, and turned my head to look at Nazeer. I held out the remaining strip, and asked him with my eyes to bind my arm to the bed. It was the first time that we'd ever met one another's eyes in an equally honest stare.

He rose from his square of carpet and walked toward me, holding the stare. He took the strip of cloth from my hand and bound my right wrist to the frame of the bed. A shout of trapped, panic fear escaped from my open mouth, and another. I bit down on my tongue, biting through the flesh at the sides until blood ran past my lips. Nazeer nodded slowly. He tore another thick strip from the sheet and twirled it into a corkscrew tube. Sliding it between my teeth, he tied the gag behind my head. And I bit down on the devil's tail. And I screamed. And I turned my head to see my own reflection tied to the night in the window. And for a while I was Modena, waiting and watching and screaming with my eyes. Two days and nights I was tied to the bed. Nazeer nursed me with tenderness and constancy. He was always there. Every time I opened my eyes, I felt his rough hand on my brow, wiping the sweat and the tears into my hair. Every time the lightning strike of cramp twisted a leg or arm or my stomach, he was there, massaging warmth into the knot of pain. Every time I whimpered or screamed into the gag, he held my eyes with his, willing me to endure and succeed. He removed the gag when I choked on a trickle of vomit or my blocked nose let no air pass, but he was a strong man and he knew that I didn't want my screams to be heard. When I nodded my head, he replaced the gag and tied it fast.

And then, when I knew that I was either strong enough to stay or too weak to leave, I nodded to Nazeer, blinking my eyes, and he removed the gag for the last time. One by one he untied the bonds at my wrists and ankles. He brought me a broth made from chicken and barley and tomatoes, unspiced, except for salt. It was the richest and most delicious thing I ever tasted in my life. He fed it to me, spoon by spoon. After an hour, when I finished the little bowl, he smiled at me for the first time, and that smile was like sunlight on sea rocks after summer rain.

Cold turkey goes on for about two weeks, but the first five days are the worst. If you can get through the first five days, if you can crawl and drag yourself into that sixth morning without drugs, you know you're clean, and you know you'll make it. Every hour, for the next eight to ten days, you feel a little better and a little stronger. The cramps fade, the nausea passes, the fever and chills subside. After a while, the worst of it is simply that you can't sleep. You lie on the bed at night, twisting and writhing in discomfort, and sleep never comes. In those last days and very long nights of the turkey, I became a Standing Baba: I never sat or lay down, all day and all night, until exhaustion collapsed my legs at last and I sank into sleep.

And it passes, the turkey passes, and you emerge from the cobra bite of heroin addiction like any survivor from any disaster: dazed, wounded forever, and glad to be alive.

Nazeer took my first sarcastic jokes, twelve days after the turkey began, as the cue for my training to commence. From the sixth day I'd been walking with him as light exercise, and for the fresh air. The first of those walks had been slow and halting, and I'd returned to the house after fifteen minutes. By the twelfth day I was walking the length of the beach with him, hoping to tire myself so much that I could sleep.

Finally, he took me to the stable where Khader's horses were kept. The stable was a converted boathouse, one street away from the beach. The horses were trained for beginning riders, and carried tourists up and down the beach in the high season. The white gelding and grey mare were large, docile animals. We took them from Khader's stable-master and led them down to the flat, hard-packed sand of the beach.

There's no animal in the world with a deeper sense of parody than a horse. A cat can make you look clumsy, and a dog can make you look stupid, but only a horse can make you look both at the same time. And then, with nothing more than the flick of a tail or a casual stomp on your foot, it lets you know that it did it on purpose. Some people know from the first contact with the animal that they'll ride well, and bond with the beast. I'm not one of those people. A friend of mine has a strange, antimagnetic effect on machines: watches stop on her wrist, radio receivers crackle, and photocopy machines glitch whenever she's near. My relationship with horses is something like that.

The thickset Afghan cupped his hands to boost me onto the gelding's back, nodding his head for me to climb up, and winking encouragingly. I put my foot into his hands and sprang up onto the white horse, but in the instant that I sat on its back the previously meek, well-trained creature hurled me off with a prodigious, arching kick. I soared over Nazeer's shoulder and landed with a thump on the sand. The gelding galloped away down the beach without me. Nazeer stared after it, gape-mouthed. The animal was only calmed and returned to my presence when he fetched a blinding bag, and placed it over its head.

That was the beginning of Nazeer's slow, reluctant acceptance of the fact that I would never be anything other than the worst horseman he knew. The disappointment should've plunged me deeper into the well of his contempt, but in fact it provoked an opposite reaction. In the weeks that followed he became solicitous and even tender-hearted toward me. For Nazeer, that stumbling ineptitude with horses was a terrible affliction, as pitiable in a man as a painfully debilitating illness. And even at my best, when I managed to remain on the horse for minutes at a time, and work the beast in a circle by flapping my legs at its sides and yanking with both hands at the bridle, my gracelessness moved him close to tears.

Nevertheless, I persevered with the lessons, and I exercised every day. I worked my way up to twenty sets of thirty push-ups, with a minute rest between each set. I followed the push-ups every day with five hundred sit-ups, a five-kilometre run, and a forty-minute swim in the sea. After almost three months of the routine, I was fit and strong.

Nazeer wanted me to gain some experience at riding over rough terrain, so I arranged with Chandra Mehta for us to visit the riding range at the Film City movie studio ranch. Many of the feature films had horse-and-rider sequences. The teams of horses were cared for by squads of men who lived on the vast tracts of hilly land, and were on call for stunt and action scenes. The animals were superbly well trained but, barely two minutes after Nazeer and I had mounted the brown mares assigned to us, my horse threw me into a stack of clay pots. Nazeer took up the reins of my horse and sat in his saddle, shaking his head pityingly.

Two falls later, as I climbed wearily into the saddle, I heard a familiar voice. I looked around to see a group of riders. At their head was a cowboy looking like Emiliano Zapata, with a black hat hanging on his back from a leather thong.

He raised one eyebrow quizzically.

Exasperated, I climbed down and stood next to him, facing the two horses.

There are three things that no Indian man can resist: a beautiful face, a beautiful song, and an invitation to dance. I was Indian enough, in my crazy white way, to dance with Vikram, even if it was simply that I couldn't bear to see him dance alone. Shaking my head, and laughing despite myself, I joined in his routine. He guided me through the dance, adding new steps until we had the turns and walks and gestures in perfect time together.

The horses watched us with that peculiarly equine mix of white eyed timorousness and snorting condescension. Still, we danced and sang to them in that grassy wilderness of rolling hills, under a blue sky as dry as the smoke from a campfire in the desert.

And when the dance was over, Vikram spoke to my horse in Hindi, letting it snuffle at his black hat. He passed the hat to me then, and told me to wear it. I slipped it over my head and we climbed into the saddles.

Damn if it didn't work. The horses cantered off, and gently broke into a gallop. For the first and only time in my life, I almost looked like a horseman. I knew the elation, for a glorious quarter hour, of fearless synergy with the great-hearted animal.

Closely following Vikram's lead, I flew at steep inclines and conquered them to plummet over the summit, and hurtle downward into curving loops of wind and scattered shrubs. We stretched out over flatter grasslands in effortless, lunging snatches at the ground, and then Nazeer joined us with his riders at the gallop.

For a little while, for a moment, we were as wild-willed and free as the horses could teach us to be.

I was still laughing about it and chattering to Nazeer when we climbed the stairs and entered the house on the beach two hours later. I walked my excited smile through the door and saw Karla standing by the long feature-wall window and staring out at the sea. Nazeer greeted her with gruff fondness. A tiny bright smile rushed from his brow to his chin, trying to hide behind his scowl. He seized a litre bottle of water, a box of matches, and a few sheets of newspaper from the kitchen, and left the house. "He's leaving us alone," she said.

I walked to her, and kissed her. It was a brief kiss, almost shy, but all the love in my heart was in it. When our lips parted, we held one another close, both of us looking at the sea. After a while we saw Nazeer, down at the beach, collecting driftwood and dry scraps for a fire. He wedged the balled up newspaper between the twigs and sticks, lit the fire, and sat down beside it, facing the sea. He wasn't cold. There was a warm breeze leaning in on a hot night. He lit the fire to show us, as night rode the waves across the setting sun, that he was still there, on the beach; that we were still alone.

That was true. I knew that. I'd discovered it, at last, the hard way. But how had she come to know it from such a little acquaintance of him? One of the worst of my many failings, in those exile years, was my blindness to the good in people: I never knew how much goodness there was in a man or a woman until I owed them more than I could repay. People like Karla saw goodness with a glance, while I stared, and stared, and too often saw nothing past the scowl or bittering eye.

We looked down at the darkening beach and at Nazeer, sitting straight-backed beside his little fire. One of my small victories over Nazeer, when I was still weak and dependent on his strength, had been with language. I'd learned phrases in his language faster than he'd learned them in mine. My fluency had forced him to communicate with me in Urdu most of the time. When he tried to speak English, the words came out in awkward, truncated couplets, top-heavy with meanings and tottering on small feet of blunt sense. I taunted him often about the crudity of his English, exaggerating my confusion and demanding that he repeat himself, that he stumble from one cryptic phrase to another until he cursed me in Urdu and Pashto, and withdrew into silence.

Yet, in truth, his scissored English was always eloquent, and often a cadenced poetry. It was abbreviated, to be sure, but that was because the superfluous had been hacked from it, and what remained was a pure and precise language of his own-something more than slogans and less than proverbs. Against my will, and unknown to him, I'd begun to repeat some of his phrases. He said to me once, while grooming his grey mare, All horse good, all man not good. For years afterward, whenever I encountered cruelty and treachery and other kinds of selfishness, especially my own, I found myself repeating Nazeer's phrase: All horse good, all man not good. And on that night, holding Karla's heart against my own as we watched his fire dance on the sand, I remembered another of his English iterations. No love, is no life, he used to say. No love, is no life.

I held Karla as if holding her could heal me, and we didn't make love until night lit the last star in our wide window of sky. Her hands were kisses on my skin. My lips unrolled the curled leaf of her heart. She breathed in murmurs, guiding me, and I spoke rhythm to her, echoing my needs. Heat joined us, and we enclosed ourselves with touch and taste and perfumed sounds. Reflected on the glass, we were silhouettes, transparent images-mine full of fire from the beach, and hers full of stars. And at last, at the end, those clear reflections of our selves melted, merged, and fused together.

It was good, so good, but she never said she loved me.

I'm not explaining it well, but-"

I felt the small stir of restlessness in her body, against mine, that said she wanted to move. I didn't move.

She closed her mouth, and pressed her lips together so tightly that they formed a white scar. Slowly, cell by cell, it seemed, her body drew back into itself all that she'd given to me a few moments before.

I didn't know why. Maybe it was the cold turkey, what I'd been through in the last months, and the new life I felt I'd won.

Maybe it was death-Prabaker's death, and Abdullah's, and the death I secretly feared was waiting for me in Afghanistan.

Whatever the reason, it was stupid and pointless and even cruel, and I couldn't stop wanting it.

When Nazeer returned from the beach, coughing and clearing his voice loudly to announce his arrival, we were already showered and dressed. He smiled-such a rare thing, that smile-as he looked from me, to her, and back again. But the cold sorrow in our eyes drove the downward curves of his face into willow wreaths of disappointment, and he looked away.

We watched her leave in a taxi on that long and lonely night before we went to Khader's war, and when Nazeer finally met my eyes he nodded, slowly and solemnly. I held the stare for a few moments, but then it was my turn to look away. I didn't want to face the strange mix of grief and elation I'd seen in his eyes because I knew what it was telling me. Karla was gone, yes, but it was the whole world of love and beauty that we'd lost that night. As soldiers in Khader's cause we had to leave it all behind. And the other world, the once unlimited world of what we might yet be, was shrinking, hour by hour, to a bullet's blood red full stop.

____________________

CHAPTER THIRTY-ONE

Nazeer woke me before dawn, and we left the house as the first yawning rays of light stretched into the fading night. When we climbed from our taxi at the airport we saw Khaderbhai and Khaled Ansari near the entrance to the domestic terminal, but we didn't acknowledge them. Khader had laid out a complex itinerary that would take us, with four major changes of transport, from Bombay to Quetta, in Pakistan, near the Afghan border. His instructions were that we should appear at all times to be individual travellers, and that the travellers shouldn't acknowledge one another in any way. We were setting out with him to commit a score of crimes across three international boundaries, and to interfere in a war between Afghanistan's mujaheddin freedom fighters and the mighty Goliath of the Soviet Union. He was planning to succeed in his mission, but he was also allowing for failure. He was ensuring that if any of us were killed or captured at any stage, the trail of connections back to Bombay would be as cold as a mountain climber's axe.

It was a long journey, and it began as a silent one. Nazeer, scrupulous as ever in his conformity with Khaderbhai's instructions, never uttered a single word on the first leg from Bombay to Karachi. An hour after we'd checked into our separate rooms in the Chandni Hotel, however, I heard a soft tap on the door. Before the door was halfway open he slipped inside and pressed it shut behind him. His eyes were wide with nervous excitement and his manner was agitated, almost frantic. I was unsettled and a little disgusted by the conspicuousness of his fear, and I reached out to put a hand on his shoulder.

He saw the condescension behind my smile, even if he didn't understand the full meaning of the words. His jaw locked around some inscrutable resolve, and he frowned at me fiercely. We'd become friends, Nazeer and I. He'd opened his heart to me. But friendship, for him, was measured by what men do and endure for one another, not by what they share and enjoy. It puzzled and even tormented him that I almost always met his earnest gravity with facetiousness and triviality. The irony was that we were, in fact, similarly dour and serious men, but his grim severity was so stark that it roused me from my own solemnity, and provoked a childish, prankish desire to mock him.

He allowed me a grim little smile and then opened the door.

Glancing briefly along the corridor, he slipped out again as swiftly and silently as he'd entered. I looked at my watch. One o'clock. I had three hours to kill. For my passport-smuggling missions, Abdel Ghani had given me a money belt that was his uniquely original design. The belt was made from a tough, waterproof vinyl and was several times wider than the standard money belt. Worn flat against the stomach, the belt could hold up to ten passports and a quantity of cash. On that first day in Karachi it held four of my own books. The first of them was the British book that I'd used to purchase plane and train tickets, and register at the hotel. The second book was the clean American passport that Khaderbhai required me to use for the mission into Afghanistan. The two others, a Swiss book and a Canadian book, were spares for emergency use. There was also a ten thousand dollar contingency fund, paid in advance, as part of my fee for accepting the hazardous mission. I wrapped the thick belt around my waist, beneath my shirt, slipped my switchblade into the scabbard at the back of my trousers, and left the hotel to explore the city.

It was hot, hotter than usual for the mild month of November, and a light, unseasonable rain had left the streets hazy with a thickened, steamy air. Karachi was a tense and dangerous city then. For several years the military junta that had seized power in Pakistan and executed the democratically elected prime minister, Zulfikar Ali Bhutto, had ruled the nation by dividing it. They'd exploited genuine grievances between ethnic and religious communities by inciting violent conflicts. They'd pitted the indigenous ethnic groups-particularly the Sindis, the Pashtuns, and the Punjabis-against the immigrants, known as Mohajirs, who'd streamed into the newly founded nation of Pakistan when it was partitioned from India. The army secretly supported extremists from the rival groups with weapons, money, and the judicious application of favours. When the riots that they'd provoked and fomented finally erupted, the generals ordered their police to open fire. Rage against the police violence was then contained by the deployment of army troops. In that way the army, whose covert operations had created the bloody conflicts, were seen to be the only force capable of preserving order and the rule of law.

As massacres and revenge killings tumbled over one another with escalating brutishness, kidnappings and torture became routine events. Fanatics from one group seized supporters from another group, and inflicted sadistic torments on them. Many of those who were abducted died in that fearsome captivity. Some vanished, and their bodies were never found. And when one group or another became powerful enough to threaten the balance of the deadly game, the generals incited violent conflict within their group to weaken it. The fanatics then began to feed on themselves, killing and maiming rivals from their own ethnic communities.

Each new cycle of violence and vengeance ensured, of course, that no matter what form of government emerged or dissolved in the nation, only the army would grow stronger, and only the army could exercise real power.

Despite that dramatic tension-and because of it-Karachi was a good place to do business. The generals, who were like a mafia clan without the courage, style, or solidarity of genuine, self respecting gangsters, had seized the country by force, held the entire nation hostage at the points of many guns, and looted the treasury. They lost no time in assuring the great powers, and the other arms-producing nations, that Pakistan's armed forces were open for their business. The civilised nations responded with enthusiasm, and for years Karachi was host to junketing parties of arms-dealers from America, Britain, China, Sweden, Italy, and other countries. No less industrious in their pursuit of a deal with the camarilla of generals were the illegals-the black marketeers, gunrunners, freebooters, and mercenaries. They crowded into the cafes and hotels: foreigners from fifty countries who had crime in mind and adventure in their hearts.

In a sense, I was one of them, a ravager like the rest of them, profiting from the war in Afghanistan like the rest of them, but I wasn't comfortable in their company. For three hours I drifted from a restaurant to a hotel to a chai shop, sitting near or with groups of foreigners who were searching for a quick buck. Their conversations were dispiritingly calculating. The war in Afghanistan, most of them conjectured cheerily, had a few good years left in it. The generals were, it had to be admitted, under considerable pressure. There were rumours that Benazir, daughter of the executed prime minister, was planning to return to Pakistan from exile in London to lead the democratic alliance opposed to the junta. But with a little luck and skilful connivance, the profiteers hoped, the army might remain in control of the country-and the well-established channels of corruption-for some years yet.

The talk was of cash crops, a euphemism for contraband and black market trade goods, which were in great demand along the entire border between Pakistan and Afghanistan. Cigarettes, particularly American blends, were selling at Khyber Pass for sixteen times their already inflated Karachi price. Medicines of every kind were generating profits that increased in scale from month to month. Winter clothing, suitable for snow habitats, was exceptionally marketable. One enterprising German freebooter had driven a Mercedes truck loaded with surplus German army alpine issue uniforms, complete with thermal underwear, from Munich to Peshawar. He'd sold the lot, including the truck, for five times its purchase value. The buyer was an Afghan warlord who was favoured by western powers and agencies, including the American CIA. The heavy winter clothing, after a journey of thousands of kilometres through Germany, Austria, Hungary, Romania, Bulgaria, Turkey, Iran, and Pakistan, never reached the fighting men of the mujaheddin in the snow-draped mountains of Afghanistan. Instead, the winter uniforms and underwear were stored in one of the warlord's warehouses in Peshawar, awaiting the end of the war. The renegade and his small army were sitting out the war in the safety of their fortress compounds in Pakistan. His plan was to launch a strike for power with his own troops after the real fighting against the Russians was done, and the war was won.

News of that new market-a warlord, cashed up with CIA money and hungry for supplies at any price-sent thrilling, speculative ripples through the community of foreign opportunists in Karachi.

I encountered the story of the venturesome German and his truck full of alpine uniforms in three slightly different incarnations during the course of the afternoon. In a fever, something like gold fever, the foreigners passed the story among themselves as they pursued and closed down deals for shipments of canned foods, bales of brushed fleeces, shipping containers of engine parts, a warehouse full of second-hand spirit stoves, and stocks of every kind of weapon from bayonets to grenade launchers. And everywhere, in every conversation, I heard the dark, desperate incantation: If the war goes on for another year, we'll have it made...

Vexed and gloomy with squalling emotions I entered the Faloodah House in the Bohri bazaar, and ordered one of the sweet, technicoloured drinks. The faloodha was an indecently sweet concoction of white noodles, milk, rose flavours, and other melliferous syrups. The Firni House in Bombay's Dongri area, near Khaderbhai's house, was justly famous for its delicious faloodah drinks, but they were insipid when compared to the fabulous confections served at Karachi's Faloodah House. When the tall glass of pink, red, and white sugary milk appeared beside my right hand, I looked up to thank the waiter and saw that it was Khaled Ansari, carrying two drinks.

I looked into his honest, open, scarred face and it occurred to me that Khaled knew me better than I knew him. Would I have noticed and realised how troubled he was, I wondered, if our roles were reversed, and he'd entered the Faloodah House with such disturbing preoccupations? Probably not. Khaled was so often gloomy that I wouldn't have given it a second thought. "Well, it's just a bit of soul-searching, I guess. I've been doing some research, digging around in some of the chaikhannas and restaurants you told me about-some of the places where the black-market guys and the mercenaries hang out. It was pretty depressing. There's a lot of people here who want the war to go on forever, and they don't give a shit who's getting killed or who's doing the killing."

Khaled asked gently, looking down into his glass.

Khader asked me to be his American, and I'm doing it. But I don't know why."

We were silent for a while, sipping at our drinks and listening to the clatter and buzz surrounding us in the busy Faloodah House. A large portable radio was playing romantic gazals in Urdu. I could hear conversations in three or four languages from customers close to us. I couldn't understand the words, nor could I even identify which languages they were: Baluchi, Uzbek, Tajik, Farsi...

We finished our drinks and walked out into the late afternoon sunlight, pausing beyond the doorway to light our cigarettes.

Don't say goodbye."

He turned on his heel and walked away, stepping out to the edge of the road and into the fast lane of foot traffic between the footpath and the cars.

I turned and walked off in the opposite direction. Some minutes later, at the perimeter of the bazaar, a taxi slid to a stop quickly beside me. The back door opened and I jumped in next to Khaled. Another man was in the front seat beside the driver. He was in his early thirties, with short, dark brown hair receding from a high, wide forehead. His deep-set eyes were of a brown so dark as to seem black until direct sunlight pierced the irises to reveal the auburn earth tones swirling within them. His eyes stared evenly, intelligently, from beneath black brows that all but met in the centre. His nose was straight, descending to a short upper lip, a firm determined mouth, and a blunt, rounded chin. It was obvious that the man had shaved that day, and probably not long ago, but a blue-black shadow darkened the lower half of his face along the neat, sharply defined lines that governed his beard. It was a strong, square, symmetrical face, handsome in its strength and even proportions if not in any one outstanding feature.

We shook hands, sizing one another up with equal candour and affability. His strong face might've seemed severe but for a peculiar expression that screwed his eyes into a gentle squint, and creased the crests of his cheeks with smile lines. Whenever he was concentrating, whenever he wasn't completely relaxed, Ahmed Zadeh wore an expression that made him look as if he was searching for a friend in a crowd of strangers. It was a disarming expression, and it endeared him to me at once.

I took the folded envelope and slipped it into the pocket of my shirt, to read when I was alone.

You'll meet him in a few minutes."

I turned my face to the window, and as if that were a signal, the two men began to speak in Arabic. I listened to the smooth, swiftly flowing syllables and I let my thoughts drift on that sibilant music. Beyond the window the streets grew less ordered, and the buildings grew more shabby and unkempt. Many of the mud brick and sandstone buildings were single-storey dwellings, and although they were obviously inhabited by whole families they seemed unfinished: barely standing before they'd been possessed and used as shelters.

We passed through whole suburbs of such haphazard and impetuously constructed sprawls-dormitory suburbs thrown up to cope with the headlong rush of immigrants from villages to the rapidly expanding city. Side streets and lateral avenues revealed that the duplication of those crude, resemblant structures extended all the way to the horizon of sight, on either side of the main road.

After almost an hour of slow progress through sometimes impassably crowded streets, we stopped momentarily to allow another man to join us in the back seat. Following Khaled's instructions, the cab driver then turned his taxi around and returned along precisely the same congested route.

The new man was Mahmoud Melbaaf, a thirty-year-old Iranian. A first glimpse of his face-the thick, black hair, the high cheek bones, the eyes coloured like a sand dune in a blood-red sunset- reminded me so much of my dead friend Abdullah that I flinched around the pain of it. In a few moments the similarity dissolved:

Mahmoud's eyes protruded a little, his lips were less full, and his chin was pointed, as if it was designed to hold a goatee beard. It was, in fact, a very different face.

But in the clear thought of Abdullah Taheri and the piercing pain of missing him, I suddenly understood a part of the reason I was there, with Khaled and the others, on a journey into someone else's war. One part, a vital part of my readiness to face the risks of taking on Khader's mission, was the guilt I still felt that Abdullah had died alone, surrounded by guns. I was putting myself in the nearest equivalent, surrounding myself with enemy guns. And in the instant of thinking that thought, in the moment of daubing the unspoken words on a grey wall of my mind-death wish- I rejected it, with a shudder that shivered across the surface of my skin. And for the first time in all the months since I'd agreed to do the job for Abdel Khader Khan I felt afraid, and I knew that my life, there and then, was no more than a handful of sand squeezed into my clenched fist.

We got out of the car a block away from the Masjid-i-Tuba Mosque.

Following one another in single file, with twenty metres between each man, we reached the mosque, and removed our shoes. An ancient hajji attended to the shoes while he muttered his meditational zikkir. Khaled pressed a folded bank note into the man's calloused, arthritic hand. As we entered the mosque I looked up and gasped in surprise and joy.

The interior of the mosque was cool and immaculately clean.

Marble and stone tiles gleamed from fluted pillars, mosaic arches, and vast stretches of patterned floors. But above and beyond all that, drawing the eye irresistibly, was the enormous white marble dome. The spectacular canopy was a hundred paces across, and bejewelled with tiny, polished mirrors. As I stood there, gaping in wonder at its beauty, the electric lights in the mosque came on and the great curve of marble above us gleamed like sunshine on the million peaks and ripples of a wind-worried lake.

Khaled left us immediately, promising to return as soon as possible. Ahmed, Mahmoud, and I walked to an alcove that gave a view of the dome, and we sat down on the polished tile floor. It was some time since the evening prayer-I'd heard the call of the muezzin while we were driving in the cab-but there were still many men absorbed in private prayer throughout the mosque. When he was sure that I was comfortable, Ahmed announced that he would take the opportunity to pray. He excused himself, and walked to the bathing fount. With his face, hands, and feet washed according to ritual, he returned to a little clear space beneath the dome and commenced his prayer.

I watched him with a tiny germ of envy at the ease with which he opened his communication with God. I felt no urge to join him, but the sincerity of his meditation made me feel much more alone, somehow, in my solitary, unconnected mind.

He completed the prayer and, as he began the walk back to us, Khaled returned. He wore a troubled expression. We sat close together, our heads almost touching.

You were both lucky. He was out of the house, and they didn't get him. What have you got with you, from your hotel? What did you leave there?"

Ahmed grinned at me.

Clothes, toiletries, a few books. That's it. But there's the tickets-the plane and the train tickets I bought. I left them in my carry bag. That's the only thing with a name on it, I'm pretty sure."

If they could do it, they would take all of our weapons and our medicines and our other supplies, and give them to their own..."

We all listened intently, and heard the sounds of singing and music from somewhere outside the mosque.

We stood and followed him out of the mosque to collect our shoes.

Walking around the building in the gathering dark, we approached the sound of the singing.

That's what the meeting was all about. Didn't you know?"

He laughed as he asked the question, and his tone was as honest and ingenuous as it ever was, but still the words stabbed into my mind. Didn't you know? Didn't you know?

Khader was planning the trip all that time ago, I thought, on the first night that I met him. I remembered with perfect clarity the large, smoky room where the Blind Singers sang for their private audience. I remembered the food that we ate, the charras we smoked. I remembered the few well-known faces I'd recognised that night. Were they all involved in the mission! I remembered the young Afghan who'd greeted Khaderbhai with such respect, bending low enough to reveal the pistol held within a fold of his shawl.

I was still thinking of that first night, still worried by the questions I couldn't answer, when Khaled and I came upon a large group of men, hundreds of them, sitting cross-legged on the tiles of a wide forecourt adjacent to the mosque. The Blind Singers finished a song and the men applauded, shouting Allah! Allah!

Subhaan Allah! Khaled led us through the crowd of men to a relatively sheltered alcove where Khader sat with Nazeer and several others. When I caught his eye Khaderbhai raised his hand, signalling for me to join him. As I reached his side he grasped my hand and pulled me down beside him. A number of heads turned in our direction. Conflicting emotions stumbled into one another in my haunted heart: fear, that I was so conspicuously associated with Khader Khan, and a flush of pride that he'd drawn me, over all others, to sit at his side.

He was reading my mind and I was sure, somehow, that it was deliberate: that he was fully aware of the dizzying impact of his words. I was suddenly angry with him, suddenly resentful, even of the touch of his hand on my arm.

He remained silent until at last I turned to face him. When my eyes met his I felt the sting of impulsive tears, and I mastered them by grinding my jaws together. It worked, and my burning eyes remained dry, but my mind was in turmoil. The man with the cinnamon-brown skin and the trim, white beard had used and manipulated me and everyone else he knew as if we were his chained slaves. Yet there was such love in his golden eyes that it was, for me, the full measure of something I'd always craved from the innermost coils of my heart. The love in his softly smiling, deeply worried eyes was a father's love: the only father-love I'd ever known.

But that will wait until we return from our task. Tomorrow we travel to Quetta. We must remain there for some time. When the time is right, we will make the crossing into Afghanistan. And from that day, for as long as you are in Afghanistan, there will be a price on your head. The Russians pay well for the capture of foreigners who help the mujaheddin. And we have few friends here in Pakistan. I think we will have to get some local clothes for you. We will dress you like a young man from my village-a Pashtun, like me. Yes, with a cap to cover your white hair, and a pattu, a shawl, to throw over your broad shoulders and chest. We will pass you off, perhaps, as my blue-eyed son. What do you think?"

What did I think? The Blind Singers cleared their throats noisily, and the assembly of musicians began the introduction to a new song with the plaintive wail of the harmonium and the blood-stirring passion of the tablas. I watched the long, slender fingers of the tabla players clap and caress the trembling skins of the drums, and I felt my thoughts drift away from me in the hypnotic flutter and flow of the music. My own government had put a price on my head, in Australia, as a reward for information leading to my capture. And there, across the world, I was putting another price on my head. Once more, as the wild grief and rapture of the Blind Singers rippled through a listening crowd, once more, as the eyes of that crowd blazed the ecstasy of their devotions, once more I surrendered to the fate-filled moment and felt myself, my whole life, turning with the wheel.

Then I remembered the note in my pocket: the letter from Didier that Khaled had given me in the taxi two hours earlier. Caught up in the superstitious twist of coincidence and history repeating itself, I was suddenly desperate to know what the letter said. I slipped it from my pocket and held it close to my eyes in the yellow-amber light that reached us from lamps high over our heads.

Dear Lin, This is to tell you, mon cher ami, that I have discovered who was it-the woman who betrayed you to the police and had you put inside the prison and beaten so badly. Such a terrible thing! Even now I am still desolated by it! Well then, the woman who did this thing is Madame Zhou, the owner of the Palace. Up to this time, I have not learned the reason for what she did, but even without some understanding of her motive for doing this terrible thing to you, I have only the best sources to assure me that it is true.

I hope that I will hear from you soon.

Your dear friend, Didier.

Madame Zhou. Why? Even as I formed the question in my mind, I knew the answer. I suddenly remembered a face staring at me with inexplicable hatred. It was the face of Rajan, Madame Zhou's eunuch servant. I remembered that I'd seen him watching me, on the day of the flood, when we'd rescued Karla from the Taj Mahal Hotel in Vinod's boat. I remembered the malignant hate that had filled his eyes as he'd watched me with Karla, and watched me drive away in Shantu's taxi. Later that night the police had arrested me, and my prison torture had begun. Madame Zhou had punished me for defying her, for daring to challenge her, for impersonating an American consular officer, for taking Lisa Carter away from her and, yes, perhaps for loving Karla.

I tore the letter into pieces and put the fragments back in my pocket. I was calm. The fear was gone. At the end of that long Karachi day, I knew why I was going to Khader's war, and I knew why I would return. I was going because my heart was hungry for Khaderbhai's love, the father-love that streamed from his eyes and filled the father-shaped hole in my life. When so many other loves were lost-my family, my friends, Prabaker, Abdullah, even Karla-that look of love in Khader's eyes was everything and all the world to me.

It seemed stupid, it was stupid, to go to war for love. He wasn't a saint and he wasn't a hero: I knew that. He wasn't even my father. But for nothing more than those seconds of his loving gaze, I knew that I would follow him into that war, and any other. And it wasn't any more stupid than surviving just for hate, and returning for revenge. For that's what it came down to:

I loved him enough to risk my life, and I hated her enough to survive and to avenge myself. And I would have that revenge, I knew, if I made it through Khader's war: I would find Madame Zhou, and I would kill her.

I closed my mind around that thought as a man might close his hand around the hilt of a knife. The Blind Singers cried the joys and agonies of their love for God. Beside me, surrounding me, hearts soared in response. Khaderbhai turned his head to meet my eyes, and nodded slowly. I smiled into the golden eyes filled with tiny, swaying lamplights, and secrets, and sacred pleasures summoned by the singing. And, God help me, I was content and unafraid and almost happy.

____________________

We spent a month in Quetta-a long month of waiting with the frustration of false starts. The delay was caused by a mujaheddin commander named Asmatullah Achakzai Muslim. He was the leader of the Achakzai people in the region of Kandahar, which was our ultimate destination. The Achakzai were a clan of sheep and goat herders who'd originally been members of the dominant Durrani clan. In 1750, the founder of modern Afghanistan, Ahmed Shah Abdali, divided the Achakzai from the Durrani and established them as a clan in their own right. That was in accordance with Afghan tradition, which allowed a sub-clan to be separated from its parent clan when it reached sufficient size or strength. It was also an admission by the wily warrior and nation-builder Ahmed Shah that the Achakzai were a force to be reckoned with and appeased. Through two centuries the Achakzai increased their status and their power. They earned a well-deserved reputation as fierce fighters, and every man in the clan could be counted on to follow his leader without question. During the early years of the war against the Russians, Asmatullah Achakzai Muslim formed his men into a well-armed, highly disciplined militia. In their region they became the spearhead of the independence struggle: the jihad to drive out the Soviet invaders.

Toward the end of 1985, as we prepared ourselves in Quetta for the crossing into Afghanistan, Asmatullah began to vacillate in his commitment to the war. So much depended on his militia that when he pulled his men back from active service, and began secret peace talks with the Russians and their Afghan puppet government in Kabul, the entire war of resistance in the Kandahar region collapsed. Other mujaheddin units not under Asmatullah's control, such as Khader's men in the mountains north of the city, remained in their positions; but they were isolated, and every supply route to them was perilously vulnerable to Russian attack. The uncertainty forced us to wait until Asmatullah decided whether to continue the jihad or switch sides and support the Russians. No-one could predict which way he would jump.

Although we were all restive and agitated with the wait-as the days limped into weeks, it seemed interminable-I used the time well. I practised phrases in Farsi, Urdu, and Pashto, and even picked up a few words in some Tajik and Uzbek dialects. I rode horses every day. While I never managed to eliminate my clownish, arm-and-leg-flapping gestures when I made the animals stop or go or turn in a desired direction, I sometimes did succeed in dismounting them by climbing down rather than being hurled to the ground on my back.

I read books every day from a bizarre, eclectic collection supplied to me by Ayub Khan, a Pakistani, and the one member of our group who'd been born in Quetta. Because it was judged too dangerous for me to leave our safe-house compound at a horse ranch on the outskirts of the city, Ayub brought me books from the central library. The library was stocked with obscure and fascinating English-language books that were an inheritance from the days of the British Raj. The name of the city, Quetta, was derived from the Pashto word kwatta, meaning fort. Its proximity to the Chaman Pass route to Afghanistan, and the Bolan Pass route to India, ensured Quetta's military and economic significance for millennia. The British first occupied the old fort in 1840, but were forced to abandon it after sickness in the troops and ferocious resistance from the Afghans had withered the colonial force. It was reoccupied in 1876, and firmly established as the premier British possession in that region of the North West Frontier of India. The Imperial Staff College for military officers in British India was established there, and a thriving, prosperous market-centre grew up in the spectacular, natural amphitheatre of the surrounding mountains. A cataclysmic earthquake on the last day of May in 1935 destroyed most of the city and killed twenty thousand people, but Quetta was rebuilt, and the clean, wide boulevards and pleasant weather made it one of the most popular holiday resorts in northern Pakistan.

For me, restricted then to the compound, the chief attraction of the city was the random selection of books that Ayub brought to me. Every few days he appeared at my door, grinning hopefully and handing the bundle of books to me as if they were treasures from an archaeological dig.

And so it was that I rode during the day, acclimatising myself to the thinner air above five thousand feet, and at night read the diaries and journals of long-dead explorers, extinct editions of Greek classics, eccentrically annotated volumes of Shakespeare, and a dizzyingly passionate terza rima translation of Dante's The Divine Comedy.

Abdel Khader Khan said to me from the doorway of my room one night, after we'd been a month in Quetta. I closed the book that I was reading and stood to greet him at once. He took my hand and enclosed it within both of his own, muttering a whispered prayer of blessing. When he accepted the chair that I offered him, I sat down on a stool an arm's reach away. He had a parcel wrapped in cream chamois leather under his arm. He placed it on my bed and settled back comfortably.

I took two beedies from a pack, lit them in my hand with the play of a match, and handed one to him.

There is no inherited right to be a leader, and a leader's son who has no wisdom or courage or skill at speaking to the people will be passed over for another man with better skills. My father was very anxious for me to succeed him and to continue his life work, which was to raise his people from ignorance, and to ensure their future well-being. A wandering Sufi mystic, an old saint who visited our area when I was born, had told my father that I would grow up to become a shining star in the history of my people. My father hoped for this with all his heart but, unfortunately, I showed none of a leader's skills, and no interest in attaining them. I was, in short, a bitter disappointment to him. He sent me to my uncle, here in Quetta.

And my uncle, who was a prosperous merchant then, put me in the care of an Englishman, who became my tutor."

Every time that I think of him, I remember the laughter in his eyes. And he loved it in Quetta. He loved the mountains, and the cold air in winter. His thick, strong legs were built for climbing mountain paths, and he roamed these hills every week, often with me alone for company. He was a happy man who knew how to laugh, and he was a great teacher."

He lapsed into silence, and I pondered the weight and measure of that phrase... for the first time...

But it was a very cruel beating, and I could not bear to watch it. Filled with the importance of being the son of a village leader, and being the nephew of one of Quetta's most prosperous merchants, I commanded the man to stop beating the child. He took offence, of course, and there was an argument. The argument became a fight. And then he was dead, stabbed in the chest with his own dagger-the dagger he had tried to use on me."

He was silent again for a while, staring at a point on the floor between our feet. I could hear music, distant and muffled, coming from the other side of the compound. There were many rooms radiating outward from a central courtyard that was larger but less grand than that in Khader's Bombay home. From some of the nearer rooms I could hear the low, water-bubble murmur of conversation and the tapping drum-roll of an occasional laugh.

From the room next door, Khaled Ansari's room, I heard the unmistakable clikka-k'chuck of a Kalashnikov AK-74 assault rifle being cocked and cold-fired after cleaning.

I tried to leave my home, because I was the cause of the feud, but my father refused to let me leave, and I could not oppose him. The feud went on for years, and the killing went on for years. I lost my two brothers, and both of my uncles, my father's brothers. When my own father was badly wounded in an attack, and unable to stop me, I told my family to spread the rumour that I had been killed. I left my family home. The blood feud ended some time after that, and peace was restored between the two families.

But I was dead to my family, because I had sworn an oath to my mother that I would never return."

The breeze through the metal-framed window that had been cool in the earlier evening was suddenly cold. I stood to close the window, and then poured a glass of water from the clay pitcher on my nightstand. Khader accepted the glass, whispered a prayer, and drank the water. He handed me the glass when he was finished. I poured water into the same glass and sat down on the stool to sip at my drink. I said nothing, afraid that, if I asked the wrong question or made the wrong comment, he would stop talking altogether and leave the room. He was calm, and he seemed to be completely relaxed, but the brilliant, laughing gleam was missing from his eyes. It was also disturbingly out of character for him to be so expansive about his own life. He'd talked to me for long hours about the Koran or the life of the Prophet Mohammed or the scientific, rational basis for his moral philosophy, but I'd never known him to tell me or anyone else so much about himself. In the lengthening silence I looked at the lean, sinewed face and I controlled even the sound of my breathing, lest it disturb him.

We were both dressed in the standard Afghan costume of a long, loose shirt and wide-waisted pants. His clothes were a light, faded green and mine were pale blue-white. We both wore leather sandals as house slippers. Although I was heavier and deeper in the chest than Khaderbhai, we were roughly the same height and build across the shoulders. His short hair and beard were white silver, and my short hair was white-blonde. My skin was tanned to a shade resembling his natural, almond-shell brown. If it wasn't for the sky in my blue-grey eyes and the alluvial gold in his, we might've been taken for father and son.

He turned to face me. His smile was radiant: a new, gentle, artless smile that had never moved his face before in any conversation with me.

He fell silent, staring ahead at the floor where it met the mud brick wall. After a time, he spoke.

He repeated the phrase into a silence that was thickening around us and seeming to press in upon my burning eyes.

I watched him wade through the past, his eyes blazing recollections, and then he shook himself back into the moment.

He opened the chamois-leather parcel to reveal a pistol in a side holster, several magazines, a box of ammunition, and a metal box.

Lifting back the lid of the metal box, he displayed a cleaning kit of oil, graphite powder, tiny files, brushes, and a new, short pull-through cord.

Khaderbhai showed me how to clean the Stechkin. It was more complicated than I'd imagined, and it took the best part of an hour for him to walk me through the instructions for its complete service, repair, and handling protocols. It was a thrilling hour, and men and women of violence will know what I mean when I say that I was drunk with the pleasure of it. I confess with no little shame that I enjoyed that hour with Khader, learning how to use and clean the Stechkin automatic pistol, more than the hundreds of hours that I'd spent with him while learning his philosophy. And I never felt closer to him than I did that night as we hunched over my blanket, stripping and reassembling the killing weapon.

When he left me, I turned out the light and lay back on my cot, but I couldn't sleep. My mind was caffeine-alert in the darkness.

At first I thought about the stories Khader had told me. I moved through that different time in the city I'd come to know so well.

I imagined the Khan as a young man, fit and dangerous and fighting for Chota Gulab, the gangster boss with a little rose scar on his cheek. I knew other parts of Khader's story-I'd heard them from some of the goondas who worked for him in Bombay.

They'd told me how Khaderbhai had seized control of Gulab's little empire when the scarred one was assassinated outside one of his cinemas. They'd described the gang wars that had erupted across the city, and they'd talked of Khader's courage, and his ruthlessness in crushing his enemies. I knew, as well, that Khaderbhai was one of the founders of the council system, which had brought peace to the city by dividing territories and spoils between the surviving gangs.

I wondered, as I lay in a darkness scented with the polished floor-and-raw-linen odours of the gun and the cleaning oil, why Khaderbhai was going to war. He didn't have to go-there were a hundred more like me, prepared to die for him in his place. I remembered his strangely radiant smile when he'd told me about his first meeting with Chota Gulab.

I recalled how quick and youthful his hands had been when he'd shown me how to clean and use the gun. And it occurred to me that he might've been with us, risking his life, simply because he was hungry for the wilder days of his youth. The thought worried me because I was sure that at least some small part of it was true.

But that other motive-that he'd judged the time right to end his exile, and to visit his home and family-worried me more. I couldn't forget what he'd told me. The blood feud that had killed so many and driven him from his home had only ended with his promise, to his mother, never to return.

After a while my thoughts drifted, and I found myself reliving, moment for moment, the long night before my escape from prison.

That, too, was a night without sleep. That, too, was a night of wheeling fears and exhilaration and dread. And just as I had on that night years before, I rose from bed before the first stir and shuffle of the morning, and prepared myself in the dark.

Soon after dawn, we took the train to Chaman Pass. There were twelve from our group on the train, but none of us spoke through the several hours of the journey. Nazeer sat with me, and we were alone for much of the trip, but still he held his stony silence.

With my pale eyes concealed behind dark sunglasses, I stared through the window and tried to lose myself in the spectacular view.

The train ride from Quetta to Chaman was one of the glories of the illustrious sub-continental railway system. The tracks wound through deep gorges and crossed riverscapes of astounding beauty.

I found myself repeating, as if they were lines of poetry, the very names of the towns through which it passed. From Kuchlaagh to Bostaan, and the small river crossing at yaaru Kaarez, the train climbed to Shaadizai. At Gulistan there was another climb, with a sweeping curve that followed the ancient dry lake at Qila Abdullah. And the jewel in the twin steel-bands of that crown, of course, was the Khojak Tunnel. Built by the British over several years at the end of the nineteenth century, it smashed its way through four kilometres of solid rock, and was the longest in the sub-continent.

At Khaan Kili the train negotiated a series of sharp curves, and at the last remote regional stop before Chaman we climbed down with a few dusty locals and were met by a covered truck. When the area was deserted we climbed onto the extravagantly decorated truck, and followed the main road toward Chaman. Before we reached the town, however, we took a side road that seemed to end in a deserted track, with a stand of trees and several scrubby pastures, about thirty kilometres north of the main highway and the Chaman Pass.

We climbed down from the truck, and as it drove away we mustered in the shade of the trees with the main group of men, who'd been waiting there for us. It was the first time that we'd assembled in our full number. There were thirty of us, all men, and for a moment I was reminded of the men who gathered in similar groups in prison yards. The fighters seemed tough and determined and, although many of them were lean to the point of being thin, they looked healthy and fit.

I removed my sunglasses. As I scanned the faces, my eyes met those of a man who stared back at me from the heart of darkness.

He was in his late forties or early fifties, and perhaps the oldest man in the group after Khaderbhai. His short hair was grey beneath a brown, round-edged Afghan cap, identical to the one I wore myself. His short, straight nose divided a long, pointed face that was so deeply lined beneath the sunken cheeks that it appeared to have been slashed with a machete. Heavy bags hung below his eyes. Theatrically peaked eyebrows like the wings of a black bat spiked above his eyes, but it was the eyes themselves that caught and held me.

As I locked eyes with him, returning his psychotic stare, the man began to stumble toward me. After the first few shambling steps, his body twitched into a more efficient mode, and he began to lope, covering the thirty metres that separated us in long, crouching, feline strides. Forgetting that the gun was strapped to my side, my hand instinctively moved to the hilt of my knife and I took half a pace backward with my right foot. I knew the eyes. I knew the look. The man wanted to fight me, perhaps even to kill me.

Just as he reached me, shouting something in a dialect that I couldn't recognise, Nazeer stepped from nowhere to stand in front of me and bar his way. He shouted something back at the man, but the other ignored him, staring past his head at me and shouting his question, again and again. Nazeer repeated his reply, shouting to match the other. The crazed fighter tried to shove Nazeer out of the way with both hands, but he might as well have tried to push aside a tree. The burly Afghan stood his ground, forcing the madman to shift his gaze from me for the first time.

A crowd had formed around us. Nazeer held the man's lunatic stare, and spoke in softer, pleading tones. I waited, tensed and ready to fight. We haven't even crossed the border yet, I thought, and I'm going to have to stab one of our own men...

Khaderbhai walked between the men, and put his hand on the madman's shoulder. The man turned immediately, and with eyes that seemed ready to weep, searched Khader's face. Khader repeated what Nazeer had been murmuring, in a similarly soothing tone. I couldn't understand all of it, but the sense was clear. No. He is American. The Americans are here to help us. He is here with us to fight the Russians. He will help us to kill the Russians. He will help us. We will kill many Russians together.

When the man turned to face me once more, his expression had changed so dramatically that I was moved to pity him, when a moment before I was ready to run my knife into his chest. His eyes were still deranged, hanging unnaturally wide and white beneath the brown irises, but his frenzied expression had collapsed into such wretched, pitiable misery that his face reminded me of the many ruined stone cottages we'd seen beside the roads. He looked once more into Khader's face, and the stutter of a smile flickered across his features as if animated by an electric pulse. He turned and walked away through the crowd. The tough men parted for him warily, compassion vying with fear in their eyes as they watched him pass.

Habib Abdur Rahman. He is a schoolteacher-well, he once was a schoolteacher, in a village on the other side of these mountains.

He taught the little ones, the youngest children. When the Russians invaded, seven years ago, he was a happy man, with a young wife and two strong sons. He joined the resistance, like every other young man in the region. Two years ago he returned from a mission to find that the Russians had attacked his village. They had used gas, some kind of nerve gas."

All the generations of his family-his grandparents, from both sides, his parents, his wife's parents, his uncles and aunties, his brothers and sisters, his wife, and his children. All gone, in just one hour of one day. Even the animals, the goats and the sheep and the chickens, were all dead. Even the insects and the birds were dead. Nothing moved. Nothing lived and nothing survived."

This time he was like a different man. This time he did everything in his power to capture a Russian, or an Afghan soldier fighting for the Russians. And when he captured one-and he did capture them, many of them, because he was very good at it after that-when he did capture them, he tortured them to death by impaling them on a sharpened steel spike, made from the wooden handle and the blade of the shovel he had used to bury his family. He has it now. You can see it strapped to the top of his pack. He ties the prisoners to the spike by their hands, behind their backs, with the spike touching their backs. At the moment that their strength fails them, and the metal spike begins to tear its way through their bodies, forcing its way out through their stomachs, Habib leans over them, staring into their eyes, and spits into their screaming mouths."

Khaled Ansari, Nazeer, Ahmed Zadeh, and I stood in a deeply breathing silence, waiting for Khader to speak again.

And he prefers to kill them slowly. There is such a cruel violence in him that it frightens his friends no less than his enemies. So he must be watched, while he is with us."

Watching him leave, I was struck with a sudden, clutching instinct to cry out and stop him. It was a foolish thing-an irrational stabbing dread that I was losing him, losing another friend. And it was so ridiculous, so petty in its jealousy, that I bit down on it and said nothing. Then I watched him sit down opposite Habib. I watched him reach out to lift the gaping, murderous face of the madman until their eyes met and held, and I knew, without understanding it, that Khaled was lost to us.

I dragged my eyes from the sight of them, as boatmen drag a lake with starry hooks. My mouth was dry. My heart was a prisoner pounding on the walls inside my head. My legs felt leaden, fixed to the earth with roots of shame and dread. And as I looked up at the sheer, impassable mountains, I felt the future shudder through me like thunder trembling through the limbs and wearied vines of a storming willow.

CHAPTER THIRTY-THREE

The main road from Chaman, in those years, crossed a tributary of the Dhari River on the way to Spin Baldak, Dabrai, and Melkaarez on the highway route to Kandahar. The whole journey was less than two hundred kilometres. By car, it took a few hours. We didn't take the highway route, of course, and we didn't have cars. We rode on horseback over a hundred mountain passes, and the same journey took us more than a month.

We spent that first day camped beneath the trees. The baggage- the goods we were smuggling into Afghanistan, and our personal supplies-was scattered in a nearby pasture, covered by sheepskins and goatskins to give the appearance, if seen from the air, of a herd of livestock. There were even a few real goats tethered among the woolly bundles. When dusk finally smothered the sunset, a whisper of excitement went through the camp. We soon heard the muffled tread of hooves as our horses approached.

There were twenty riding horses and fifteen pack animals. The horses were a little smaller than those I'd learned to ride on, and my heart lifted with hope that I might find them easier to control. Most of the men moved off at once to hoist and secure the baggage onto the pack animals. I started off to join them, but Nazeer and Ahmed Zadeh intercepted me, leading two horses.

Nazeer handed the reins to me, and checked the straps on the short, thin Afghan saddle. Satisfying himself that all was as it should be, he nodded his approval.

The horses are really a gift for Khader's people near Kandahar.

We would be better on this trip with camels. Donkeys would be the best, in my opinion, in the narrow passes. But the horses are animals of great status. I think Khader insisted on using horses because it is important how we look when we make contact with the wild clans-the men who will want to kill us, and take our guns and our medicines. The horses will make us important in their eyes. And they will be a gift of much prestige for Khader Khan's people. He plans to give them away on the way back from Kandahar.

We will ride some of the way to Kandahar, but we will walk all the way home!"

He wheeled the horse expertly and cantered over to a mounted group who'd assembled around Khaderbhai some fifty metres away. I glanced at Nazeer. He nodded for me to mount the horse, offering me an encouraging little grimace and a muttered prayer. We both fully expected that I would be thrown, and his eyes began to close in cringing anticipation. I put my foot in the stirrup and sprang off with my right foot. I hit the saddle with a harder jolt than I'd planned, but the horse responded well to the mount and dipped her head twice, anxious to move off. Nazeer opened one eye to see me sitting comfortably on the new horse. Delighted and flushed with unselfconscious pride, he beamed one of his rare smiles at me. I tugged at the reins to turn the horse's head, and kicked backward. The horse responded calmly, but with a smart, stylish, almost prancing elegance in its movement. Snapping at once into a graceful canter, she took me toward Khaderbhai's group with no further prompting.

Nazeer ran along with us, a little behind and to the left of my horse. I glanced over my shoulder and exchanged equally wide eyed, bewildered looks with him. The horse was making me look good. It's gonna be okay, I whispered to myself, knowing, as the words trotted through the thick fog of vain hope in my mind, that I'd uttered the certain jinx formula. The saying, pride goeth... before a fall... is condensed from the second collection of the Book of Proverbs, 16:18-Pride goeth before destruction and a haughty spirit before a fall. It's attributed to Solomon. If he did say it, Solomon was a man who knew horses intimately well; much better than I did as I clicked up to Khader's group and reined the horse in as though I knew-as though I would ever know - what I was doing in a saddle.

Khader was speaking in Pashto and Urdu and Farsi, giving the men last-minute instructions. I leaned across to whisper to Ahmed Zadeh.

You don't ride a horse over a mountain, of course. You push and drag and sometimes help to _carry a horse over a mountain. As we neared the base of the sheer cliffs that form the Chaman range, dividing the southwestern part of Afghanistan from Pakistan, it became clear that there were in fact gaps and pathways and trails leading into and over them. What had seemed to be smooth walls of bare, mountainous rock proved on closer inspection to be formed in undulating waves of ravines and tiered crevices. Ledges of stone and lime-encrusted barren earth wound through those rocky slopes. In places the ledges were so wide and well flattened as to seem like a man-made road. In places they were so jagged and narrow that every footstep of horse or man was brooded over with careful, trembling consideration before it was made. And the whole of it, the whole stumbling, slipping, dragging, shoving breach of the mountain barrier, was done in the dark.

Ours was a small caravan when compared to the once mighty tribal processions that had plied the silk route between Turkey and China and India, but in that time of war our numbers were remarkable. The fear of being seen from the air was a constant worry. Khaderbhai imposed a strict blackout: no cigarettes, torches, or lamps on the march. There was a quarter moon that first night, but occasionally the slippery paths led us through narrow defiles where smooth rock rose up sharply, drowning us in shadows. In those black-walled corridors it was impossible to see my own hand held in front of my face. The whole column inched its way along the blind clefts in the rock wall, men and horses and goats pressed hard against the stone, and shuffling into one another.

In the centre of just such a black ravine, I heard a low whining sound that rose quickly in pitch. I was walking, or sliding my feet, between two horses. I had the reins of my horse in my right hand, and the tail of the horse in front wrapped around my left hand. My face was sliding against the granite wall, and the path beneath my feet was no wider than the length of my arm. As the sound rose in its pitch and intensity, the two horses reared in the same instinct, and stamped their hooves in staccato fear.

Then the whining sound suddenly erupted in a roar that rattled the whole mountain, and ripped into an explosive, shrieking scream of satanic noise directly over our heads.

The horse to my left bucked and reared in front of me, pulling its tail from my hand. Trying to retrieve it, I lost my footing in the dark and slid to my knees, my face scraping against the rock wall. My own horse was terrified, as frightened as I was myself, and it struggled forward on the narrow path, following an impulse to run. I still held the reins, and I used them to pull myself to my feet, but the horse rammed into me again with its head, and I felt myself slide backward from the path. Fear stabbed into my chest and crushed my heart as I stumbled, slid, and fell off the path into the lightless void. I fell the full length of my body, and stopped with a wrenching snap as the reins in my hand held fast.

I was dangling in free space over a black abyss. Millimetre by millimetre I felt the downward creep, the easing, slipping creak of leather as I slid further from the edge of the narrow ledge. I could hear the shouts of men, all along the ledge above me. They were trying to calm the animals, and they were calling out names to account for their friends. I could hear the horses screaming their fear and snorting in protest. The air in the ravine was thick with the smells of piss and horseshit and frightened man sweat. And I could hear the scrabbling, scraping clatter of hooves as my own horse struggled to maintain its footing. I suddenly realised that as strong as the horse undoubtedly was, its foothold on the crumbling, jagged path was so precarious that my weight mightVe been enough to drag it over the ledge with me.

Flailing with my left hand in the impenetrable dark, I grasped the reins and began to drag myself back up to the ledge. I put one set of fingertips on the edge of the stony path and then choked a scream as I slipped backwards into the dark crevasse.

The reins held again, and I dangled over the gap, but my situation was desperate. The horse, fearing that it would be dragged over the edge, was shaking and dipping its head violently. An intelligent animal, she was trying to rid herself of the bridle, bit, and harness. At any moment, I knew, she would succeed. I gave a snarl of rage through clenched teeth and dragged myself to the ledge once more.

Scrambling up to my knees, I gasped in sweating exhaustion and then, working to an intuition that starts in fear and spikes on a jet of adrenaline, I jumped up and to my right as my neighbour's horse kicked out in the black, blind night. If I hadn't moved, it would've struck me on the side of the head, and my war would've ended there and then. Instead, the life-saving reflex to jump meant that the blow struck my hip and thigh, driving me into the wall and against my own horse's head. I threw my arms around the animal's neck, as much to comfort myself with its touch as to support my numb leg and aching hip. I was still cradling her head in my arms when I heard shuffling steps and felt someone's hands slide from the wall onto my back.

But the Paks like to remind them they're here, just the same. Are you sure you're all right?"

And for a few moments, when I reached that pale oasis of moonlight, I felt safe and sure of myself. Then we pushed on, hugging the cold, grey stone of the canyon-silo, and in minutes we were in blackness again, with nothing but faith and fear and the will to survive.

We travelled so often at night that we sometimes seemed to be feeling our way to Kandahar like blind men, with our fingertips.

And, like blind men, we trusted Habib, without question, as our guide. None of the Afghans in our group lived in the border region, and they were as dependent on his knowledge of those secret passes and fortuitous ledge-pathways as I was.

When he wasn't leading the column, however, Habib inspired far less confidence. I came upon him once as I scrambled over some rocks to find a place to take a piss during a rest stop. He was kneeling in front of a roughly square slab of stone, and beating his forehead against it. I leapt down to stop him, and discovered that he was weeping, sobbing. The blood from his torn forehead ran down his face to mix with the tears in his beard. I poured a little water from my canteen onto a corner of my scarf, and wiped the blood from his head to examine the wounds. They were rough and jagged, but largely superficial. He allowed me to lead him, unprotesting, back to the camp. Khaled rushed up at once and helped me to apply ointment and a clean bandage to his forehead.

But as the weeks of the journey passed, we all watched Habib more closely, more fearfully, and little by little we all realised why so many other mujaheddin units had cast him out.

With our senses alert for menace from without and within, we travelled by night, and sometimes by day, north along the mountainous border towards Pathaan Khel. Near the khel, or village, we swung north-north-west into deserted mountainous terrain that was veined with cold, fresh, sweet-water streams.

Habib laid out a route that was roughly equidistant between towns and larger villages, always avoiding the main arteries that local people used. We trudged between Pathaan Khel and Khairo Thaana; between Humai Khaarez and Haji Aagha Muhammad. We forded rivers between Loe Kaarez and yaaru. We zigzagged between Mullah Mustafa and the little village of Abdul Hamid.

Local pirates, demanding tribute, stopped us three times on the way. Each time, they revealed themselves at first in high vantage points, with guns trained on us, before their ground forces swept from hiding to lock the way forward and cut off our retreat. Each time, Khader raised his green-and-white mujaheddin flag emblazoned with the Koranic phrase:

Inalillahey wa ina illai hi rajiaon We come from God, and unto God do we return Although the local clans didn't recognise Khader's standard, they respected its language and intent. Their fierce, belligerent postures remained, however, until Khader, Nazeer, and our Afghan fighters explained to them that the group was travelling with, and under the protection of, an American. When the local pirates had examined my passport and stared hard into my blue-grey eyes, they welcomed us as comrades-in-arms, and invited us to drink tea and feast with them. The invitation was a euphemism for the honour of paying them a tribute. Although none of the pirates we encountered wanted to upset the critically important American aid that helped to sustain them in the long years of the war by attacking an American-sponsored caravan, it was unthinkable that we might pass through their territory without providing some plunder. Khader had brought a supply of baksheesh goods for that very purpose. There were silks in peacock blue and green, with rich inter-weavings of gold thread. There were hatchets and thick-bladed knives and sewing kits. There were Zeiss binoculars - Khader had given me a pair, and I used them every day-and magnifying spectacles for reading the Koran, and solid, Indian made automatic watches. And for the clan leaders there was a small hoard of gold tablets, each weighing one tola, or about ten grams, and embossed with the Afghan laurel.

Khader hadn't merely anticipated those pirate attacks; he'd counted on them. Once the formal courtesies and tribute negotiations were concluded, Khader arranged with each local clan leader to re-supply our caravan. The re-supply provided us with rations while we were on the move, and also guaranteed us food and animal feed at fraternal villages that were under the control or protection of the clan leader.

The re-supply was essential. The munitions, machine parts, and medicines that we carried were priorities, and left us little room for surplus cargo. Thus we carried a little food for the horses-two days' ration at most-but we carried no food at all for ourselves. Each man had a canteen of water, but it was understood that it was an emergency ration, to be used sparingly for ourselves and the horses. Many were the days we passed with no more than one glass of water to drink, and one small piece of naan bread to eat. I was a vegetarian, without being a fanatic about it, when I started on that journey. For years I'd usually preferred to eat my fruit and vegetable diet when it was available. Three weeks into the trek, after dragging horses across mountains and freezing rivers, and trembling from hunger, I fell on the lamb and goat meat that the pirates offered us, and ripped the flesh half-cooked from the bones with my teeth.

The steep mountain slopes of the country were barren, burned of life by biting wintry winds, but every flat plain, no matter how small, was a vivid, living green. There were wild flowers with red, starry faces, and others with sky-blue pom-pom heads. There were short, scrubby bushes with tiny yellow leaves that the goats enjoyed, and many varieties of wild grasses topped with feathery bowers of dried seed for the horses. There were lime-green mosses on many of the rocks, and paler lichens on others. The impact of those tender, viridescent carpets between the endlessly undulating crocodile's back of naked stone mountains was far greater than it mightVe been in a more fertile and equable landscape. We responded to each new sight of a softly carpeted incline or tufted, leafy moor with similar pleasure-a deep, subliminal response to the vitality in the colour green. More than a few of the tough, hardened fighters, trudging between the walking horses, stooped to gather a little clutch of flowers so that they might simply feel the beauty of them in their dry and calloused hands.

My status as Khader's American helped us to negotiate the badlands of the local pirates, but it also cost us a week when we were stopped for the third and last time. In an effort to avoid the little village of Abdul Hamid, our guide Habib led us into a small canyon that was just wide enough for three or four horses to ride side-by-side. Steep rock walls rose up on either side of the canyon trail for almost a kilometre before the funnel opened out into a much longer, wider valley. It was the perfect place for an ambush and, in anticipation, Khader rode at the head of our column with his green-and-white banner unfurled.

The challenge came before we were a hundred metres into the gorge. There was a chilling ululation from high above-men's voices raised in an imitation of the high-pitched, warbling wail of tribal women-and a sudden tumble of small boulders as a little avalanche spilled into the canyon before us. Like others, I turned in my saddle to see that a platoon of local tribesmen had taken up positions behind us with a variety of weapons trained on our backs. We halted immediately, at the first sound.

Khader slowly rode on alone for some two hundred metres. He stopped there, with his back straight in the saddle, and his standard fluttering in the strong, chill breeze.

The seconds of a long minute ticked away with the guns behind us, and the rocks poised above. Then a lone figure appeared, riding toward Khader on a tall camel. Although the two-humped Bactrian camel is native to Afghanistan, the rider's was a single-humped Arabian camel; the type bred by long distance cameleers of the northern Tajik region for use in extremes of cold. It had a mop of hair on its head, thick and shaggy neck-fur, and long, powerful legs. The man riding that impressive beast was tall and lean, and appeared to be at least ten years older than Khader's fit sixty-plus. He wore a long, white shirt over white Afghan pants, and a knee-length, sleeveless, black serge vest. A snowy white turban of sumptuous length was piled majestically on his head. His grey-white beard was trimmed away from the upper lip and the mouth, descending from his chin to nudge his thin chest.

Some of my friends in Bombay had called that kind of beard a Wahabi, after the sternly orthodox Saudi Arabian Muslims who trimmed their beards in that way to imitate the style preferred by the Prophet. It was a sign to us, in the canyon, that the stranger possessed at least as much moral authority as temporal power. The latter was emphasised with spectacular effect by the antique, long-barrelled jezail that he held upright, balanced on his hip. The muzzle-loaded rifle was decorated along all of its wooden surfaces with gleaming discs, scrolls, and diamond shapes fashioned from brass and silver coins and polished to a dazzling brilliance.

The man drew up beside Khaderbhai, facing us and within a hand's reach of our Khan. His bearing was commanding, and it was clear that he was accustomed to a comprehensive respect. He was, in fact, one of the very few men I ever came to know who equalled Abdel Khader Khan in the esteem-perhaps even the veneration- that he commanded from others with nothing more, or less, than his bearing and the sheer force of his fully realised life.

After a lengthy discussion, Khaderbhai wheeled his horse gently to face us.

I kicked backward, uttering what I hoped was an encouraging sound. All eyes on the ground and above us were on me, I knew, and in the swollen, silent seconds I had a vision of the horse throwing me to the ground at Khader's feet. But the mare responded with a smart, prancing canter, and found her own way through the column to stop at Khader's side. "This is Hajji Mohammed," Khader announced. He swept around us with a broad movement of his open palm. "He is the Khan, the leader of all the people, in all the clans, and all the families here."

Believing me to be an infidel, the leader didn't respond to my greeting. The Prophet Mohammed adjured his followers to return the peaceful greeting of a believer with an even more polite greeting. Thus the greeting Asalaam aleikum, Peace be with you, should've been answered, at the very least, with Wa aleikum salaam wa rahmatullah, And with you be peace and the compassion of Allah. Instead, the old man stared down from his perch on the camel and greeted me with a hard question.

It was the same question every Afghan had asked me, the American, since we'd entered the country. And although Khaderbhai translated it for me again, I understood the words and I'd rehearsed the answer.

It was a good answer and Hajji Mohammed was pleased with it, but it was a much better question, and it deserved a better response than my hopeful lie. The Afghans, from Mazar-i-Sharif to Kandahar, knew that if the Americans had given them Stinger missiles at the outbreak of the war, the mujaheddin would've beaten the invaders back within months. Stingers meant that the hated and mortally effective Russian helicopters could be smashed from the skies. Even the formidable MiG fighters were vulnerable to a hand-launched Stinger missile. Without the insuperable advantage of the air, the Russians and their Afghan army proxies would be forced to fight a ground war against the mujaheddin resistance-a ground war they could never win.

Cynics among the Afghans believed that the Americans refused to supply Stingers, for the first seven years of the conflict, because they wanted Russia to win just enough of the Afghan War to over-reach and over-commit themselves. If and when the Stingers finally arrived, the Russians would suffer a defeat that cost them so much in men and resources that their entire Soviet Empire would collapse.

And whether the cynics were right or wrong, the deadly game did play itself out in exactly that way. The Stinger missiles did turn the tide of the conflict, when they were finally introduced, a few months after Khader led us into Afghanistan. The Russians were so weakened by the war of resistance fought by those very Afghan villagers, and millions like them, that their monstrous, Caligulan empire crumbled around them. It worked, it played out that way, and what it cost was a million Afghan lives. What it cost was one-third of the population forced from their homeland. What it cost was one of the largest forced migrations in human history-three-and-a half million refugees moving through the Khyber Pass to Peshawar, and a million more exiled in Iran, India, and the Muslim republics of the Soviet Union. What it cost was fifty thousand men, women, and children with one or more limbs amputated through land-mine explosions. What it cost was the Afghan heart and soul.

And I, a wanted criminal, working for a mafia crime lord, impersonated an American and looked those people in the eye, and lied to them about the weapons I couldn't give them.

Hajji Mohammed liked my answer so much that he invited our group to attend the wedding celebrations of his youngest son. Concerned that a refusal might offend the elderly leader, and genuinely touched by the generous invitation, Khader accepted. When all the tributes were exacted-Hajji Mohammed drove a hard bargain, demanding and receiving Khader's own horse as an additional, personal gift-Khaderbhai, Nazeer, and I agreed to accompany the leader to his khel.

The rest of our column made camp in a pastured valley with plentiful fresh water. The break in our forced march allowed the men to groom and rest the horses. The pack animals were in constant need of attention and, with the cargo concealed in a protected cave, the unburdened beasts were free to gambol and roam. Our men prepared to feast on four roasting sheep, aromatic Indian rice, and fresh green-leaf tea provided by Hajji's village as their contribution to our part in the jihad. With the practical business of tributes negotiated and received, the senior men of Hajji Mohammed's village-like all the Afghan clan leaders we'd encountered on the journey-acknowledged us as fighters in the same cause, and offered every help they could provide. As Khader, Nazeer, and I rode away from the temporary camp toward the khel, the sounds of singing and laughter followed us, echo chasing playful echo. It was the first time we'd heard that lightness of heart from our men in the twenty-three days of the journey. Hajji Mohammed's village was in celebration when we arrived. His profitable, bloodless encounter with our column of armed men had added to the gathering thrill of anticipation for the wedding.

Khader explained how the elaborate rituals of Afghan matrimony had been unfolding for months before we'd arrived. There'd been ceremonial visits between the family of the groom, and the family of the bride. In every case, small gifts such as handkerchiefs or scented sweets had been exchanged, and precise courtesies were observed. The bride's dowry of extravagantly embroidered cloths, imported silks, perfumes, and jewellery had been publicly displayed for all to admire, and was then held in trust for her by the groom's family. The groom had even visited his bride-to-be in secret, and he'd presented her with personal gifts as he spoke to her. According to custom, it was strictly forbidden for him to be seen by the men in her family during that secret visit, but custom also required him to be helped by the girl's mother. The dutiful mother, Khader assured me, had remained with the couple while they spoke to one another for the first time, and had acted as their chaperone. With all that achieved, the couple was ready for the culmination of the marriage ceremony itself, to be held in three days' time.

Khader took me through the finest details of the rituals, and it seemed to me that there was a kind of urgency in his normally gentle, teacher's manner. At first I guessed-rightly, I think- that he was reacquainting himself with the customs of his people, after his five long decades in exile. He was reliving the scenes and celebrations of his youth, and he was proving to himself that he was still Afghan, in all that his heart knew and felt. But as the lessons continued through the following days, and the intensity of his attention to them never failed, I finally realised that the long explanations and histories were for my benefit more than his. He was giving me a crash course in the culture of the nation where I might be killed and where my body might be laid to rest. He was making sense of it-my life with him, and my possible death-in the only way that he knew. And understanding that, without ever speaking of it to him, I listened dutifully and learned everything I could.

Kinsmen, friends, and other invitees streamed into Hajji's village during those days. The four main houses of Hajji Mohammed's fortress-like men's kal'a, or compound, were tall, square, mud-brick buildings. High walls surrounded the kal'a, and one large dwelling stood in each of the four corners. The women's kal'a was a separate set of buildings behind even higher walls. In the men's compound we slept on the floor and cooked all our own meals. It was already crowded in the house that Khader, Nazeer, and I joined but, as new men arrived from distant villages, we all simply squashed in further.

Sleeping in our clothes, we top-and-tailed across the whole floor, each man sleeping with his head beside the feet of the next. There's a theory that snoring at night in sleep is a subconscious defence reflex-a warning sound that frightened potential predators away from the mouth of the cave when our lower-Palaeolithic ancestors huddled in vulnerable sleep. That group of Afghan nomads, cameleers, sheep and goat herders, farmers, and guerrilla fighters lent credibility to the idea, for they snored so thunderously and with such persistent ferocity through the long, cold night that they would've frightened a pride of ravenous lions into scattering like startled mice.

During the day, the same men prepared complex food dishes for the Friday wedding. Those dishes included flavoured yoghurts, piquant goat's or sheep's milk cheeses, oven-baked cakes made with corn flour, dates, nuts, and wild honey, biscuits baked with richly churned goat's milk butter and, of course, a variety of halal meats and vegetable pulao. While the foods were being prepared, I watched as men dragged a foot-operated grinding wheel into an open space, and the groom devoted a tense hour to putting a razor's edge to a large, ornate dagger. The bride's father watched that effort with a critical eye. After satisfying himself that the weapon was suitably lethal, he gravely accepted it as a gift from the younger man.

Each day the men also rehearsed ritual group-dances with the musicians and singers who'd been hired to complement the formal, public celebration. The dancing gave me the chance to see a new and completely unexpected side of Nazeer. He hurled himself into the whirling chorus line of men with grace and passion. Moreover, my short, bow-legged friend, whose bulky arms seemed to jut outward from the tree trunk of his thick neck and chest, was by far the best dancer in the entire assembly, and quickly earned their admiration. The whole secret and invisible inner life of the man, his full creative and spiritual endowment, was expressed in the dance. And that face-I'd said, once, that I'd never seen another human face in which the smile was so utterly defeated-that scowl-creased face was transfigured in the dance until his honest, selfless beauty was so radiant that it filled my eyes with tears.

I laughed. When I turned to look at him, he laughed as well.

And this is likely to be going on all over the universe. How am I doing so far?"

I waited, but he didn't reply, so I continued with my summary.

If rocks are made out of the same stuff that people are made out of, how come rocks aren't alive, but people are? I mean, where does life come from?"

He raised an eyebrow at the foolishness of my flippant response and then shook his head slowly.

The point is a boiling cauldron of light energy. Something caused it to expand-we don't know yet what caused it-and from light, all the particles and all the atoms came to exist, along with space and time and all the forces that we know. So, light gave every little particle at the beginning of the universe a set of characteristics, and as those particles combine in more complex ways, the characteristics show themselves in more and more complex ways."

He paused, watching my face as I struggled with the concepts and questions and emotions that looped in my mind. He got away from me again, I thought, suddenly furious with him for having an answer to my question, and yet struck with admiring respect for the same reason. There was always something eerily incongruous in the wise lectures-sometimes they were like sermons-of the mafia don Abdel Khader Khan. Sitting there against a stone wall in an all-but-Stone Age village in Afghanistan, with a cargo of smuggled guns and antibiotics nearby, the dissonance created by his calm, profound discourse about good and evil, and light and life and consciousness, was enough to fill me with exasperated irritation. "What I have just told you is the relationship between consciousness and matter," Khader proclaimed, pausing again until he had my eye. "This is a kind of test, and now you know it. This is a test that you should apply to every man who tells you that he knows the meaning of life. Every guru you meet and every teacher, every prophet and every philosopher, should answer these two questions for you: What is an objective, universally acceptable definition of good and evil? And, What is the relationship between consciousness and matter? If he cannot answer these two questions, as I have done, you know that he has not passed the test."

He stared at me, reading the full measure of the unconscious insult: How is it that an Afghan gangster like you knows so much about science and higher knowledge? I looked back at him, remembering a day at the slum with Johnny Cigar when I'd made the cruel mistake of assuming him to be ignorant simply because he was poor.

And later, as the wedding whirled and clamoured to the last wail of its rejoicing, and as we rejoined our men and scrambled, clattered, and strained our way across new mountains, I tried to unwind the wreath of thorns that Khader had coiled around my heart with his words. The wrong thing for the right reasons...

Once before he'd tormented me with that phrase. I chewed at it, in my mind, as a bear will chew at a leather strap that binds it by the leg. In my life, the wrong things were almost always done for the wrong reasons. Even the right things that I did were too often goaded by the wrong reasons.

A gloomy mood enwrapped me. It was a sullen, doubting temper that I couldn't shake off, and as we rode into the winter I thought often of Anand Rao, my neighbour from the slum. I remembered Anand's face smiling at me through the metal grille of the visitor's room at Arthur Road Prison: that gentle, handsome face, so serene, and softened with the peace that had suffused his heart. He'd done the wrong thing for the right reasons, as he saw it. He'd calmly accepted the punishment that he'd earned, as he said to me, as if it was a privilege or a right. And at last, after too many thinking days and nights, I cursed Anand. I cursed him to drive him from my mind because a voice kept telling me-my own voice, or maybe it was my father's-that I would never know that peace.

I would never come to that Eden in the soul, where acceptance of punishment and acknowledgement of wrong and right roll away the troubles that lodge like stones in the barren field of an exiled heart.

Moving north again at night, we climbed and crossed the narrow Kussa Pass in the Hada Mountains. The journey of thirty crow kilometres was closer to one hundred and fifty climbing-and descending-kilometres for us. Then, exposed to the wide sky, we travelled over flatter land for almost fifty kilometres to cross the Arghastan River and its tributaries three times before we reached the foothills of the Shahbad Pass. And there, with my mind still choked on its rights and wrongs, we were fired on for the first time.

Khader's command that we commence the climb of the Shahbad Pass without a rest saved many lives, including my own, that cold evening. We were exhausted after the headlong, trotting march across the open plain. Every man among us hoped for rest at the foothills of the pass, but Khader urged us on, riding the length of the column and shouting for us to keep on, keep on, and keep up the pace. Thus we were moving fast when the first shots were fired. I heard the sound: a hollow metal tapping, as if someone was rapping on the side of an empty gasoline can with a piece of copper pipe. Stupidly, I didn't associate it with gunfire at first, and I kept trudging forward, leading my horse by the reins. Then the bullets found their range, and they smashed into the ground, our column, and the rock walls around us. The men scrambled for cover. I fell to the ground, grinding my face into the dust of the stony path and telling myself that it wasn't really happening, that I hadn't seen the man in front of me ripped open across his back as he stumbled forward. Our men began firing from all around me. And rapid-breathing the dust into my mouth, stiff with fear, I was in the war. I mightVe stayed there, with my face in the dirt and my heart thumping seismic terror into the earth, if it wasn't for my horse. I'd lost the reins, and the horse was rearing in fright.

Fearing that it might trample me, I scrambled to my feet and scrabbled at the flailing reins to regain control of her. The horse that had been so impressively obedient to that point was suddenly the worst of the entire column. She reared and then bucked. She stamped her hooves and tried to drag me backward. She thrashed and drove us in tight circles, trying to find an angle where she could kick backward at me. She even bit me, snapping at my forearm and causing intense pain through three layers of clothes.

I glanced along the line, left and right. Those nearest to the pass were making a run for it, leading their animals toward the rocky shelves for shelter. Those immediately in front of me and behind me had managed to bring their horses down, and they crouched beside or behind them. Only my horse was still rearing and widely visible. Without a horseman's skill, it's a damn hard thing to convince a horse to lie down in a battle zone. Other horses were screaming in fear, and each whinny of terror put more panic into mine. I wanted to save her, to bring her down and make less of a target of her, but I was afraid for myself as well. The enemy fire slammed into the rocks above and beside me, and with every shattering sound I flinched like a deer nudging a thorn hedge.

It's a bizarre feeling, waiting for a bullet to strike: the nearest experience I can recall that's anything like it is falling through space, and waiting for the safety chute to open.

There's a special taste; a unique taste. There's a different smell on your skin. And there's a hardness in the eyes, as if they're suddenly made of cold metal. Just when I decided to give up and let the animal fend for herself, she buckled easily and followed my dragging arms down and onto her side. I hurled myself down with her, using her swollen middle as a shield. In an attempt to calm her, I reached over to pat at her shoulder. My hand squelched in a bloody wound. Raising my head, I saw that the horse had been struck twice, once high on the shoulder and once in the belly. The wounds were streaming blood with every heaving breath, and the horse was crying-I have no other word for it.

The sound was a breathy, stuttering, whining sob. I put my head against hers, and wrapped my arm around her neck.

The men in my group concentrated their fire on a ridge about one hundred and fifty metres away. With my body pressed hard against the ground, I peeked over the mane of my horse to see dusty plumes rise and spill over the distant ridge as bullet after bullet rammed into the earth.

And then it was over. I heard Khader shouting in three languages for the men to stop shooting. We waited for long minutes, in a stillness that groaned and moaned and sobbed. I heard footsteps crunching the stones nearby, and looked up to see Khaled Ansari running toward me at a crouch.

She's-"

Habib's gonna finish them off. Just stay here and keep your head down. I'll be back."

He ran off at a crouch, stopping here and there along the column behind me. My horse was breathing hard, whimpering with every third or fourth chugging breath. The flow of blood was slow but steady. The wound in her belly was oozing a dark fluid that was darker than blood. I tried to soothe her, stroking her neck, and then I realised that I hadn't given her a name. It seemed grievously cruel, somehow, for her to die without a name. I searched my mind, and when I pulled the net of thought up from the blue-black deep there was a name, glittering and true.

And she was right. She was right."

I was babbling, raving, in shock. I know the symptoms now. I've seen other men under fire for the first time. A rare few know exactly what to do: their weapons are returning fire before their bodies have finished an instinctive crouch and roll. Others laugh, and can't stop laughing. Some cry, and call for their mama, or their wife, or their God. Some get so quiet, shrinking down inside themselves, that even their friends get spooked by it. And some talk, just like I talked to my dying horse.

Habib scrambled up to me in a slithering, zigzag run, and saw me talking into the mare's ear. He checked her over thoroughly, running his hands over the wounds and probing under the thickly veined hide to feel for the bullets. He pulled his knife out of its scabbard. It was a long knife, with a dog's tooth point. He positioned it over the horse's throat and then paused. His mad eyes met mine. There was a sunburst of gold around the pupils of his eyes that seemed to pulse and whirl. They were big eyes, but the madness in them was bigger, straining and bulging at them as if it wanted to burst outward from his very brain. And yet he was sane enough to sense my helpless grief, and to offer me the knife.

It may be that I should've taken the knife and killed the horse, my horse, myself. Maybe that's what a good man, a committed man, would've done. I couldn't. I looked at the knife and the trembling throat of the horse, and I couldn't do it. I shook my head. Habib pushed the knife into the horse's neck and gave it a subtle, almost elegant twist of his wrist. The mare shuddered, but allowed herself to be calmed. When the knife left her throat, the blood gushed in heart-thrusted bursts onto her chest and the sodden ground. Slowly, the straining jaw relaxed, and the eyes glazed over, and then the great heart was still.

I looked from the gentle, dead, unfearing eyes of the horse into the sickness that careered in Habib's eyes, and the moment that we shared was so charged with emotion, so surreally alien to the worlds I knew, that my hand slid involuntarily along my body to the gun in my holster. Habib grinned at me, a toothy baboon grin that was impossible to read, and scrambled away along the line to the next wounded horse.

I'm sure he was dead before his knees hit the ground. It was that fast!"

As it is, we've got three wounded, and we lost four horses."

We wrenched the saddle and bridle from my dead horse, and trotted up the line of men and horses to the mouth of the narrow pass.

The wounded men were lying within the cover of a shoulder of rock. Khader stood nearby, frowning watchfully at the plain behind me. Ahmed Zadeh was gently but hurriedly removing the clothing from one of the wounded men. I glanced at the darkening sky.

One man had a broken arm. His horse had fallen on him when it was shot. The break was a bad one, a compound fracture of the forearm, near the wrist. One bone protruded at a sickeningly unnatural angle, but it remained within the envelope of flesh, and nowhere pierced the skin. It had to be set. When Ahmed Zadeh removed the second man's shirt, we saw that he'd been shot twice. Both bullets were still in his body, and they were too deep to reach without major surgery. One, in the upper chest, had shattered the collarbone, and the other had lodged in his stomach, tearing a wide and undoubtedly fatal wound from hip to hip. The third man, a farmer named Siddiqi, had a bad head-wound. His horse had thrown him against the rocks, and he'd struck a boulder with the top of his head, near the crown.

It was bleeding, and there was a clear fracture of the cranium.

My fingers slid along the ridge of broken bone, greasy-wet with his blood. The broken scalp had split into three chunks. One of them was so loose that I knew it would come away in my hand if I tugged at it. His matted hair was all that held his skull together. There was also a thick swelling at the base of the skull, where his head met his neck. He was unconscious, and I doubted that he would ever open his eyes again.

I glanced at the sky once more. There was so little daylight left, so little time. I had to make a decision, a choice, and help one man to live, maybe, while I let other men die. I wasn't a doctor, and I had no experience under fire. The work had fallen to me, it seemed, because I knew a little more than the next man, and I was willing to do it. It was cold. I was cold. I was kneeling in a sticky smear of blood, and I could feel it soaking through the knees of my pants. When I looked up at Khader he nodded, as if he was reading my thoughts. Feeling sick with guilt and fear, I pulled a blanket over Siddiqi, to keep him warm, and then I abandoned him to work on the man with the broken arm.

Khaled pulled open the comprehensive first-aid kit beside me. I threw a plastic bottle of antibiotic powder, antiseptic wash, bandages, and scissors on the ground at Ahmed Zadeh's feet, beside the man who'd been shot. I snapped out brief instructions for cleaning and dressing the wounds, and as Ahmed went to work, covering the bullet wounds, I turned my attention to the broken arm. The man spoke to me urgently. I knew his face well. He had a special talent for herding the unruly goats, and I'd often seen the temperamental creatures following him, unbidden, as he wandered around our camp.

He smiled broadly, and brushed at the ground beside the wounded man, gradually easing the Kalashnikov out of the man's hand and out of reach. Then, as darkness closed over us, and five of the man's friends held him down, I wrenched and twisted his shattered arm until it resembled the straight, healthy limb that it once had been and never would be again.

When the break was wrapped and set with hard plastic splints, and we'd patched over the wounds on the man who'd been shot, I hastily wrapped a dressing around unconscious Siddiqi's head. At once we set off into the narrow pass. The cargo was distributed among all the remaining horses. The man with the bullet wounds rode a horse, supported on both sides by his friends. Siddiqi was strapped across one of the packhorses, as was the body of Madjid, the Afghan who'd been killed in the attack. The rest of us walked.

The climb was steep but short. Puffing hard in the thin air and shivering in a cold that penetrated to my bones, I pushed and dragged the reluctant horses with the rest of the men. The Afghan fighters never once complained or grumbled. When the pitch of one climb was steeper than anything I'd known on the whole trip, I paused at last, panting heavily to regain my strength. Two men turned to see that I'd halted, and they slid down the path to me, giving up the precious metres they'd just gained. With huge smiles and encouraging claps on the shoulder, they helped me to drag a horse up the slope and then bounded off to help those ahead.

After five hours of the climb we reached our destination, a camp in the Shar-i-Safa Mountains. The camp was sheltered from the air by a prodigious ledge of rock. The ground beneath had been excavated to form a vast cave leading to a network of other caves. Several smaller, camouflaged bunkers surrounded the cave in a ring that reached to the fringe of the flat, rugged mountain plateau.

Khader called us to a halt in the light of the rising full moon.

His scout Habib had alerted the camp to our arrival, and the mujaheddin were waiting for us-and the supplies we brought-with great excitement. A message was sent back to me, in the centre of the column, that Khader wanted me. I jogged forward to join him.

Nazeer led several horses forward, and we climbed wearily into the saddles. Khader must've been far more tired than I was, and his body mustVe wrestled with many more pains and complaints, but he was straight-backed in the saddle and he held the green-and white standard at his hip with a rigid arm. Imitating him, I sat up straight and kicked back smartly to start the horse forward.

Our small column moved off slowly into a silvered moonlight so strong that it cast looming shadows on the grey rock walls.

The approach to the camp from that southern climb was along a narrow stone path that swept in a graceful, even curve from right to left. Beside the path on our left was a steep drop of some thirty metres to a rubble of broken boulders. On our right was the smooth rock face of a sheer wall. When we were perhaps half way along the path, watched attentively by our own men and the mujaheddin in the camp, I developed an irritating cramp in my right hip. The cramp quickly became a piercing knot of pain; and the more that I tried to ignore it, the more agonising it felt.

Attempting to relieve the stress on my hip, I took my right foot out of the stirrup and tried to stretch my leg. With all the weight on my left leg, I stood a little in the saddle. Without warning, my left foot gave way beneath me as my boot slipped from the stirrup, and I felt myself falling sideways out of the saddle toward the deep, hard drop to the stones. Self-preservation instincts set my limbs flailing, and I clutched at the horse's neck with my arms and my free right leg as I swung down and around. In the time it takes to clench your teeth, I'd fallen from the saddle and coiled myself upside-down around the neck of the horse. I called on it to stop, but it ignored me, plodding onward along the narrow track. I couldn't let go. The path was so narrow, and the drop so steep, that I was sure I would fall if I released my grip. And the horse wouldn't stop. So I hung on, with my arms and my legs wrapped around its neck, upside-down, while its head gently bobbed and dipped next to mine.

I heard my own men laughing first. It was that helpless, stuttering, choking laughter that makes men suffer for days with the ache of it in their ribs. It was the kind of laughter that you're sure will kill you if you can't get that next gasping breath. And then I heard the mujaheddin fighters laughing from the camp. And I arched my head backward to see Khader, facing around in his saddle and laughing as hard as the rest. And then _I started to laugh, and when the laughter weakened my arms, as I clutched at the horse, I laughed again. And as I choked out an anguished, croaky Whoa! Stop! Band karo! the men laughed harder than ever.

And so I entered the camp of the mujaheddin fighters. Men crouched around me at once, helping me from the horse's neck and steadying me on my feet. My own column of men followed us across the narrow path, and reached out to pat me on the back and slap at my shoulders. Seeing that familiarity, the mujaheddin joined in the slapping chorus, and it was fully fifteen minutes before the last man left my side and I could sit down to rest my jelly legs.

Khaled Ansari said, sliding down a boulder face to sit beside me with his back to the stone. "But fuck, man, you are real popular after that trick. That's easily the funniest thing those guys have ever seen in their lives."

I laughed with him, and although I was exhausted and resigned to the ridicule, I didn't want to laugh any more, so I glanced around to my right to avoid his eye. A canvas shamiana in camouflage colours provided shelter for our wounded men. In the shadows beside it, men were pulling cargo from the horses and ferrying it into the cavern. I saw Habib dragging something long and heavy away from behind the working line, and deeper into the darkness beyond.

Khaled was instantly alert, and jumped to his feet. His urgency quickened me, and I leapt up after him. We ran to the line of rocks that formed one edge of the flattened mountain plateau, and as we rounded them we saw him kneeling, legs astride the body of a man. It was Siddiqi. While all the attention was on the fascinating bundles of the cargo, Habib had dragged the unconscious man from beneath the canvas awning. Just as we reached him, Habib drove his long knife into the man's neck and gave it that delicate twist. Siddiqi's legs twitched a tiny, trembling shake and then were still. Habib pulled the knife away and turned to see us staring back at him. The horror and rage in our faces seemed only to fuel the burning madness in his eyes. He grinned at us.

He turned his head quickly and tilted it at an eccentric angle, as if listening with feral intensity to a faint sound in the distant night. I heard nothing but the noises of the camp behind me and the soft wail of the wind as it coursed through the canyons and ravines and secret pathways. In that instant, the land, the mountains, the very country of Afghanistan seemed to me so desolate, so bleached of loveliness and tenderness that it was like the landscape of Habib's insanity. I felt that I was trapped inside the stony maze of his hallucinated brain.

While he listened, tense in his animal crouch, with his face turned away from me, I slipped the stud-clip off my holster. I eased the gun out, and into my hands. Breathing hard, I followed Khader's instructions automatically, not realising until it was done that I'd flicked off the safety, chambered a round by pulling back the sliding return, and cocked the hammer. The sounds brought Habib round to face me. He looked at the gun in my hand. It was aimed at his chest. He looked back to my eyes, moving his gaze slowly, almost languorously. The long knife was still in his hand. I don't know what expression lit my face in the moonlight. It can't have been good. My mind was made up: if he moved a millimetre toward me, I would pull the trigger as many times as it took to finish him.

His grin widened into a laugh-at least, it looked like a laugh.

His mouth moved, and his head shook, but there was no sound. And his eyes, ignoring Khaled completely, stared a message into mine.

And then I could hear him, hear his voice in my head. You see? his eyes said to me. I'm right not to trust any of you... You want to kill me... All of you... You want me dead... But it's all right... I don't mind... I give you my permission... I want you to do it...

We heard a sound, a footstep, behind us. Khaled and I jumped and whirled in fright to see Khader, Nazeer, and Ahmed Zadeh rushing to join us. When we looked back, Habib was gone.

Abdel Khader was kneeling beside the dead man, whispering prayers with his hands held palms upwards.

Make a check of all his stuff-check his horse, and his pack. See what weapons or explosives he might've had on him. I didn't get too good a look, before, but I think he had some stuff under his jacket. Fuck, this is a mess!"

When Khader completed his prayers, we carried Siddiqi's body back to the canvas shamiana, and wrapped it in cloth until the rituals of burial could be performed on the following day. We worked for a few hours more and then lay down in the cavern, side by side for sleep. The snoring was loud, and the exhausted men were restless in their slumber, but I lay awake for other reasons. My eyes kept drifting back to the place, moonless and thickly shadowed, where Habib had disappeared. Khaled was right. It had started badly, Khader's war, and the words echoed in my wakeful mind. A bad start...

I tried to fix my eyes on the clear and perfect stars of that fated night's black heaven, but again and again my concentration lapsed, and I found myself staring at the dark edge of the plateau. And I knew, in the way we know without a word that love is lost, or in the sudden, sure way we know that a friend is false and doesn't really like us at all, that Khader's war would end much worse, for all of us, than it had begun.